Can Miret de les Torres is located next to the village of Les Torres. It is an isolated building consisting of a ground floor and two storeys, with a gable roof. The façade, with a symmetrical composition, has a semicircular arched doorway on the ground floor and two windows framed in brick. The first floor is occupied by three Gothic-inspired windows, and the second floor has four openings the shape of which is determined by a decorative use of brick. The sundial on the first floor is noteworthy, as well as other ornamental elements that enrich the façade (Valencian ceramic tiles and plates from different periods and the wrought-iron weather vane). The ensemble is completed with an auxiliary building consisting of a garage and a fence. Josep Font i Gumà built this house for his brother in 1898 and, when his brother died, the architect became the owner. The building was later sold to the Miret family, who still own it today.

The complex takes up the entire block between the streets of Jacas, Marañón, Maragall and Claret. It is an isolated building, with a complex organisation, formed by two bodies arranged perpendicular to another central body. It includes several outbuildings, including a chapel and a battlemented tower. The roofs are generally two-sided tiles. The construction has openings of various typologies that are framed in brick. There are several entrances to the building, which is surrounded by a garden. At the back, the shelter of Sant Josep has been the subject of several expansion works. The Sant Josep and Sant Pere asylum was built in 1901, according to a project by the architect Josep Font i Gumà. In the Historical Archive of Ribes, there is a document dated 1947, the request to the City Council for works to expand the building, in accordance with the plans signed by the architect Josep Brugal i Fortuny.

The fountain of La Farmàcia is located in the middle of the Plaça de la Font (before called L'Assumpta). The base of the fountain rises on a circular stone stepwith a trilobate floor plan that defines the structure of the lower body, made of stone and brick, with three sinks. Above this body, there are two more with a circular cross-section. The first is decorated with a brick mosaic that corresponds to the location of the three taps, two of which are no longer usable; the second, made of predominantly white tile, contains a ceramic panel that also bears the date 1906. The fountain ends in a conical body of brittle, crowned by a lantern with a ceramic decorative base. The construction of this fountain, according to Josep Font i Gumà's project, was carried out in 1906 to commemorate the recent sending of channeled water.

Detached house with a basilica floor plan and three bays. It consists of a ground floor, a first floor and an attic and has a two-slope roof with the ridge perpendicular to the façade. The entrance doorway, with a semicircular arch, is covered by an advanced porch with ceramic pillars, with the upper part used as a balcony. At both corners of the balcony there is a circular tribune with ceramic Solomonic columns and a spherical vault roof. The balcony is accessed through a flat-arched doorway made of dressed stone. In the attic there is a gallery with five openings with a ceramic mixtilinear arch. The southeast-facing bay has a lookout tower with a quadrangular ground plan and four levels of elevation, with a four-slope glazed ceramic roof. Each level of the tower has ceramic mixtilinear-arched windows, grouped in threes on the fourth floor. On the southeast façade, between the third and fourth floors, is a sundial. Small circular oculi are interspersed between the corbels supporting the eaves. The tower gives access through the rear façade to a walkable terrace delimited by a ceramic balustrade. The corridor facing the northeast has two levels, opened with a ceramic round-arched doorway and stone jambs on the ground floor, and a double window with a ceramic mixtilinear arch on the first floor, which opens onto a balcony with a masonry railing supported by corbels. On the rear façade there is a porch with ceramic pillars, on which there is a walkable terrace with a ceramic balustrade. Parallel to the main façade, there is a bastion with battlements and sentry boxes, which encloses the house from behind. It is accessed from the southeast through a gateway that leads to the courtyard, where there is a rectangular body that corresponds to the wine cellar. The cladding of the walls is rendered and painted in an ecru colour, where the eaves, corbels, railings and openings are made of exposed ceramic tiles and the decorative ceramic tiles on the chimney caps, balconies and cornices stand out. The Xoriguera country house has been documented since the 13th century, when it belonged to Arnau de Xoriguera, trustee of Ribes. Between the 16th and 17th centuries it belonged to the Puig de Xoriguera family, and later to the Mironet family. In the land registry of 1717, Emanuel Giralt was the owner and Jaume Artigas was the farmer, while in 1764 a certain Joan Miró de Munxuriguera appears. Later, as recorded in the 1847 land registry book, it belonged to Antoni Giralt. At the beginning of the 20th century, it was acquired by the Soler family of Vilanova i la Geltrú, who built a Catalan Art Nouveau house on top of the old country house.