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In this first stage, the catalogue focuses on the modern and contemporary architecture designed and built between 1832 –year of construction of the first industrial chimney in Barcelona that we establish as the beginning of modernity– until today.
The project is born to make the architecture more accessible both to professionals and to the citizens through a website that is going to be updated and extended. Contemporary works of greater general interest will be incorporated, always with a necessary historical perspective, while gradually adding works from our past, with the ambitious objective of understanding a greater documented period.
The collection feeds from multiple sources, mainly from the generosity of architectural and photographic studios, as well as the large amount of excellent historical and reference editorial projects, such as architectural guides, magazines, monographs and other publications. It also takes into consideration all the reference sources from the various branches and associated entities with the COAC and other collaborating entities related to the architectural and design fields, in its maximum spectrum.
Special mention should be made of the incorporation of vast documentation from the COAC Historical Archive which, thanks to its documental richness, provides a large amount of valuable –and in some cases unpublished– graphic documentation.
The rigour and criteria for selection of the works has been stablished by a Documental Commission, formed by the COAC’s Culture Spokesperson, the director of the COAC Historical Archive, the directors of the COAC Digital Archive, and professionals and other external experts from all the territorial sections that look after to offer a transversal view of the current and past architectural landscape around the territory.
The determination of this project is to become the largest digital collection about Catalan architecture; a key tool of exemplar information and documentation about architecture, which turns into a local and international referent, for the way to explain and show the architectural heritage of a territory.
About us
Project by: 
Created by: 
Directors:
2019-2024 Aureli Mora i Omar OrnaqueDocumental Commission:
2019-2024 Ramon Faura Carolina B. Garcia Eduard Callís Francesc Rafat Pau Albert Antoni López Daufí Joan Falgueras Mercè Bosch Jaume Farreny Anton Pàmies Juan Manuel Zaguirre Josep Ferrando Fernando Marzá Moisés Puente Aureli Mora Omar OrnaqueCollaborators:
2019-2024 Lluis Andreu Sergi Ballester Maria Jesús Quintero Lucía M. Villodres Montse ViuExternal Collaborators:
2019-2024 Helena Cepeda Inès MartinelWith the support of:
Generalitat de Catalunya. Departament de CulturaCollaborating Entities:
ArquinFADFundació Mies van der Rohe
Fundación DOCOMOMO Ibérico
Basílica de la Sagrada Família
Museu del Disseny de Barcelona
Fomento
AMB
EINA Centre Universitari de Disseny i Art de Barcelona
IEFC
Fundació Domènench Montaner.
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We kindly invite you to help us improve the dissemination of Catalan architecture through this space. Here you can propose works and provide or amend information on authors, photographers and their work, along with adding comments. The Documentary Commission will analyze all data. Please do only fill in the fields you deem necessary to add or amend the information.
The Arxiu Històric del Col·legi d'Arquitectes de Catalunya is one of the most important documentation centers in Europe, which houses the professional collections of more than 180 architects whose work is fundamental to understanding the history of Catalan architecture. By filling this form, you can request digital copies of the documents for which the Arxiu Històric del Col·legi d'Arquitectes de Catalunya manages the exploitation of the author's rights, as well as those in the public domain. Once the application has been made, the Arxiu Històric del Col·legi d'Arquitectes de Catalunya will send you an approximate budget, which varies in terms of each use and purpose.
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Memory
After twelve years of searching for a plot of land, the Evangelical Church of Terrassa, an institution almost a century old in the city, finds its place in the Can Tusell neighbourhood facing Avinguda Béjar, one of the main streets of access to the city and communication with the industrial area.
The building, which occupies a third of the plot and is located in its lowest part with access from Avinguda Béjar, combines specifically religious uses (it holds worship every Sunday morning) with social uses resulting from an agreement with the City Council.
The complex manifests itself as a large monolithic base that gradually decreases in height due to the slope of the land formed by steel plates in the form of cladding and fence on which two bodies are suspended. In a central and larger position, a modulated cube with edges rises, covered with a new material of recycled aluminum, pressed and injected and which, thanks to its brightness, gives an emblematic character to the piece that houses its interior - the room for worship. The other body of lower height and close to Carrer Tramuntana is suspended and stands out. In this case, the edges frame corrugated and perforated aluminum planes that act as a lattice like a second skin for the nursery programme. While the façade on Avinguda Béjar presents itself as a tense, rigorous and continuous plan that hides its access, the two side façades show its friendlier side where the vegetation masks a fence that acts as a second façade. This makes the plane of the glass retract with respect to the limit of the plot and all the perimeter spaces enjoy light and ventilation, as well as privacy and security.
Since the nursery is accessed via a higher and separate level, the functional programme, both religious and social, takes place all on the ground floor with the exception of a loft suspended over the double space of the worship hall. A reception area allows passage and distributes the administration area on one side and, on the other, a corridor facilitates access to twelve classrooms and the worship room at the front, the central piece that organises the entire programme of needs around it. The worship room is oriented perpendicular to the axis of access so that thanks to a system of movable partitions they establish a direct relationship with the adjacent spaces which in turn are related to the outside through a courtyard.
While the compositional criteria of the interior respond to functional criteria, the exteriors respond to the situation, the orientation and, above all, to the desire to be a discreet and contained building from a short distance but at the same time a reference piece of evangelical worship from the farthest distance.
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Evangelical Church
Office of Architecture in Barcelona (OAB), Lucía Ferrater Arquer, Carlos Ferrater i Lambarri
After twelve years of searching for a plot of land, the Evangelical Church of Terrassa, an institution almost a century old in the city, finds its place in the Can Tusell neighbourhood facing Avinguda Béjar, one of the main streets of access to the city and communication with the industrial area. The building, which occupies a third of the plot and is located in its lowest part with access from Avinguda Béjar, combines specifically religious uses (it holds worship every Sunday morning) with social uses resulting from an agreement with the City Council. The complex manifests itself as a large monolithic base that gradually decreases in height due to the slope of the land formed by steel plates in the form of cladding and fence on which two bodies are suspended. In a central and larger position, a modulated cube with edges rises, covered with a new material of recycled aluminum, pressed and injected and which, thanks to its brightness, gives an emblematic character to the piece that houses its interior - the room for worship. The other body of lower height and close to Carrer Tramuntana is suspended and stands out. In this case, the edges frame corrugated and perforated aluminum planes that act as a lattice like a second skin for the nursery programme. While the façade on Avinguda Béjar presents itself as a tense, rigorous and continuous plan that hides its access, the two side façades show its friendlier side where the vegetation masks a fence that acts as a second façade. This makes the plane of the glass retract with respect to the limit of the plot and all the perimeter spaces enjoy light and ventilation, as well as privacy and security. Since the nursery is accessed via a higher and separate level, the functional programme, both religious and social, takes place all on the ground floor with the exception of a loft suspended over the double space of the worship hall. A reception area allows passage and distributes the administration area on one side and, on the other, a corridor facilitates access to twelve classrooms and the worship room at the front, the central piece that organises the entire programme of needs around it. The worship room is oriented perpendicular to the axis of access so that thanks to a system of movable partitions they establish a direct relationship with the adjacent spaces which in turn are related to the outside through a courtyard. While the compositional criteria of the interior respond to functional criteria, the exteriors respond to the situation, the orientation and, above all, to the desire to be a discreet and contained building from a short distance but at the same time a reference piece of evangelical worship from the farthest distance. -
FAD Award
Shortlisted. Category: ArchitectureEvangelical ChurchOffice of Architecture in Barcelona (OAB), Lucía Ferrater Arquer, Carlos Ferrater i Lambarri