Civil building. Detached single-family house. It consists of a semi-basement, ground floor, floor and attic. The walls of the semi-basement are plastered with masonry. Gable roof with glazed Arabic tiles. There is a tower with a square plan which ends with a viewpoint. Vertical communication takes place in this same tower. On the ground floor there is an open gallery or portico with cone-shaped arches. The openings are framed with stuccos with floral geometric motifs. There is a perimeter impost or border made up of alternating tiles.
Inside the garden, in front of the main façade, there is a pergola built in the Noucentista period and style. Today it is partially dismantled, but it retains the supporting structure of two small temples, each designed as a set of double pillars at the outer ends and double columns inside, which draw a quadrilateral in plan. They are crowned with an entablature and cornice, and at each angle there is an ornamental ball. The lateral and rear intercolumniations are closed with an openwork trellis of wooden slats arranged in a rhombus shape, where access doors and portholes at the top. On the entablature supported the ceilings, made with a wooden framework, and the pergola itself, which took the form of a barrel vault made with wooden slats and metal wires. These elements that gave shade are the ones that have disappeared.
It is the most interesting work of Planas Calvet together with the Santamaria house. It corresponds to the stage closest to the architect Vosey, and in particular to the house in Bedford Park.
The isolated tower model was born and proliferated with the summering phenomenon of the bourgeois of Catalan cities, but especially Barcelona. It started at the turn of the 19th and 20th centuries and lasted until the end of the 1920s.
