About
In this first stage, the catalogue focuses on the modern and contemporary architecture designed and built between 1832 –year of construction of the first industrial chimney in Barcelona that we establish as the beginning of modernity– until today.
The project is born to make the architecture more accessible both to professionals and to the citizens through a website that is going to be updated and extended. Contemporary works of greater general interest will be incorporated, always with a necessary historical perspective, while gradually adding works from our past, with the ambitious objective of understanding a greater documented period.
The collection feeds from multiple sources, mainly from the generosity of architectural and photographic studios, as well as the large amount of excellent historical and reference editorial projects, such as architectural guides, magazines, monographs and other publications. It also takes into consideration all the reference sources from the various branches and associated entities with the COAC and other collaborating entities related to the architectural and design fields, in its maximum spectrum.
Special mention should be made of the incorporation of vast documentation from the COAC Historical Archive which, thanks to its documental richness, provides a large amount of valuable –and in some cases unpublished– graphic documentation.
The rigour and criteria for selection of the works has been stablished by a Documental Commission, formed by the COAC’s Culture Spokesperson, the director of the COAC Historical Archive, the directors of the COAC Digital Archive, and professionals and other external experts from all the territorial sections that look after to offer a transversal view of the current and past architectural landscape around the territory.
The determination of this project is to become the largest digital collection about Catalan architecture; a key tool of exemplar information and documentation about architecture, which turns into a local and international referent, for the way to explain and show the architectural heritage of a territory.
About us
Project by: 
Created by: 
Directors:
2019-2024 Aureli Mora i Omar OrnaqueDocumental Commission:
2019-2024 Ramon Faura Carolina B. Garcia Eduard Callís Francesc Rafat Pau Albert Antoni López Daufí Joan Falgueras Mercè Bosch Jaume Farreny Anton Pàmies Juan Manuel Zaguirre Josep Ferrando Fernando Marzá Moisés Puente Aureli Mora Omar OrnaqueCollaborators:
2019-2024 Lluis Andreu Sergi Ballester Maria Jesús Quintero Lucía M. Villodres Montse ViuExternal Collaborators:
2019-2024 Helena Cepeda Inès MartinelWith the support of:
Generalitat de Catalunya. Departament de CulturaCollaborating Entities:
ArquinFADFundació Mies van der Rohe
Fundación DOCOMOMO Ibérico
Basílica de la Sagrada Família
Museu del Disseny de Barcelona
Fomento
AMB
EINA Centre Universitari de Disseny i Art de Barcelona
IEFC
Fundació Domènench Montaner.
Suggestion box
Request the image
We kindly invite you to help us improve the dissemination of Catalan architecture through this space. Here you can propose works and provide or amend information on authors, photographers and their work, along with adding comments. The Documentary Commission will analyze all data. Please do only fill in the fields you deem necessary to add or amend the information.
The Arxiu Històric del Col·legi d'Arquitectes de Catalunya is one of the most important documentation centers in Europe, which houses the professional collections of more than 180 architects whose work is fundamental to understanding the history of Catalan architecture. By filling this form, you can request digital copies of the documents for which the Arxiu Històric del Col·legi d'Arquitectes de Catalunya manages the exploitation of the author's rights, as well as those in the public domain. Once the application has been made, the Arxiu Històric del Col·legi d'Arquitectes de Catalunya will send you an approximate budget, which varies in terms of each use and purpose.
close
close
Works
On the Map
Awarded
Cataloged
Disappeared
All works
Constellation
Chronology
-
Institute of Superior Business Studies (IESE)
Juan Ignacio de la Vega Aguilar, Joan Rius i Camps
IESE is part of the University of Navarra and offers training programs for entrepreneurs at three levels: senior company management, divisional level, and departmental level. The program is conditioned by the special pedagogical method of the institute, based on the preparation of "cases", which requires several hours of preparation in small groups. The structure is metallic, with built-in nodes to achieve greater slenderness in the girders and pillars. There are only pillars on the façade, and they are separated every 2.12 m to facilitate alternating between large and small offices. This reduced module increases the flexibility of interior division and allows the pillars to be thinner, serving as uprights for the carpentry. On the façade, horizontal bands of glass are combined with bands of white artificial stone, which serve as a sill. To avoid the guttering, some lead pipes have been embedded that pour rainwater into small brass gargoyles attached to the pillars, and some windows have been replaced by light gray vitrified metal plates in certain areas that required greater enclosure. -
Home and Art School
Rafael Echaide, César Ortiz-Echagüe, Joan Rius i Camps
The Escola Llar is located in the Bonanova neighbourhood, an area for high income people. It is a school that belongs to Opus Dei and is dedicated to the education of future housewives, which is why it combines the general characteristics of an educational centre with the atmosphere of a family home. The building is structured in an H-shape, with different extensions of arms and bridges. As a result of the functional layout, a rather opaque volume is generated, which is cut off by a horizontal side of windows and terraces for the classrooms, which need a lot of light and a lot of terrace as a rest and outdoor teaching area. The combination of patios, terraces, bridges, cantilevers and recesses establishes a system of interconnected openings that give continuity to the outdoor spaces and at the same time introduce the garden into the building. The structure of reinforced concrete pillars is integrated into the thickness of the façade. On the outside, the ground floor and the outer fence are clad with natural stone in a saw-cut manner, as if it were a plinth, while the walls of the three upper floors are clad with artificial stone, which is almost white.