Intro

About

In this first stage, the catalogue focuses on the modern and contemporary architecture designed and built between 1832 –year of construction of the first industrial chimney in Barcelona that we establish as the beginning of modernity– until today.

The project is born to make the architecture more accessible both to professionals and to the citizens through a website that is going to be updated and extended. Contemporary works of greater general interest will be incorporated, always with a necessary historical perspective, while gradually adding works from our past, with the ambitious objective of understanding a greater documented period.

The collection feeds from multiple sources, mainly from the generosity of architectural and photographic studios, as well as the large amount of excellent historical and reference editorial projects, such as architectural guides, magazines, monographs and other publications. It also takes into consideration all the reference sources from the various branches and associated entities with the COAC and other collaborating entities related to the architectural and design fields, in its maximum spectrum.

Special mention should be made of the incorporation of vast documentation from the COAC Historical Archive which, thanks to its documental richness, provides a large amount of valuable –and in some cases unpublished– graphic documentation.

The rigour and criteria for selection of the works has been stablished by a Documental Commission, formed by the COAC’s Culture Spokesperson, the director of the COAC Historical Archive, the directors of the COAC Digital Archive, and professionals and other external experts from all the territorial sections that look after to offer a transversal view of the current and past architectural landscape around the territory.

The determination of this project is to become the largest digital collection about Catalan architecture; a key tool of exemplar information and documentation about architecture, which turns into a local and international referent, for the way to explain and show the architectural heritage of a territory.

Aureli Mora i Omar Ornaque
Directors arquitecturacatalana.cat

credits

About us

Project by:

Created by:

Directors:

2019-2024 Aureli Mora i Omar Ornaque

Documental Commission:

2019-2024 Ramon Faura Carolina B. Garcia Eduard Callís Francesc Rafat Pau Albert Antoni López Daufí Joan Falgueras Mercè Bosch Jaume Farreny Anton Pàmies Juan Manuel Zaguirre Josep Ferrando Fernando Marzá Moisés Puente Aureli Mora Omar Ornaque

Collaborators:

2019-2024 Lluis Andreu Sergi Ballester Maria Jesús Quintero Lucía M. Villodres Montse Viu

External Collaborators:

2019-2024 Helena Cepeda Inès Martinel

With the support of:

Generalitat de Catalunya. Departament de Cultura

Collaborating Entities:

ArquinFAD

 

Fundació Mies van der Rohe

 

Fundación DOCOMOMO Ibérico

 

Basílica de la Sagrada Família

 

Museu del Disseny de Barcelona

 

Fomento

 

AMB

 

EINA Centre Universitari de Disseny i Art de Barcelona

 

IEFC

 

Fundació Domènench Montaner.

Design & Development:

edittio Nubilum
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We kindly invite you to help us improve the dissemination of Catalan architecture through this space. Here you can propose works and provide or amend information on authors, photographers and their work, along with adding comments. The Documentary Commission will analyze all data. Please do only fill in the fields you deem necessary to add or amend the information.

The Arxiu Històric del Col·legi d'Arquitectes de Catalunya is one of the most important documentation centers in Europe, which houses the professional collections of more than 180 architects whose work is fundamental to understanding the history of Catalan architecture. By filling this form, you can request digital copies of the documents for which the Arxiu Històric del Col·legi d'Arquitectes de Catalunya manages the exploitation of the author's rights, as well as those in the public domain. Once the application has been made, the Arxiu Històric del Col·legi d'Arquitectes de Catalunya will send you an approximate budget, which varies in terms of each use and purpose.

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Informació bàsica de protecció de dades

Responsable del tractament: Col·legi d Arquitectes de Catalunya 'COAC'
Finalitat del tractament: Tramitar la sol·licitud de còpies digitals dels documents dels quals l’Arxiu Històric del COAC gestiona els drets d'explotació dels autors, a més d'aquells que es trobin en domini públic.
Legitimació del tractament: El seu consentiment per tractar les seves dades personals.
Destinatari de cessions o transferències: El COAC no realitza cessions o transferències internacionals de dades personals.
Drets de les persones interessades: Accedir, rectificar i suprimir les seves dades, així com, l’exercici d’altres drets conforme a l’establert a la informació addicional.
Informació addicional: Pot consultar la informació addicional i detallada sobre protecció de dades en aquest enllaç

Memory

Luis Twose Roura ( 1948- 2023) va néixer a Barcelona l'any 1948. Es va graduar a l'Escola Tècnica Superior d'Arquitectura de Barcelona (ETSAB) el 1975. Luis Twose va participar en els Jocs Olímpics de Munic 1972 i Mont-real 1976 com a porter de l'equip espanyol. Va combinar la seva passió i va dur a terme nombrosos projectes relacionats amb l'esport (renovació del Reial Club de Polo, i també treballs a l'edifici de l'INEFC a Barcelona). Entre 1974 i 1982, va col·laborar amb l'arquitecte Joan Arias i Roig. Des de llavors, ha treballat al seu propi estudi a Barcelona, en projectes residencials, oficines, hotels i instal·lacions esportives.

Author: TwoBo Arquitectura

Works

On the Map

Awarded
Cataloged
Disappeared
All works

Constellation

Chronology (6)

  1. Jardín Shop

    Joan Arias i Roig, Luis Pérez de Vega, Luis Twose Roig

    Jardín Shop

    In interior design there is a tendency to use elements that are alien to the function of the premises simply for the sake of their specific appeal. The result is usually a superimposition of divergent aesthetic concepts that give the whole an air of rigid and unjustified display where the user generally feels uncomfortable. The case of Jardín is precisely the opposite. The solutions used come to highlight only the use for which the premises are intended and it cannot be denied that the result has been achieved in an optimistic search free of formal dogmatism. The space to be treated, situated on the ground floor of a wide avenue, is of a regular amplitude. The different areas have been distributed logically and coherently, highlighting the different atmospheres required by means of incandescent or fluorescent lighting. The separations between the different exhibition and sales areas, warehouse and conference room have been ingeniously resolved by means of half-height wooden partitions and roller blinds. Likewise, the offices have been located on a mezzanine with a metal structure of grooved profiles covered by an evocative wooden framework. The pavement with pavement-type tiles completes the uniformity of the atmosphere achieved. On the outside, the façade has been treated with a panel of metal-paired panels. Superimposed on the panel there is a neon sign that covers the whole of the panel, making it easy to read from cars. At the points of the sign that are accessible to pedestrians, the neon has been passed over the inside of the panel.
  2. FAD Award

    Shortlisted. Category: Interior Design
    Jardín Shop

  3. Sant Quintí I Dwellings

    Joan Arias i Roig, Lluís Pérez de la Vega, Luis Twose Roig

    Sant Quintí I Dwellings

    The Sant Quintí I building is part of a wider project that includes a set of homes and apartments that occupies one side and two chamfers of an Eixample block, the buildings of which are independent by their type of development, although they maintain the façade unit and access to the parking floor. It consists of 87 furnished apartments for rent, offices, commercial premises, communal laundry, bar-restaurant connected to the lobby and parking. It is an outwardly compact, hermetic building, where the façade is shown as an envelope that covers everything and even tries to encompass the attic floors, perforated by openings, where the functions of the interior are not distinguished and that, determined by the corner geometry of the extension, adopts different alterations in the overhangs to accentuate the unity of the façade and give direction to it. The two attic floors, set back from the façade are understood as part of it, belonging to the same surrounding, and it uses, in addition to the variation between the type plants, a metal structure added to the terraces of attics as an element that blurs the variations with the rest and gives longitudinal direction. The scheme follows the typology of Barcelona's Eixample, with the inner courtyard as the backbone of the homes. It is very bright, with white tiled walls and crossed by the access roads to the apartments, opening to the outside and to the sun through a circular glass staircase of 4 m in diameter in the central area and connected on the SW-facing island patio. The central courtyard, to which most of the bedrooms ventilate, organises the distribution in plan, and also in height as it reaches the ground floor and occasionally to the basement floor and constitutes the large hall space.
  4. Sant Quintí II Dwellings

    Joan Arias i Roig, Lluís Pérez de la Vega, Luis Twose Roig

    Sant Quintí II Dwellings

    The Sant Quintí II building is part of a wider project that includes a set of homes and apartments that occupies one of the sides and two chamfers of an Eixample block; independent buildings due to the type of exchange promotion which still maintain the unit of façade and access to the parking floor. Located between partitions, reaching the chamfer with Industria Street, it is developed in: six type floors and an attic, intended for housing, mezzanine floor for offices, ground floor for lobbies and commercial premises, and basement floor for parking. There are 12 homes per floor served by three stairs. These are rent-free, with a living-dining room, kitchen, three bedrooms, two bathrooms and a terrace. The scheme follows the current typology of Barcelona's Eixample, with the inner courtyard as the backbone element and a staircase that serves four homes per floor. In the central part of the plot, there are two staircases, each with two houses facing the street and two on the patio. In the central part the courtyards of light that communicate with each other are located. The houses have double ventilation on the façade and patio. In the chamfer area, another staircase serves four houses facing the street and with a courtyard of lights in the middle. The façade is solved in a unitary manner in the set of both buildings, following the guidelines of Sant Quintí I: it is treated as an externally compact building, where the façade is shown as an envelope that covers everything and even tries to encompass the attic floors, perforated by openings, where the functions of the interior are not distinguished and which, determined by the corner geometry of the extension, adopts different alterations in the overhangs to accentuate the unity of the façade and give direction to it.
  5. Habitatges a Cabrera de Mar

    TwoBo Arquitectura, María Pancorbo, Luis Twose Roig, Alberto Twose, Pablo Twose

    Habitatges a Cabrera de Mar

    Omplir un buit urbà. L'edifici acull a la cara nord la proporció de buits, colors i composició del nucli antic de Cabrera de Mar, sense renunciar a un llenguatge més contemporani que s'expressa amb més intensitat a la cara sud, oberta al sol ia les vistes. Aquí l'estructura de formigó crea una gelosia que actua com un gran filtre, formant lògies i pèrgoles que protegeixen l'interior dels habitatges. L'habitatge s'estén pels dos extrems, a la cara nord s'apropia dels espais comunitaris o s'obre al carrer mitjançant grans aigües. A la cara sud s'obre a l'exposició del sol i la vida oberta a terrasses o patis. Cada habitatge cerca una transició fluida entre aquests dos pols, mitjançant recorreguts circulars, simples i dobles, oa les llargues visuals diagonals que creuen la planta. Al centre se situen volums (banys o armaris) que articulen i possibiliten tot aquest moviment. Ús de materials senzills però de clara expressió: Formigó, fusta de pi i ceràmica.
  6. Mostres d'Arquitectura (Maresme)

    Award-Winner / Winner. Category: Edificis amb Ús Residencial. Inclou Edificis d'Habitatges Plurifamiliars de Promoció Pública o Privada
    Habitatges a Cabrera de Mar

Bibliography

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