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In this first stage, the catalogue focuses on the modern and contemporary architecture designed and built between 1832 –year of construction of the first industrial chimney in Barcelona that we establish as the beginning of modernity– until today.
The project is born to make the architecture more accessible both to professionals and to the citizens through a website that is going to be updated and extended. Contemporary works of greater general interest will be incorporated, always with a necessary historical perspective, while gradually adding works from our past, with the ambitious objective of understanding a greater documented period.
The collection feeds from multiple sources, mainly from the generosity of architectural and photographic studios, as well as the large amount of excellent historical and reference editorial projects, such as architectural guides, magazines, monographs and other publications. It also takes into consideration all the reference sources from the various branches and associated entities with the COAC and other collaborating entities related to the architectural and design fields, in its maximum spectrum.
Special mention should be made of the incorporation of vast documentation from the COAC Historical Archive which, thanks to its documental richness, provides a large amount of valuable –and in some cases unpublished– graphic documentation.
The rigour and criteria for selection of the works has been stablished by a Documental Commission, formed by the COAC’s Culture Spokesperson, the director of the COAC Historical Archive, the directors of the COAC Digital Archive, and professionals and other external experts from all the territorial sections that look after to offer a transversal view of the current and past architectural landscape around the territory.
The determination of this project is to become the largest digital collection about Catalan architecture; a key tool of exemplar information and documentation about architecture, which turns into a local and international referent, for the way to explain and show the architectural heritage of a territory.
Aureli Mora i Omar Ornaque Directors arquitecturacatalana.cat
credits
About us
Project by:
Created by:
Directors:
2019-2024Aureli Mora i Omar Ornaque
Documental Commission:
2019-2024 Ramon FauraCarolina B. GarciaEduard CallísFrancesc RafatPau Albert Antoni López DaufíJoan FalguerasMercè BoschJaume FarrenyAnton PàmiesJuan Manuel ZaguirreJosep FerrandoFernando MarzáMoisés PuenteAureli MoraOmar Ornaque
Collaborators:
2019-2024Lluis AndreuSergi BallesterMaria Jesús QuinteroLucía M. VillodresMontse Viu
External Collaborators:
2019-2024Helena CepedaInès Martinel
With the support of:
Generalitat de Catalunya. Departament de Cultura
Collaborating Entities:
ArquinFAD
Fundació Mies van der Rohe
Fundación DOCOMOMO Ibérico
Basílica de la Sagrada Família
Museu del Disseny de Barcelona
Fomento
AMB
EINA Centre Universitari de Disseny i Art de Barcelona
We kindly invite you to help us improve the dissemination of Catalan architecture through this space. Here you can propose works and provide or amend information on authors, photographers and their work, along with adding comments. The Documentary Commission will analyze all data.
Please do only fill in the fields you deem necessary to add or amend the information.
The Arxiu Històric del Col·legi d'Arquitectes de Catalunya is one of the most important documentation centers in Europe, which houses the professional collections of more than 180 architects whose work is fundamental to understanding the history of Catalan architecture.
By filling this form, you can request digital copies of the documents for which the Arxiu Històric del Col·legi d'Arquitectes de Catalunya manages the exploitation of the author's rights, as well as those in the public domain.
Once the application has been made, the Arxiu Històric del Col·legi d'Arquitectes de Catalunya will send you an approximate budget, which varies in terms of each use and purpose.
The auditorium is located on a peripheral site in the Eixample, the result of the union of two blocks of houses, very common in this urban fabric. The building responds to its location by means of a compact body, with the intention of initiating a conformation of the whole area that the other buildings will have to complete later. The design of the project chooses to define a concrete mesh that is the correlate of its urban form, while the audition room, inside, responds carefully to the quality of its function. The seats adopt a skewed layout to favour the foresighted vision of the musicians, very different from the visuals required for theatrical performances. The two main rooms, the audition room and the rehearsal room, are separated by an outdoor space that stages the social aspect of the musical events and is covered by a large glass lantern decorated by the artist Pablo Palazuelos.
Author: Maurici Pla
Source: Catalunya : guia d'arquitectura moderna, 1880-2007
The auditorium is located on a peripheral site in the Eixample, the result of the union of two blocks of houses, very common in this urban fabric. The building responds to its location by means of a compact body, with the intention of initiating a conformation of the whole area that the other buildings will have to complete later. The design of the project chooses to define a concrete mesh that is the correlate of its urban form, while the audition room, inside, responds carefully to the quality of its function. The seats adopt a skewed layout to favour the foresighted vision of the musicians, very different from the visuals required for theatrical performances. The two main rooms, the audition room and the rehearsal room, are separated by an outdoor space that stages the social aspect of the musical events and is covered by a large glass lantern decorated by the artist Pablo Palazuelos.
The project of the Catalunya College of Music is located inside the L'Auditori building with the aim of revitalising a musical complex that will develop complementary activities to those of the audition of symphonic music concerts. In this way, the complex program of L'Auditori will be articulated over time and will be transformed into a true city of music that is almost self-sufficient.
The new conservatory includes the second and third cycle music studies, a library, sheet music library and specialised sound library, rehearsal rooms, electroacoustics laboratory, administration, with all the complementary services of dressing rooms and instrument storage for an auditorium of 700 localities.
This program takes place on the first, second, third and fourth floors of the L'Auditori building on Lepant Street in Barcelona.
The rooms, where the ESMUC program is housed, are organised around two large courtyards: the central atrium open to full height with the glass impluvium, which are the support for Pablo Palazuelo's paintings, and the superior cloister, open to the second and third floors with access from the latter.
The L’Auditori-Barcelona Musical Centre project began in 1989. The program was written for a set of musical activities that far exceeded that of a strict concert hall.
Thus, the new centre would host, in addition to the three audition rooms (symphonic, chamber and multipurpose rooms), a school of advanced musical studies and the Music Museum. This construction project for the Music Museum will complete the L’Auditori complex.
The spaces where the museum's program is housed are organised around a large courtyard: the central atrium open to full height with the impluvium of glassvsupports Pablo Palazuelo's paintings.
The main access to the museum is from the main staircase of Les Arts Square, which goes directly to the second floor. This floor houses all the museum administration, reception and information, services, reception room, permanent exhibition and temporary exhibition.
From the second floor you can reach the third floor, where the library is, via the internal stairs. The library has a reserve of funds that can be visited and a research room. Finally, the restoration and photography workshop, the publication archive, the administration and the reserve fund are located in the basement.
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