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In this first stage, the catalogue focuses on the modern and contemporary architecture designed and built between 1832 –year of construction of the first industrial chimney in Barcelona that we establish as the beginning of modernity– until today.
The project is born to make the architecture more accessible both to professionals and to the citizens through a website that is going to be updated and extended. Contemporary works of greater general interest will be incorporated, always with a necessary historical perspective, while gradually adding works from our past, with the ambitious objective of understanding a greater documented period.
The collection feeds from multiple sources, mainly from the generosity of architectural and photographic studios, as well as the large amount of excellent historical and reference editorial projects, such as architectural guides, magazines, monographs and other publications. It also takes into consideration all the reference sources from the various branches and associated entities with the COAC and other collaborating entities related to the architectural and design fields, in its maximum spectrum.
Special mention should be made of the incorporation of vast documentation from the COAC Historical Archive which, thanks to its documental richness, provides a large amount of valuable –and in some cases unpublished– graphic documentation.
The rigour and criteria for selection of the works has been stablished by a Documental Commission, formed by the COAC’s Culture Spokesperson, the director of the COAC Historical Archive, the directors of the COAC Digital Archive, and professionals and other external experts from all the territorial sections that look after to offer a transversal view of the current and past architectural landscape around the territory.
The determination of this project is to become the largest digital collection about Catalan architecture; a key tool of exemplar information and documentation about architecture, which turns into a local and international referent, for the way to explain and show the architectural heritage of a territory.
Aureli Mora i Omar Ornaque Directors arquitecturacatalana.cat
credits
About us
Project by:
Created by:
Directors:
2019-2024Aureli Mora i Omar Ornaque
Documental Commission:
2019-2024 Ramon FauraCarolina B. GarciaEduard CallísFrancesc RafatPau Albert Antoni López DaufíJoan FalguerasMercè BoschJaume FarrenyAnton PàmiesJuan Manuel ZaguirreJosep FerrandoFernando MarzáMoisés PuenteAureli MoraOmar Ornaque
Collaborators:
2019-2024Lluis AndreuSergi BallesterMaria Jesús QuinteroLucía M. VillodresMontse Viu
External Collaborators:
2019-2024Helena CepedaInès Martinel
With the support of:
Generalitat de Catalunya. Departament de Cultura
Collaborating Entities:
ArquinFAD
Fundació Mies van der Rohe
Fundación DOCOMOMO Ibérico
Basílica de la Sagrada Família
Museu del Disseny de Barcelona
Fomento
AMB
EINA Centre Universitari de Disseny i Art de Barcelona
We kindly invite you to help us improve the dissemination of Catalan architecture through this space. Here you can propose works and provide or amend information on authors, photographers and their work, along with adding comments. The Documentary Commission will analyze all data.
Please do only fill in the fields you deem necessary to add or amend the information.
The Arxiu Històric del Col·legi d'Arquitectes de Catalunya is one of the most important documentation centers in Europe, which houses the professional collections of more than 180 architects whose work is fundamental to understanding the history of Catalan architecture.
By filling this form, you can request digital copies of the documents for which the Arxiu Històric del Col·legi d'Arquitectes de Catalunya manages the exploitation of the author's rights, as well as those in the public domain.
Once the application has been made, the Arxiu Històric del Col·legi d'Arquitectes de Catalunya will send you an approximate budget, which varies in terms of each use and purpose.
The building was carried out during the GATCPAC era, although the architect preferred to follow other models of the Modern Movement, such as German expressionism led by Erich Mendelsohn. It originally consisted of a ground floor, two floors and an attic that contained the home of Dr. Barraquer. The first phase was completed in 1941, with the same distribution as it currently has. In the 1950s the second phase was built on Laforja Street and in 1971 an extension of three floors (including the existing attic) was carried out, with a mimetic conception that does not alter the general configuration of the building.
The plan is organised around two central courtyards that illuminate the meeting rooms from above, and the façades have a markedly rationalist character defined by the overlapping of continuous windows. When making the extension, the structure had to be reinforced with exterior metal pillars that introduce a vertical counterpoint to the façade. The corner is resolved with a curve that was originally topped by a circular volume tangent to the plane of the façade and which disappeared when the extension was made, which has diminished the expressionist character of the building. The interiors are Art Deco.
The building was built during the GATCPAC era, although the architect preferred to follow other models of the Modern Movement, such as the German expressionism led by Erich Mendelsohn. Originally it was made up of a ground floor, two floors and an attic that contained Dr. Barraquer's home. The first phase was completed in 1941, with the same layout as it currently has. In the 1950s, the second phase was built on Laforja Street and in 1971 an extension with three floors (including the existing attic) was carried out, with a mimetic conception that did not alter the general configuration of the building.
The floor plan is organised around two central patios that illuminate the meeting rooms from above, and the façades have a markedly rationalist character defined by the overlapping of continuous windows. When making the extension, the structure had to be reinforced with exterior metal pillars that introduce a vertical counterpoint in the façade. The corner is resolved with a curve that was originally topped by a circular volume tangent to the plane of the façade and that disappeared when the extension was made, which has diminished the expressionist character of the building. The interiors are art déco.
Expansion of the Barraquer Ophthalmological Clinic
The building was built during the GATCPAC era, although the architect preferred to follow other models of the Modern Movement, such as German expressionism, led by Erich Mendelsohn. Originally, it was made up of a ground floor, two floors and an attic that contained Dr. Barraquer's home. The first phase was completed in 1941, with the same layout as it currently has. In the 1950s, the second phase was built on Laforja Street, and in 1971 an extension with three floors (including the existing attic) was carried out, with a mimetic conception that did not alter the general configuration of the building.
The floor plan is organised around two central patios that illuminate the meeting rooms from above, and the façades have a markedly rationalist character defined by the overlapping of continuous windows. When making the extension, the structure had to be reinforced with exterior metal pillars that introduce a vertical counterpoint in the façade. The corner is resolved with a curve that was originally topped by a circular volume tangent to the plane of the façade and that disappeared when the extension was made, which has diminished the expressionist character of the building. The interiors are Art Déco.
Refursbishment of the Barraquer Ophthalmological Clinic
The building was carried out during the GATCPAC era, although the architect preferred to follow other models of the Modern Movement, such as German expressionism led by Erich Mendelsohn. It originally consisted of a ground floor, two floors and an attic that contained the home of Dr. Barraquer. The first phase was completed in 1941, with the same distribution as it currently has. In the 1950s the second phase was built on Laforja Street and in 1971 an extension of three floors (including the existing attic) was carried out, with a mimetic conception that does not alter the general configuration of the building.
The plan is organised around two central courtyards that illuminate the meeting rooms from above, and the façades have a markedly rationalist character defined by the overlapping of continuous windows. When making the extension, the structure had to be reinforced with exterior metal pillars that introduce a vertical counterpoint to the façade. The corner is resolved with a curve that was originally topped by a circular volume tangent to the plane of the façade and which disappeared when the extension was made, which has diminished the expressionist character of the building. The interiors are Art Deco.
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