Group of buildings around a large U-shaped courtyard, oriented south. The central body stands out for the access reinforced by two observation towers that protrude from the rest of the buildings; these have a ground floor, main floor and attic. The cover is composite. The formal and decorative elements are representative of the modernist language.

It was built on the site of the old and disappeared Capuchin convent, founded in 1584 and destroyed during the Napoleonic war. After being redone, the burning of convents of 1835 took place.

In 1844, the state ceded these lands to move the hospital that was previously in the current Tarafa Library. In 1913, the "Junta de Reforma de Granollers y Construcción del Nuevo Hospital - Asilo" was established, chaired by Francisco Ribes Serre. In 1914 the foundation stone was laid.

Part of the funds to construct this building were taken from the sale of the Sant Esteve altarpiece (a work by Vergós from the 15th century) for 150,000 pesetas.

Group of buildings with an enclosed courtyard in the middle. It contains formal and decorative elements typical of modernism. It can be included in the late-modernist stage of the architect Josep Maria Miró i Guivernau. It is the first important public building he built and the most important one of his modernist period. It is located on the southern slope of the hill of the Pinós tower, next to the road from Caldes to Sant Celoni, outside the urban core. It is made up of a set of three pavilions: that of Sant Jaume, intended for a hospital; that of Santa Faustina, intended as an asylum, and that of Sant Enric, which housed the kitchen, the chapel, the convent and auxiliary outbuildings, articulated around a large U-shaped courtyard, closed to the north and open to the south. Behind, on the northern side of the building complex, there is an isolated pavilion, with a rectangular plan and composite roof, designed in 1933, intended for infectious diseases and inaugurated in 1957. In the central body that joins the side pavilions there has the access, emphasised by two lookout towers that protrude from the level of the eaves - cornice that crowns all the buildings in the complex. It has a ground floor, main floor and attic, taking advantage of the undercover. The roofs are made of Arabic tiles on different slopes composed according to the plan of the complex. Its finishes by means of an elaborate eaves nested along the entire perimeter of the façade should be noted (CUSPINERA et alíí, 2001). An interesting group of white pines grows in the courtyards and gardens (GRANOLLERS MUSEUM. CIÈNCIES, 2001). The green glazed ceramic decoration in the form of openings under the window stands out. In the garden there are environmental elements such as a fountain with the legend "Thanks to Francesc Riba" and a sculpture with an inscription that says: "To the distinguished doctor Francesc Fàbregas". At the entrance there is a small house that follows the general style of all the buildings and a sculpture by Toni Cumella.

In 1914, the first stone of the building was laid. It was inaugurated on the festivities of 1923. It was built thanks to the contributions of some citizens from Granollers and the proceeds from the sale of the Vergós altarpiece at Barcelona City Council (BAULIES, 1965).

Protected in the 1985 PEPHA and proposed protection in the new PEPHA File. No. P-11