Intro

About

In this first stage, the catalogue focuses on the modern and contemporary architecture designed and built between 1832 –year of construction of the first industrial chimney in Barcelona that we establish as the beginning of modernity– until today.

The project is born to make the architecture more accessible both to professionals and to the citizens through a website that is going to be updated and extended. Contemporary works of greater general interest will be incorporated, always with a necessary historical perspective, while gradually adding works from our past, with the ambitious objective of understanding a greater documented period.

The collection feeds from multiple sources, mainly from the generosity of architectural and photographic studios, as well as the large amount of excellent historical and reference editorial projects, such as architectural guides, magazines, monographs and other publications. It also takes into consideration all the reference sources from the various branches and associated entities with the COAC and other collaborating entities related to the architectural and design fields, in its maximum spectrum.

Special mention should be made of the incorporation of vast documentation from the COAC Historical Archive which, thanks to its documental richness, provides a large amount of valuable –and in some cases unpublished– graphic documentation.

The rigour and criteria for selection of the works has been stablished by a Documental Commission, formed by the COAC’s Culture Spokesperson, the director of the COAC Historical Archive, the directors of the COAC Digital Archive, and professionals and other external experts from all the territorial sections that look after to offer a transversal view of the current and past architectural landscape around the territory.

The determination of this project is to become the largest digital collection about Catalan architecture; a key tool of exemplar information and documentation about architecture, which turns into a local and international referent, for the way to explain and show the architectural heritage of a territory.

Aureli Mora i Omar Ornaque
Directors arquitecturacatalana.cat

credits

About us

Project by:

Created by:

Directors:

2019-2024 Aureli Mora i Omar Ornaque

Documental Commission:

2019-2024 Ramon Faura Carolina B. Garcia Eduard Callís Francesc Rafat Pau Albert Antoni López Daufí Joan Falgueras Mercè Bosch Jaume Farreny Anton Pàmies Juan Manuel Zaguirre Josep Ferrando Fernando Marzá Moisés Puente Aureli Mora Omar Ornaque

Collaborators:

2019-2024 Lluis Andreu Sergi Ballester Maria Jesús Quintero Lucía M. Villodres Montse Viu

External Collaborators:

2019-2024 Helena Cepeda Inès Martinel

With the support of:

Generalitat de Catalunya. Departament de Cultura

Collaborating Entities:

ArquinFAD

 

Fundació Mies van der Rohe

 

Fundación DOCOMOMO Ibérico

 

Basílica de la Sagrada Família

 

Museu del Disseny de Barcelona

 

Fomento

 

AMB

 

EINA Centre Universitari de Disseny i Art de Barcelona

 

IEFC

 

Fundació Domènench Montaner.

Design & Development:

edittio Nubilum
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We kindly invite you to help us improve the dissemination of Catalan architecture through this space. Here you can propose works and provide or amend information on authors, photographers and their work, along with adding comments. The Documentary Commission will analyze all data. Please do only fill in the fields you deem necessary to add or amend the information.

The Arxiu Històric del Col·legi d'Arquitectes de Catalunya is one of the most important documentation centers in Europe, which houses the professional collections of more than 180 architects whose work is fundamental to understanding the history of Catalan architecture. By filling this form, you can request digital copies of the documents for which the Arxiu Històric del Col·legi d'Arquitectes de Catalunya manages the exploitation of the author's rights, as well as those in the public domain. Once the application has been made, the Arxiu Històric del Col·legi d'Arquitectes de Catalunya will send you an approximate budget, which varies in terms of each use and purpose.

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Informació bàsica de protecció de dades

Responsable del tractament: Col·legi d Arquitectes de Catalunya 'COAC'
Finalitat del tractament: Tramitar la sol·licitud de còpies digitals dels documents dels quals l’Arxiu Històric del COAC gestiona els drets d'explotació dels autors, a més d'aquells que es trobin en domini públic.
Legitimació del tractament: El seu consentiment per tractar les seves dades personals.
Destinatari de cessions o transferències: El COAC no realitza cessions o transferències internacionals de dades personals.
Drets de les persones interessades: Accedir, rectificar i suprimir les seves dades, així com, l’exercici d’altres drets conforme a l’establert a la informació addicional.
Informació addicional: Pot consultar la informació addicional i detallada sobre protecció de dades en aquest enllaç

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  • Novella Palace

  • Novella Palace

  • Novella Palace

  • Novella Palace

  • Novella Palace

  • Novella Palace

Memory

About 3 kilometers east of Jafra, in a relatively flat place, one finds the legacy of the Plana Novella (at 280 metres of altitude). It is an eclectic building that has a series of interesting decorations inside, like a Neo-Arab room. Externally it imitates a fort with a high wall and sentries at the corners and on the sides of the doors. When you enter the grounds, there is a courtyard that leads, to the left, to the patio of the lemon groves where Gaudí's laundry is located, and to the right, to the wine cellars, the wine press, the well and the chapel.

The main nucleus, of large dimensions, has a symmetrical structure with two lateral bodies and a simpler central one, of a higher height with a gable roof made of tiles and a square-shaped protruding turret that rests on the ridge of the roof.

In 1875, Pere Domenèch i Grau, a native of Cristina Island and a resident of Cuba, acquired the old Plana Novella house from the Raventós family, in addition to the houses of Les Piques and El Corral Nou. The new owner had his possessions included in the benefit of the law of colonies and thus obtained exemption from the consumption tax and other services for the families who lived there. Construction work on the palace ended on October 29, 1890. In 1893 the phylloxera was declared and in 1896 the estate was put up for public auction. Since then the palace has had different owners who have kept its doors closed until a Buddhist community who have restored the building and created a museum settled there in 1996.

Source: Inventari del Patrimoni Arquitectònic de Catalunya (IPAC)

The building is part of the Plana Novella ensemble, with an eclectic architectural character with a predominance of romantic aesthetics and with a medievalising tendency. Thus, the church includes Romanesque elements, such as the entrance door and the arches of the main façade, or Gothic elements, such as the rose window. The glazed ceramic roof with scales is noteworthy, as well as the bell tower. The Christian chapel dedicated to the Immaculate Conception is artistically decorated with paintings by Enric Monserdà i Vidal, especially those in the apse (The Holy Trinity with The Annunciation of the Virgin Mary and The Expulsion of Adam and Eve from Paradise).

La Plana Novella is an ancient heritage located on a small plain in the centre of Parc del Garraf. It is located in the Valley of the Kings, which was part of the old barony of Jafre. The name comes from the old country house of Plana Novella, located behind the manor house documented in the 14th century with the name Mas Novella. The population of this area began during the 17th century, but before that there had been a manor house dated from 1601. In 1681, the ownership of Plana Novella was recorded as belonging to José Catà i Bertran, lord of the barony of Jafra, who in this year established José Raventós i Codorniu del Mas de les Piques as the first owner. On August 22, 1875, the estate was acquired by the Pere Domènech i Grau, who was born in Sitges in 1831 and died in Barcelona in 1898. The sale of the Plana Novella estate to Pere Domènech i Grau of Sitges supposed a great scandal, since the Raventós lords were not the true lords, but only possessed the useful domain of the estate. This sale caused a lawsuit between Mr. Domènech and the descendants of the baron of Jafra, who owned the domain. After this event, Mr. Pere Domènech decided to turn the place into an agricultural colony, dedicated mainly to the exploitation of the vineyard. The new owner included in his possessions the benefit of the Law of Colonies of Alfonso XII, which was achieved on May 23, 1885, and thus obtained the exemption from the consumption tax, the military levy on those born in the colony and also for the seven families who lived in the country houses under his auspices and that of the 38 people who worked in the agricultural colony. Mr. Domènech commissioned the construction of the Novella Palace to the architect Manel Comas i Thos (distinguished professionally in the modernist and neo-gothic styles, author of notable buildings in Barcelona) recovering an old country house and building a small palace in the middle of the Garraf, intended for the summer time for his wife Maria Vilanova and his son Cristòfor Domènech. Construction work began on June 1, 1887, and ended on October 29, 1890, with the blessing of the Bishop of Barcelona, Monsignor Jaume Català Albora. These works consisted of a total refurbishment of the property with the construction of a stately mansion in Antillean style of large dimensions. Thanks to the entrepreneurial drive of Mrs. Vilanova, on October 3, 1887, the water from the springs was brought to the farm, building four kilometers of pipes (information found on a marble tombstone at the entrance to the palace). The cellar, according to the description of the time, was the best equipped in Catalonia: with 300 barrels of 10 loads each made with wood from the forests of La Plana.
In 1996, Palau Novella became the Monastery of Sakya Tashi Ling (translated from Tibetan: 'island of good wishes'), the first Buddhist monastery in Catalonia, of the Sakyapa tradition, one of the four schools of Buddhism Tibetan, under the authority of His Holiness Sakya Trizin, King of Ancient Tibet. The community has preserved the palace building with restoration campaigns encouraging its conservation and the research of historical documents relating to the time of the family and the overseas colonies. The building has a schedule of guided tours to learn about Buddhist philosophy.

Source: Mapes de Patrimoni Cultural. Diputació de Barcelona (diba)

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