El terreny se situa en la zona de l'Empordà, en una zona on conflueixen els camps amb un bosc de pins. La casa, és baixa i estreta i molt allargada, situant-se en aquest límit entre els arbres i la prada. La casa es desenvolupa longitudinalment, juxtaposant uns mòduls similars en proporcions amb una única variació en la disposició de la coberta. Es tracta d'una coberta d'un sol pendent que va alternant el seu sentit d'inclinació, originant una successió d'obertures en les dues façanes principals. La casa s'obre cap a l'exterior, actuant de filtre en aquest espai de transició, entre el pla i la muntanya. La repetició d'espais similars, però no idèntics, dóna lloc a un ritme que organitza el programa domèstic dins d'un gran únic volum. La imatge de la casa en el context és més pròxima a les nombroses granges agrícoles veïnes que a una edificació residencial convencional.

A compact and low-impact construction is proposed using economical and industrialised construction systems. The building, with its rectangular volume, is located in a low-density area intended for sports facilities and parking in the centre of the village. The dispensary is in the upper part of this area, in contact with the urban fabric. In one corner, a cantilevered volume appears that approaches the line of the street. It is precisely through this point that the main access to the building takes place. A series of ramps solve the topographical differences between the level of the street and the entrance to the building, which is slightly lower, leaving an outdoor garden space around. The rectangle is oriented so that the two long façades have an east-west orientation. A central longitudinal courtyard is opened, open from north to south, with which natural light is introduced into the interior of the building and favours cross ventilation. In the consultation areas, it has been chosen to organise circulation and waiting areas in visual contact with the outside, emphasising the more public nature of these spaces. Consultations are instead opened in the central inner courtyard. It is a compact volume, of low height, which presents a continuous façade made with only two prefabricated elements: a concrete lattice for the translucent parts and GRC panels for the opaque parts. The façade lattice responds to a single large mould and is placed in different ways, horizontally or vertically, so that variants of façade solutions are achieved from a single element. This lattice guarantees privacy to the users of the centre and acts as sun protection on the exposed façades. But above all it makes both the interior and exterior spaces take on a vibrant and changing appearance in accordance with the light variations, turning an industrialised concrete building into a building that is both friendly, warm and comfortable.

The building, a triple multi-sports hall, is the result of a competition won by Barcelona City Council, carried out in collaboration with BB arquitectes and Gustavo Gili. The large volume that the extensive functional program generates in relation to the reduced size of the site and the density of nearby buildings proposes to semi-underground an important part of the sports complex, ensuring, through section mechanisms, good lighting and natural ventilation as well as convenient access/evacuation to the lower parts. With this semi-underground, apart from reducing the visual impact considerably and obtaining important energy gains thanks to reducing its exposed surfaces, a gain is obtained in the urban public space. By withdrawing the building from the road alignment, a free cushion is guaranteed that resolves the access as well as the complicated urban plot at this point. A free public space is generated that acts as the urban foyer of the complex and significantly improves the integration of the building in its immediate environment, moving the outside of the square to the inside of the stands on the main court. The proposed construction system is born from the recovery of the memory of local construction traditions based on ceramics from the beginning of the 20th century. We therefore link a craft tradition with a post-industrial attitude by proposing systems based on industrialised ceramics. A building designed for use, where the materials are shown as they are, contributing sensorial qualities by themselves. They are the same materials that are repeated in all the spaces of the complex, which generates the feeling of a whole, although each of them can be interpreted individually; ceramics, wood, concrete... these are the materials for which the building is recognisable. In the skin of the building, the ceramics adapt to the different needs and orientations of the façades. In all of them, empty and full spaces alternate, as well as opaque and translucent or transparent parts in different ways. The opaque parts are "broken" with the use of different textures and colours of ceramic so that the complex is broken up, while controlling the natural light that bathes the building inside. A unique roof is proposed for the above-ground building, made up of subtle inverted vaults that appear on the façade and that link, albeit indirectly, with the order and presence of the vaults of the neighbouring roofs of the box seats building, as another mechanism for integration and recognition of the strength and uniqueness of the neighbourhood.