About
In this first stage, the catalogue focuses on the modern and contemporary architecture designed and built between 1832 –year of construction of the first industrial chimney in Barcelona that we establish as the beginning of modernity– until today.
The project is born to make the architecture more accessible both to professionals and to the citizens through a website that is going to be updated and extended. Contemporary works of greater general interest will be incorporated, always with a necessary historical perspective, while gradually adding works from our past, with the ambitious objective of understanding a greater documented period.
The collection feeds from multiple sources, mainly from the generosity of architectural and photographic studios, as well as the large amount of excellent historical and reference editorial projects, such as architectural guides, magazines, monographs and other publications. It also takes into consideration all the reference sources from the various branches and associated entities with the COAC and other collaborating entities related to the architectural and design fields, in its maximum spectrum.
Special mention should be made of the incorporation of vast documentation from the COAC Historical Archive which, thanks to its documental richness, provides a large amount of valuable –and in some cases unpublished– graphic documentation.
The rigour and criteria for selection of the works has been stablished by a Documental Commission, formed by the COAC’s Culture Spokesperson, the director of the COAC Historical Archive, the directors of the COAC Digital Archive, and professionals and other external experts from all the territorial sections that look after to offer a transversal view of the current and past architectural landscape around the territory.
The determination of this project is to become the largest digital collection about Catalan architecture; a key tool of exemplar information and documentation about architecture, which turns into a local and international referent, for the way to explain and show the architectural heritage of a territory.
About us
Project by: 
Created by: 
Directors:
2019-2024 Aureli Mora i Omar OrnaqueDocumental Commission:
2019-2024 Ramon Faura Carolina B. Garcia Eduard Callís Francesc Rafat Pau Albert Antoni López Daufí Joan Falgueras Mercè Bosch Jaume Farreny Anton Pàmies Juan Manuel Zaguirre Josep Ferrando Fernando Marzá Moisés Puente Aureli Mora Omar OrnaqueCollaborators:
2019-2024 Lluis Andreu Sergi Ballester Maria Jesús Quintero Lucía M. Villodres Montse ViuExternal Collaborators:
2019-2024 Helena Cepeda Inès MartinelWith the support of:
Generalitat de Catalunya. Departament de CulturaCollaborating Entities:
ArquinFADFundació Mies van der Rohe
Fundación DOCOMOMO Ibérico
Basílica de la Sagrada Família
Museu del Disseny de Barcelona
Fomento
AMB
EINA Centre Universitari de Disseny i Art de Barcelona
IEFC
Fundació Domènench Montaner.
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Request the image
We kindly invite you to help us improve the dissemination of Catalan architecture through this space. Here you can propose works and provide or amend information on authors, photographers and their work, along with adding comments. The Documentary Commission will analyze all data. Please do only fill in the fields you deem necessary to add or amend the information.
The Arxiu Històric del Col·legi d'Arquitectes de Catalunya is one of the most important documentation centers in Europe, which houses the professional collections of more than 180 architects whose work is fundamental to understanding the history of Catalan architecture. By filling this form, you can request digital copies of the documents for which the Arxiu Històric del Col·legi d'Arquitectes de Catalunya manages the exploitation of the author's rights, as well as those in the public domain. Once the application has been made, the Arxiu Històric del Col·legi d'Arquitectes de Catalunya will send you an approximate budget, which varies in terms of each use and purpose.
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Alegre de Sagrera House
Manor house consisting of a rectangular body parallel to the street, where the main rooms of the house are located, of which three are preserved in their original state. At the beginning of the 20th century, it was considerably renovated and expanded, with two ground-floor buildings and two attached floors in the middle of the old building, forming a u-shaped courtyard that opens onto a large garden, which is accessed via Carrer del Cardaire (or Sant Fruitós). M. Viñals refurbished the street façade. This is a symmetrical, with a ground floor and two floors, with two higher bodies at the ends. It has balconies on the first floor and a rhythm of gallery-like windows on the second floor. The upper finish is made with a cornice rich in classic ornamental elements following an eclectic style. J. Puig i Cadafalch refurbished the interior: ground floor, grand staircase, rear extension and wrought iron tribune with leaded stained-glass windows that overlooks the courtyard, using his characteristic language of Flemish influence within the modernist style. The 18th-century wall paintings on the main floor and the 19th-century paintings by Alexandre de Riquer in the downstairs hall and main staircase stand out. Former stately home where Joaquim de Sagrera i Domènech was born in 1777, he is celebrated for his active intervention in the French War and for the importance and expansion of his textile company. During the 19th century, the house suffered some vicissitudes in the rich architectural and decorative heritage it already had. It was deeply refurbished and restored in 1912 by the descendants of the family, who entrusted the work to the two architects mentioned. Some press campaigns and the action of the Museum Board prevented the demolition of the house in 1965. In 1973, with the financial help of the Caixa d'Estalvis de Terrassa, the city council acquired the building and it was destined for a museum. It contains several collections and they continue to restore the 18th-century style of its rooms. -
Torras Department Store
Building located at the junction of two streets and with a partition. With an triangular plan, consists of a ground floor and a floor, using the first one for commercial use and the upper one as housing for the owners. The corner-shaped building presents two horizontal bodies differentiated by the large balcony on the first floor that runs along the entire façade, leaving the ground floor and mezzanine as a plinth supporting the rest. The openings on the ground floor have been refurbished, although with great care of integration, maintaining the mosaic border that separates the storefronts from the mezzanine. The openings on the first floor retain all the original decoration, with dust guards and reliefs on uprights. The building is finished with a moulded gable flanked by two pinnacles. The rest of the building's decoration follows the same treatment. The façade is made of stucco drawing ashlar lines.
