Church located in the centre of the cemetery, in front of the access avenue, and with a Greek cross floor plan. It has an eclectic decoration and is crowned by a glazed ceramic dome in the form of scales, which has a large image of the Angel of the Last Judgment on top. As a result of a visit by the Governor of Barcelona to Sabadell in August 1853, it was agreed to move the Taulí cemetery, as it was too close to the city and affected public health. Discussions about the new location lasted until 1860, when it was decided to build a new one in Planes de Sant Nicolau. Josep Antoni Obradors was in charge of the works, which began in May 1863, and it was inaugurated on June 26, 1864. The first buildings were small and had aedicles on tombs. Later on, in 1867, the first pantheons appeared, and finally in 1893 the church was built.

The Francesc Cama house is located in the block of flats in the Gràcia district bounded by Carrer Gran de Gràcia, Carrer Santa Eugènia, Carrer Sant Cristòfol and Travessera de Gràcia. It has a main façade facing Carrer Gran de Gràcia from where the main entrance is located, a secondary façade facing Carrer Santa Eugènia, and an interior façade facing the courtyard of the block. The building has a rectangular ground plan, with a structure in elevation that includes a ground floor, a main floor, three upper floors and a walkable rooftop. The main entrance leads to a vestibule area and a central rectangular courtyard where the staircase is located. The main façade structures its openings in two double vertical axes of regular rhythm separated by a wide vertical strip above the entrance door, forming an axial composition around the main entrance. The ground floor opens onto the street through three large stone doorways. The tall central doorway, topped by a segmental arch, gives access to the residents' staircase, while the two side doorways correspond to the ground-floor shops. These are divided into two parts by a cast-iron pilaster with a vegetal capital. The rest of the façade is covered with a light-green mortar on which, at the height of the first floor, there is a sgraffito with a tentacular ornament containing the date of construction. The main floor has a continuous balcony topped at the ends by polygonal tiled tribunes. The polychrome floral-themed stained-glass windows at the end of the balconies are particularly striking. The rest of the balconies, aligned in pairs, have an undulating floor plan and are closed with wrought-iron railings. The openings have low balconies of coloured brittle and a sculptural frame. The crowning, which serves as a railing on the roof, maintains the division with two false stepped pediments, highlighted by a moulding. The secondary façade, facing Carrer Santa Eugènia, has a compositional system similar to the main façade. It is also divided into four vertical axes of openings, but with fewer overhangs. The main floor has an undulating continuous balcony. The façade facing the inner courtyard has glass galleries supported by cast-iron pilasters. The entrance hall and the central courtyard is the space that gives access to the building and distributes the various horizontal properties. It is accessed through the vestibule of the main door, a rectangular space with white marble floors and ceramic tile wainscoting, but what stands out is an elaborate false plaster ceiling. Beyond a doorway there is the central courtyard, with the lift, the wooden porter's lodge and the residents' staircase.

Eclectic church, surrounded by a forest and located on the remains of the Roman villa and the hermitage of Sant Iscle. It has a good arrangement of volumes, emphasised by the roofs at different levels and by the arches under the cornices. The bell tower, from the modernist period, combines the visible work with the wall and is topped by a glazed ceramic pinnacle. In front of the entrance there is an atrium supported by columns. From the interior, the most holy altar with sculptures and reliefs by Enric Monjo (1946) should be noted. There are also sculptures by Camil Fàbregas. The high altar altarpieces were carried out by Antoni Vila Arufat and the stained-glass windows were made by Jeroni Granell. According to tradition, around the year 1652, an image of the Virgin of Health was found touching the fountain of the Torrent de Canyomeres, and from that moment it began to be venerated in the Hermitage of Sant Iscle, a place where they were driven away from the city. The current temple is the work of M. Pascual Tintorer, it was finished on April 23, 1882, and cost 53,947.86 pesetas. Later, the bell tower was built (1907) and in 1945 the church was renovated by F. Folguera, who reinforced the vaults and foundations, as well as building the entrance atrium.

Bridge with a slab deck that spans the difference in level of the old Vallcarca stream, now the Avinguda del Hospital Militar, which ran between the Coll and Putxet hills. Since 1923, it has been the main access road to the Coll neighbourhood via Plaça de Mons and Avinguda Argentina, both for road and pedestrian traffic. For the time, it was a fairly advanced engineering work, as the structure was made of concrete reinforced with iron, a technique that made it possible to cement a complex work set in the banks of a stream. The supporting elements are covered with stone and exposed brick, forming semicircular balconies at the top, like a belvedere. In the space between the dividing walls there are relief decorations representing the coat of arms of Catalonia and Sant Jordi flanked by winged lions; above the railing decorated with geometric coffered ceilings there are also pinnacles in the Sezession style.