Detached house with a basilica floor plan and three bays. It consists of a ground floor, a first floor and an attic and has a two-slope roof with the ridge perpendicular to the façade. The entrance doorway, with a semicircular arch, is covered by an advanced porch with ceramic pillars, with the upper part used as a balcony. At both corners of the balcony there is a circular tribune with ceramic Solomonic columns and a spherical vault roof. The balcony is accessed through a flat-arched doorway made of dressed stone. In the attic there is a gallery with five openings with a ceramic mixtilinear arch. The southeast-facing bay has a lookout tower with a quadrangular ground plan and four levels of elevation, with a four-slope glazed ceramic roof. Each level of the tower has ceramic mixtilinear-arched windows, grouped in threes on the fourth floor. On the southeast façade, between the third and fourth floors, is a sundial. Small circular oculi are interspersed between the corbels supporting the eaves. The tower gives access through the rear façade to a walkable terrace delimited by a ceramic balustrade. The corridor facing the northeast has two levels, opened with a ceramic round-arched doorway and stone jambs on the ground floor, and a double window with a ceramic mixtilinear arch on the first floor, which opens onto a balcony with a masonry railing supported by corbels. On the rear façade there is a porch with ceramic pillars, on which there is a walkable terrace with a ceramic balustrade. Parallel to the main façade, there is a bastion with battlements and sentry boxes, which encloses the house from behind. It is accessed from the southeast through a gateway that leads to the courtyard, where there is a rectangular body that corresponds to the wine cellar. The cladding of the walls is rendered and painted in an ecru colour, where the eaves, corbels, railings and openings are made of exposed ceramic tiles and the decorative ceramic tiles on the chimney caps, balconies and cornices stand out.

The Xoriguera country house has been documented since the 13th century, when it belonged to Arnau de Xoriguera, trustee of Ribes. Between the 16th and 17th centuries it belonged to the Puig de Xoriguera family, and later to the Mironet family. In the land registry of 1717, Emanuel Giralt was the owner and Jaume Artigas was the farmer, while in 1764 a certain Joan Miró de Munxuriguera appears. Later, as recorded in the 1847 land registry book, it belonged to Antoni Giralt. At the beginning of the 20th century, it was acquired by the Soler family of Vilanova i la Geltrú, who built a Catalan Art Nouveau house on top of the old country house.

Manor house located on the old road to Vilanova, to the south of Solers. It is an isolated house with a basilica floor plan and three bays. It consists of a ground floor, a first floor and an attic and has a gable roof with the ridge perpendicular to the façade. The entrance doorway, with a semicircular arch, is covered by an advanced porch with ceramic pillars, with the upper part used as a balcony. At both corners of the porch there is a circular tribune with ceramic Solomonic columns and a spherical vaulted roof. The balcony is accessed through a flat-arched doorway made of stone. The attic level opens onto a gallery of five porticoes with ceramic mixtilinear arches. The southeast-facing bay has a quadrangular, four-storey lookout tower, which is covered with glazed ceramic. Each level of the tower opens with ceramic mixtilinear-arched windows, grouped in threes on the fourth floor. On the southeast façade, between the third and fourth floors, there is a sundial-shaped panel. Small circular oculi are interspersed between the corbels supporting the eaves. The tower gives access through the rear façade to a walkable terrace delimited by a ceramic balustrade. The corridor facing northeast has two levels, opened with a ceramic round-arched doorway and stone jambs on the ground floor, and a double window with a ceramic mixtilinear arch on the first floor, which opens onto a balcony with a masonry railing supported by corbels. On the rear façade there is a porch with ceramic pillars, on which there is a walkable terrace with a ceramic balustrade. Parallel to the main façade, there is a bastion with battlements and sentry boxes, which encloses the house from behind. It is accessed from the southeast through a gateway that leads to the courtyard, where there is a rectangular body that corresponds to the wine cellar. The cladding of the walls is rendered and painted in an ecru colour, where the eaves, corbels, railings and openings of exposed ceramic tiles and the decorative ceramic tiles of the chimney caps, balconies and cornices stand out.

The Xoriguera country house has been documented since the 13th century, when it belonged to Arnau de Xoriguera, trustee of Ribes. Between the 16th and 17th centuries it belonged to the Puig de Xoriguera family, and later to the Mironet family. In the land registry of 1717, the owner was Emanuel Giralt and the farmer Jaume Artigas, while in 1764 a certain Joan Miró de Munxuriguera appears. Later, as recorded in the 1847 land register, it belonged to Antoni Giralt. At the beginning of the 20th century, it was acquired by the Soler family from Vilanova i la Geltrú, who built a Catalan Art Nouveau house on the old country house. Some sources (LACUESTA 2006: 41) suggest that it may have been built by the architect Miró i Guibernau, who also designed the Casa del Indiano de Vilanova for the Soler family. It was completely restored at the end of the 20th century and is used as a tourist establishment.