In this first stage, the catalogue focuses on the modern and contemporary architecture designed and built between 1832 –year of construction of the first industrial chimney in Barcelona that we establish as the beginning of modernity– until today.
The project is born to make the architecture more accessible both to professionals and to the citizens through a website that is going to be updated and extended. Contemporary works of greater general interest will be incorporated, always with a necessary historical perspective, while gradually adding works from our past, with the ambitious objective of understanding a greater documented period.
The collection feeds from multiple sources, mainly from the generosity of architectural and photographic studios, as well as the large amount of excellent historical and reference editorial projects, such as architectural guides, magazines, monographs and other publications. It also takes into consideration all the reference sources from the various branches and associated entities with the COAC and other collaborating entities related to the architectural and design fields, in its maximum spectrum.
Special mention should be made of the incorporation of vast documentation from the COAC Historical Archive which, thanks to its documental richness, provides a large amount of valuable –and in some cases unpublished– graphic documentation.
The rigour and criteria for selection of the works has been stablished by a Documental Commission, formed by the COAC’s Culture Spokesperson, the director of the COAC Historical Archive, the directors of the COAC Digital Archive, and professionals and other external experts from all the territorial sections that look after to offer a transversal view of the current and past architectural landscape around the territory.
The determination of this project is to become the largest digital collection about Catalan architecture; a key tool of exemplar information and documentation about architecture, which turns into a local and international referent, for the way to explain and show the architectural heritage of a territory.
We kindly invite you to help us improve the dissemination of Catalan architecture through this space. Here you can propose works and provide or amend information on authors, photographers and their work, along with adding comments. The Documentary Commission will analyze all data. Please do only fill in the fields you deem necessary to add or amend the information.
The Arxiu Històric del Col·legi d'Arquitectes de Catalunya is one of the most important documentation centers in Europe, which houses the professional collections of more than 180 architects whose work is fundamental to understanding the history of Catalan architecture. By filling this form, you can request digital copies of the documents for which the Arxiu Històric del Col·legi d'Arquitectes de Catalunya manages the exploitation of the author's rights, as well as those in the public domain. Once the application has been made, the Arxiu Històric del Col·legi d'Arquitectes de Catalunya will send you an approximate budget, which varies in terms of each use and purpose.
Located on the stately Rambla de Catalunya, in the heart of Barcelona's Eixample, this is one of the first of Sagnier's buildings to enjoy international publicity: it was reproduced in 1896 in the prestigious Academy Architecture and Architectural Review of London, an honour also shared by the Roger Vidal house, built around the same time. Throughout his career, the architect was often linked to the Juncadella family, for whom he carried out several works, such as several houses in the same area and others in the neighbouring town of Esplugues (now disappeared), a pantheon in the cemetery of Montjuïc and the renovation of the castle of Montesquiu, in the Pre-Pyrenees. In this residential building, Sagnier offers us a typical example of his large mansions in the Eixample prior to the modernist explosion of 1900, with its severe forms, the powerful corbels supporting the balconies and the display of precious materials. The composition of the façade attempts to avoid the effect of monotony inherent in this type of construction by introducing elements that give it variety, such as the vertical strips that frame it laterally, the tribunes on the main floor with the columns or the diversity of balconies on the different floors.
Inside, a covered courtyard contains the staircase leading to the main floor, which was occupied by the owners and was consequently decorated with rich mosaics, glass and woodwork. The four medallions on the upper part of the façade are the work of Pere Carbonell, with representations of the arts. In 1918, Sagnier himself added a floor to the building, where he kept the sculptural reliefs and added ornamental vases.