Intro

About

In this first stage, the catalogue focuses on the modern and contemporary architecture designed and built between 1832 –year of construction of the first industrial chimney in Barcelona that we establish as the beginning of modernity– until today.

The project is born to make the architecture more accessible both to professionals and to the citizens through a website that is going to be updated and extended. Contemporary works of greater general interest will be incorporated, always with a necessary historical perspective, while gradually adding works from our past, with the ambitious objective of understanding a greater documented period.

The collection feeds from multiple sources, mainly from the generosity of architectural and photographic studios, as well as the large amount of excellent historical and reference editorial projects, such as architectural guides, magazines, monographs and other publications. It also takes into consideration all the reference sources from the various branches and associated entities with the COAC and other collaborating entities related to the architectural and design fields, in its maximum spectrum.

Special mention should be made of the incorporation of vast documentation from the COAC Historical Archive which, thanks to its documental richness, provides a large amount of valuable –and in some cases unpublished– graphic documentation.

The rigour and criteria for selection of the works has been stablished by a Documental Commission, formed by the COAC’s Culture Spokesperson, the director of the COAC Historical Archive, the directors of the COAC Digital Archive, and professionals and other external experts from all the territorial sections that look after to offer a transversal view of the current and past architectural landscape around the territory.

The determination of this project is to become the largest digital collection about Catalan architecture; a key tool of exemplar information and documentation about architecture, which turns into a local and international referent, for the way to explain and show the architectural heritage of a territory.

Aureli Mora i Omar Ornaque
Directors arquitecturacatalana.cat

credits

About us

Project by:

Created by:

Directors:

2019-2024 Aureli Mora i Omar Ornaque

Documental Commission:

2019-2024 Ramon Faura Carolina B. Garcia Eduard Callís Francesc Rafat Pau Albert Antoni López Daufí Joan Falgueras Mercè Bosch Jaume Farreny Anton Pàmies Juan Manuel Zaguirre Josep Ferrando Fernando Marzá Moisés Puente Aureli Mora Omar Ornaque

Collaborators:

2019-2024 Lluis Andreu Sergi Ballester Maria Jesús Quintero Lucía M. Villodres Montse Viu

External Collaborators:

2019-2024 Helena Cepeda Inès Martinel

With the support of:

Generalitat de Catalunya. Departament de Cultura

Collaborating Entities:

ArquinFAD

 

Fundació Mies van der Rohe

 

Fundación DOCOMOMO Ibérico

 

Basílica de la Sagrada Família

 

Museu del Disseny de Barcelona

 

Fomento

 

AMB

 

EINA Centre Universitari de Disseny i Art de Barcelona

 

IEFC

 

Fundació Domènench Montaner.

Design & Development:

edittio Nubilum
Suggestions

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We kindly invite you to help us improve the dissemination of Catalan architecture through this space. Here you can propose works and provide or amend information on authors, photographers and their work, along with adding comments. The Documentary Commission will analyze all data. Please do only fill in the fields you deem necessary to add or amend the information.

The Arxiu Històric del Col·legi d'Arquitectes de Catalunya is one of the most important documentation centers in Europe, which houses the professional collections of more than 180 architects whose work is fundamental to understanding the history of Catalan architecture. By filling this form, you can request digital copies of the documents for which the Arxiu Històric del Col·legi d'Arquitectes de Catalunya manages the exploitation of the author's rights, as well as those in the public domain. Once the application has been made, the Arxiu Històric del Col·legi d'Arquitectes de Catalunya will send you an approximate budget, which varies in terms of each use and purpose.

Detail:

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Informació bàsica de protecció de dades

Responsable del tractament: Col·legi d Arquitectes de Catalunya 'COAC'
Finalitat del tractament: Tramitar la sol·licitud de còpies digitals dels documents dels quals l’Arxiu Històric del COAC gestiona els drets d'explotació dels autors, a més d'aquells que es trobin en domini públic.
Legitimació del tractament: El seu consentiment per tractar les seves dades personals.
Destinatari de cessions o transferències: El COAC no realitza cessions o transferències internacionals de dades personals.
Drets de les persones interessades: Accedir, rectificar i suprimir les seves dades, així com, l’exercici d’altres drets conforme a l’establert a la informació addicional.
Informació addicional: Pot consultar la informació addicional i detallada sobre protecció de dades en aquest enllaç

Memory

Formació
Arquitecte per l'Esccola Tècnica Superior d'Arquitectura de Barcelona (ETSAB), Universitat Politècnica de Cataluña (UPC), Premi del Col·legi d'Arquitectes de Catalunya al millor projecte de final de carrera de la ETSAB i l'Escola Tècnica Superior d'Arquitectura del Vallés (ETSAV) i Máster en Arquitectura del Paisaje, UPC.

Activitat profesional
Jordi Farrando va ser membre de l'equip de Projectes Urbans de l'Ajuntament de Barcelona des de la seva fundació, on va ser encarregat de la coordinació, disseny i supervisió de projectes per l'espai públic de la ciutat. El treball realitzat per a aquest equip fou ampliament difós internacionalment i ha rebut varis premis, entre ells el Príncep de Gal·les de la Universitat de Harvard.

Activitat corporativa
Contribueix a l'activitat internacional de diversos organismes profesionals, entre ells el Col·legi d'Arquitectes de Catalunya (COAC), on ha estat membre de la junta i director de Relacions Internacionals, i la Unió Internacional d'Arquitectes (UIA), de la que va ser Director de la Comissió de Congressos y Assemblees, membre de la Comissió de l'Exercici Professional, membre suplent del Consell i Secretari General.

Conferències i activitat acadèmica
Jordi Farrando ha estat professor d'Espai Públic, Disseny Urbà i Paissatge a l'ETSAB, tant en cursos de grau com en programes de màster.
Tanmateix ha contribuït a l'èxit de diversos tallers a Bèlgica i Letònia, i ha realitzat nombroses conferències arreu del món (Regne Unit, Itàlia, França, Hongria, Romania, Alemania, Portugal, Espanya, Finlàndia, Turquía, Polònia, Colòmbia, Brasil, Argentina, Xina, Japó,...)

Estudi

Despatx ampliament guardonat que dona serveis integrals en els àmbits de l'espai públic, el projecte urbà, els equipaments i l'habitatge.

Amb seu a Barcelona, treballa tant en projectes nacionals com internacionals, alhora que ofereix serveis de consultoria a d'altres empreses. Compromés amb la natura i l'impacte ambiental dels seus projectes, el despatx és una plataforma altament eficient per tal d'assolir la satisfacció del client.

Jordi Farrando es el director de la empresa.

Works

On the Map

Awarded
Cataloged
Disappeared
All works

Constellation

Chronology

  1. Vilafranca del Penedès High School

    Jordi Farrando Sicilia

    Vilafranca del Penedès High School

    The site The new High School is located in the La Girada neighbourhood, of recent creation, residential vocation and still in the process of construction. For the most part, it is made up of isolated blocks with a rectangular plan or in the form of towers, with some parcels of houses in a row. The plot has a rectangular shape and is located between Europa Avenue, through which it must have access, and the railway tracks. The adjacent plot is occupied by a Centre for Infant and Primary Education and, at the point of contact with it, ends one of the two axes that articulate the new neighbourhood in the shape of a cross: the Rambla de la Generalitat. Its topography seems to be the result of the contribution of land from other places rather than the natural shape of the land. The front along the Europa Avenue passes, for the most part, around the level 208 and rises progressively as it approaches the road BV-2119. At this point, the terrain continues to rise until you reach level 215, where you will find the bridge that saves the train tracks and allows you to connect with the neighbourhood that is on the other side of it. On the railroad front, the current lands range from approximately elevation 212 to 215, although significant changes are expected soon. The building. Two fundamental factors are involved in the definition of the general features of the new Vilafranca del Penedès High School: its position at the end of the urban hall that constitutes the Rambla de la Generalitat and its proximity to the railway lines along which the high-speed train runs. To them, it is necessary to add other conditions such as the very tight surface of the plot, its rectilinear and elongated geometry and the topography that has generated the contribution of land from external works. All these conditions favour the construction of a compact building, which optimises the available plot and responds to the urban and environmental conditions of the environment. The IES is therefore configured as a double building: an educational complex aligned with the Europa Avenue and a package of spaces that can be open to a wider public at the end of the Rambla de la Generalitat. Access occurs in front of the mentioned promenade, with the sports courts to its right, on the border with the neighbouring CEIP (Centre for Infant and Primary Education). Opposite there is the package of spaces accessible to the public, to the left, the educational complex. A double portico allows access either to the outdoor space that articulates all the pieces or directly to the educational building. The main part of the playground is located behind the educational building, between it and the front of the railway tracks. The educational complex has the shape of a comb, with the administration and classrooms occupying its "fingers" and the service and common use spaces connecting them. These common and service spaces are located on the side of the street, while the classrooms are on the side of the courtyard. The ground floor is used for administration and some classrooms for common use. The first floor is destined for high school and other shared classrooms. The second floor is for ESO (Middle School). The stair cores are located in the service band facing the courtyards that open between the blocks of classrooms, taking advantage of the views towards the courtyard that these generate. This arrangement, in addition to optimising the available space, allows to create a building capable of controlling the environmental conditions and distanced from the railway tracks. In its configuration as High School 3/2 it has three floors and a total of three modules intended for administration and classrooms. The expansion to an institute of greater capacity will be made simply by adding one more module, so that it is not only easy to carry out but, in addition, the complex does not lose its general characteristics. The other building in the set, which houses the spaces that can occasionally be used by users who are not students, is arranged on two levels that coincide with the first two floors of the educational building. The ground floor is occupied by the changing rooms and the cafeteria, and the first floor by the large gymnasium. The strip between the two buildings is the element that articulates the outdoor spaces intended for students' leisure: the one at the level of access from Europa Avenue, adjacent to the sports courts, and the one at the level of the first floor of the buildings, between the classrooms and the railway. It is also the element that facilitates the evacuation of the teaching building in case of fire and the one that favours social relations during leisure time. It is articulated as a series of walkways at the level of each of the building's floors connected by stairs that allow access to the courtyard and by a ramp, incorporated into the complementary services building, which facilitates accessibility to people with reduced mobility. All this element thus makes accessibility under cover possible between the various parts of the program and acts as a porch for the complex.
  2. Refurbishing Torre del Baró

    Jordi Farrando Sicilia

    Refurbishing Torre del Baró

    A castle that is not a castle. The Torre del Baró is a building built in 1904, located on one of the ridges of the Collserola mountain range, in a historicist style and with an air of fortification -despite being originally a residential building-. It is visible from much of the north-eastern sector of Barcelona and has wide views over the city and the interior valleys of the metropolitan area. A rune that doesn’t want to be a rune. The original construction was never completed and has been a ruin since its inception. Destined for military use during the Civil War and a meeting point for neighbourhood movements in the 1970s, its repeated abandonment led to an unstoppable process of degradation. At the end of the 1980s, a consolidation operation was carried out to deal with its structural problems and a viewpoint was built at its foot towards Barcelona. Later, several inexplicably unfinished partial works are carried out. Unfortunately, the fact that the building had no use continued to degrade it. The new destination as an information point for the Collserola Park and the works that are being carried out to this end aim to stop this process, allow its use by the public and make it a reference for the neighbourhoods of the environment. A bar in the mountains. The information point is located on the ground floor, a transparent space in which the part intended for the information service is covered halfway up with ceramic tile and articulated around a granite countertop. A large backlit photo-plan and black iron panels are the bases on which the information is printed. On the ground floor there are services and a warehouse. To facilitate access from the ground floor, a metal staircase is built to meet current regulatory requirements. These two floors are the only fully public levels and the only area with enclosures and protection. The rest of the building is used as a viewpoint and is accessed by a spiral staircase introduced in the 1980s so all these levels are left open. The three layers of time. The intervention is respectful of the past, both with the original construction and with the intervention of the 80s, adding a new layer to the building that does not prevent the reading of the previous ones. The original construction is characterised by masonry walls and openings with lintels and hand-exposed arches. The 1987 intervention makes concrete, mechanical work and grey-painted iron the materials with which it is articulated. The new intervention works with almost a single material: varnished black iron. With it both the new security elements (grilles and railings), as well as the display panels and lecterns, the profiles of the new divisions and the new staircase will be configured. The contemporary language of the new intervention is thus perfectly compatible with the historicist character of the building without being less recognisable.
  3. Mostres d'Arquitectura (Barcelona)

    Award-Winner / Winner. Category: Intervencions Parcials. Inclou Intervencions Interiors i Exteriors, Efímeres o Permanents
    Refurbishing Torre del Baró

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