In this first stage, the catalogue focuses on the modern and contemporary architecture designed and built between 1832 –year of construction of the first industrial chimney in Barcelona that we establish as the beginning of modernity– until today.
The project is born to make the architecture more accessible both to professionals and to the citizens through a website that is going to be updated and extended. Contemporary works of greater general interest will be incorporated, always with a necessary historical perspective, while gradually adding works from our past, with the ambitious objective of understanding a greater documented period.
The collection feeds from multiple sources, mainly from the generosity of architectural and photographic studios, as well as the large amount of excellent historical and reference editorial projects, such as architectural guides, magazines, monographs and other publications. It also takes into consideration all the reference sources from the various branches and associated entities with the COAC and other collaborating entities related to the architectural and design fields, in its maximum spectrum.
Special mention should be made of the incorporation of vast documentation from the COAC Historical Archive which, thanks to its documental richness, provides a large amount of valuable –and in some cases unpublished– graphic documentation.
The rigour and criteria for selection of the works has been stablished by a Documental Commission, formed by the COAC’s Culture Spokesperson, the director of the COAC Historical Archive, the directors of the COAC Digital Archive, and professionals and other external experts from all the territorial sections that look after to offer a transversal view of the current and past architectural landscape around the territory.
The determination of this project is to become the largest digital collection about Catalan architecture; a key tool of exemplar information and documentation about architecture, which turns into a local and international referent, for the way to explain and show the architectural heritage of a territory.
We kindly invite you to help us improve the dissemination of Catalan architecture through this space. Here you can propose works and provide or amend information on authors, photographers and their work, along with adding comments. The Documentary Commission will analyze all data. Please do only fill in the fields you deem necessary to add or amend the information.
The Arxiu Històric del Col·legi d'Arquitectes de Catalunya is one of the most important documentation centers in Europe, which houses the professional collections of more than 180 architects whose work is fundamental to understanding the history of Catalan architecture. By filling this form, you can request digital copies of the documents for which the Arxiu Històric del Col·legi d'Arquitectes de Catalunya manages the exploitation of the author's rights, as well as those in the public domain. Once the application has been made, the Arxiu Històric del Col·legi d'Arquitectes de Catalunya will send you an approximate budget, which varies in terms of each use and purpose.
Located on a landing on a small hill, at the foot of Cap de Grill, in the town centre of Cantallops. Along with the Romanesque chapel of Saint Sepulcher d'Olèrdola, it is the only religious building with a circular plan existing in the Penedès. It is a unique building, highly visible from all around. It has an emblematic character, and an image of Santa Margarida is venerated inside. In addition, the cross above the altar was a baroque processional cross.
It is suffragan of the parish of Sant Pere d'Avinyó.
There are historical precedents for the existence of a chapel of Santa Margarida, thus, in 1579, Jaume Peipo d'Avinyonet, left an amount to repair the Chapel of Santa Margarida de Cantallops in his will, and in 1729 the General Visitor of the parish of Sant Pere d'Avinyó orders the workers of Avinyonet to go and repair the chapel of Santa Margarida de Cantallops (ESCOFET, 1981).
One of the signs of identity of Cantallops is the church that dominates the town, which was consecrated on July 20, 1975, by Bishop Capmany. At the beginning of 1975, the Cantallops church (which is still standing on the road) had a big crack, and the road had to be crossed and it was dangerous. As a result of the collective push, in April, the Fortuny Algueró family had already ceded a plot of land in Cap de Gruill, and the plans had already been drawn up, as well as all the papers in order. On the 14th, construction began on the new building, and three months later, on July 20, it was inaugurated.
Everyone worked to make the project a reality, under the charge of the town's two masons (Joan Ràfols and Josep Guilera). Sundays were the days of maximum activity. It is explained that for the Virgin of Montserrat, on April 27, more than 3,000 torches were placed. However, there were delicate moments, such as when the dome was made, or when the bell or the cross was placed.
The round shape of the church was difficult to assimilate at first, but over time it became an identity sign. It was a characteristic feature of the town. In the middle of construction, there were people asking if it was a water tank or a bullring. When it was finished and painted, it was also said to look like a strawberry shortcake. But, in reality, many people recognised Cantallops by the circular church (GUILERA ALEMANY, 2000).
Devotion to Saint Margaret, to whom the current church is dedicated, was quite present in medieval times. Geographically close is the antecedent of this invocation to Santa Maria de Llinda, in the ruined chapel of the 10th century. It is interesting the historical coincidence of the existence, in 11th century documentation, of a Llop-Sanç, settled in the vicinity of Llinda in lands that include the "Campo de Lupo" (Cantallops?), entrusted in 1176 to Bertran de Solario, the owner of Mas Bertran, by the monastery of Sant Cugat (MARGARIT, 1983a).
The old church that is located on Santa Margarida Street (which follows the route of the national road, was built by Llopart's father between 1952 and 1958. It was paid for by the town and the rich owners. The stone it was brought from the quarries that can still be seen under the Gunyoles cemetery (oral information, Julià Marcè).
Before the Civil War there was another chapel of Santa Margarida near Camí dels Xops, with a small, cobbled quarter marked by low gates.