Intro

About

In this first stage, the catalogue focuses on the modern and contemporary architecture designed and built between 1832 –year of construction of the first industrial chimney in Barcelona that we establish as the beginning of modernity– until today.

The project is born to make the architecture more accessible both to professionals and to the citizens through a website that is going to be updated and extended. Contemporary works of greater general interest will be incorporated, always with a necessary historical perspective, while gradually adding works from our past, with the ambitious objective of understanding a greater documented period.

The collection feeds from multiple sources, mainly from the generosity of architectural and photographic studios, as well as the large amount of excellent historical and reference editorial projects, such as architectural guides, magazines, monographs and other publications. It also takes into consideration all the reference sources from the various branches and associated entities with the COAC and other collaborating entities related to the architectural and design fields, in its maximum spectrum.

Special mention should be made of the incorporation of vast documentation from the COAC Historical Archive which, thanks to its documental richness, provides a large amount of valuable –and in some cases unpublished– graphic documentation.

The rigour and criteria for selection of the works has been stablished by a Documental Commission, formed by the COAC’s Culture Spokesperson, the director of the COAC Historical Archive, the directors of the COAC Digital Archive, and professionals and other external experts from all the territorial sections that look after to offer a transversal view of the current and past architectural landscape around the territory.

The determination of this project is to become the largest digital collection about Catalan architecture; a key tool of exemplar information and documentation about architecture, which turns into a local and international referent, for the way to explain and show the architectural heritage of a territory.

Aureli Mora i Omar Ornaque
Directors arquitecturacatalana.cat

credits

About us

Project by:

Created by:

Directors:

2019-2024 Aureli Mora i Omar Ornaque

Documental Commission:

2019-2024 Ramon Faura Carolina B. Garcia Eduard Callís Francesc Rafat Pau Albert Antoni López Daufí Joan Falgueras Mercè Bosch Jaume Farreny Anton Pàmies Juan Manuel Zaguirre Josep Ferrando Fernando Marzá Moisés Puente Aureli Mora Omar Ornaque

Collaborators:

2019-2024 Lluis Andreu Sergi Ballester Maria Jesús Quintero Lucía M. Villodres Montse Viu

External Collaborators:

2019-2024 Helena Cepeda Inès Martinel

With the support of:

Generalitat de Catalunya. Departament de Cultura

Collaborating Entities:

ArquinFAD

 

Fundació Mies van der Rohe

 

Fundación DOCOMOMO Ibérico

 

Basílica de la Sagrada Família

 

Museu del Disseny de Barcelona

 

Fomento

 

AMB

 

EINA Centre Universitari de Disseny i Art de Barcelona

 

IEFC

 

Fundació Domènench Montaner.

Design & Development:

edittio Nubilum
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We kindly invite you to help us improve the dissemination of Catalan architecture through this space. Here you can propose works and provide or amend information on authors, photographers and their work, along with adding comments. The Documentary Commission will analyze all data. Please do only fill in the fields you deem necessary to add or amend the information.

The Arxiu Històric del Col·legi d'Arquitectes de Catalunya is one of the most important documentation centers in Europe, which houses the professional collections of more than 180 architects whose work is fundamental to understanding the history of Catalan architecture. By filling this form, you can request digital copies of the documents for which the Arxiu Històric del Col·legi d'Arquitectes de Catalunya manages the exploitation of the author's rights, as well as those in the public domain. Once the application has been made, the Arxiu Històric del Col·legi d'Arquitectes de Catalunya will send you an approximate budget, which varies in terms of each use and purpose.

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Informació bàsica de protecció de dades

Responsable del tractament: Col·legi d Arquitectes de Catalunya 'COAC'
Finalitat del tractament: Tramitar la sol·licitud de còpies digitals dels documents dels quals l’Arxiu Històric del COAC gestiona els drets d'explotació dels autors, a més d'aquells que es trobin en domini públic.
Legitimació del tractament: El seu consentiment per tractar les seves dades personals.
Destinatari de cessions o transferències: El COAC no realitza cessions o transferències internacionals de dades personals.
Drets de les persones interessades: Accedir, rectificar i suprimir les seves dades, així com, l’exercici d’altres drets conforme a l’establert a la informació addicional.
Informació addicional: Pot consultar la informació addicional i detallada sobre protecció de dades en aquest enllaç

Works

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Constellation

Chronology

  1. La Mina Neighbourhood

    L35 Arquitectura, Juan Fernando de Mendoza, José Ignacio Galán Martínez, José Luis Martínez Honrubia, Guillermo Murtra Ferré

    La Mina Neighbourhood

    La Mina is a neighbourhood made up of blocks of flats that form part of the construction typology of the so-called absorption polygons or dormitory neighbourhoods, originated in the 1960s and 1970s. These were intended to be cheap, quick and easy to build housing so that they could accommodate a large part of the population that had previously lived in shantytowns. The buildings of La Mina Nova are a projection of the social, political, economic and urban history of Barcelona, located in Sant Adrià de Besòs. There are two characteristic blocks: those in Carrer Ponent, no. 2-12, and those in Carrer Llevant, no. 1-23. Both are linear blocks, but Carrer Llevant has a larger number of dwellings, with 486 flats and 26 business premises, while Carrer Ponent has only 60 dwellings and 6 business premises. The two façades are practically the same: it is a horizontal façade, configured in continuous longitudinal strips throughout the building, alternating a solid lock formed by the prefabricated concrete sills which are covered with a 3 mm metal sheet, used to protect the concrete from the weather and increase thermal insulation, and a lock. Historically, Sant Adrià de Besòs was an agricultural town, and the area now known as La Mina was characterised by an abundance of fields and some rural houses dedicated to farming. The existence of water mines used for irrigation is the explanation for the place name. The change from agricultural to industrial exploitation substantially affected the municipality, both in the urban and social spheres. Its location on the border with Barcelona, its access to the sea and the passage of the river favoured the establishment of different industries. These industries required a large workforce, making it possible to differentiate between two waves of immigration that conditioned the reality of Sant Adrià. In the first place, we find that of the 1920s and 1930s. The second wave was after the Spanish Civil War and the years that followed, when two different conditions accumulated: those who left for fear of being repressed by Franco's regime, and those who came to the Catalan capital in search of a job. In Barcelona, this resulted in large shantytowns, including Camp de la Bóta in Sant Adrià de Besòs. It is estimated that more than 10,000 shantytowns were built around Barcelona. In this context, in 1961, Barcelona approved a plan to eliminate shantytowns from the city. Thus, the current neighbourhood of La Mina was created to alleviate all the problems surrounding the shantytowns, being a housing estate that aimed to absorb the entire population of Camp de la Bóta and other shantytowns in Barcelona. The history of La Mina, then, began in 1967, with Porcioles as mayor of Barcelona, when the Barcelona town planning commission drew up a plan to build a residential area for shanty dwellers. The project stated that the neighbourhood was to have 2,100 homes, 7 kindergartens, 1 social centre, 1 health centre, 1 administrative centre and 1 parish centre. The reality is that the houses were built, but not most of the necessary facilities. La Mina was built in two phases and its architecture makes it easy to distinguish between them. Thus, the second phase, in 1972, is what we know as La Mina Nova - a group of buildings constructed with a tunnel formwork system, which allowed a very large number of dwellings to be built very quickly.
  2. Ecourban Buildings

    L35 Arquitectura, William McDonough

    Ecourban Buildings

    The former La Unión Metalúrgica industrial complex was located in the Poblenou neighbourhood (Sant Martí district), in one of the blocks designed by Ildefons Cerdà, bounded by Carrer de Zamora, Almogàvers, Pamplona and Sancho de Ávila. In 2004, most of the building was demolished, leaving only the entrance pavilions, located on the chamfer of Carrer d’Almogàvers and Pamplona. This building, which is currently isolated, served as a passageway to the interior of the enclosure. It is a construction parallel to the chamfered corner, with a simple two-storey volumetric ensemble that rises a flat higher in the central part, all topped by a rooftop that can be walked on. The building is characterised by the almost exclusive use of exposed brick, incorporating delicate ornamental elements of artificial stone based on medallions and plant motifs. The main façade, facing the chamfered corner, is divided into three vertical axes, the central one being one storey higher. On the ground floor there are four rectangular windows on either side of the doorway leading to the interior of the factory. This, with a large angled arch, is parallel to the rear façade, and creates the axis of symmetry of the composition of openings, which is very weighted and orderly. On the first floor there are three large split windows crowned by segmental arches. All these elements emphasise the outstanding feature of this façade, which is located below the undulating crowning of this central part. This is a ceramic mosaic with the name of the company in green letters on a white background. As a singular element, there is also an old metal street lamp that illuminates the entrance door. This is the only element that has been preserved from the manufacturing complex of La Unión Metalúrgica, which was promoted by Dionisio Bobín Sirot and which began in 1889. In 1903 it became a public limited company dedicated to the purchase, sale and smelting of materials and objects made of iron and other metals. Between 1899 and 1906, the company was reported because some of the constructions it was carrying out were illegal. Once these problems were solved, between 1908 and 1914 the new factory building was remodelled with new buildings. It was at this time that the entrance pavilion was built, signed by the architect Josep Maria Plantada in July 1914. On the 31st of December 1936, on the occasion of the Spanish Civil War, La Unión Metalúrgica was constituted as a workers' collective for the war industry. On the land where the industrial facilities were located, two office buildings, a hotel, green areas and subsidised housing are currently being built.

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