Intro

About

In this first stage, the catalogue focuses on the modern and contemporary architecture designed and built between 1832 –year of construction of the first industrial chimney in Barcelona that we establish as the beginning of modernity– until today.

The project is born to make the architecture more accessible both to professionals and to the citizens through a website that is going to be updated and extended. Contemporary works of greater general interest will be incorporated, always with a necessary historical perspective, while gradually adding works from our past, with the ambitious objective of understanding a greater documented period.

The collection feeds from multiple sources, mainly from the generosity of architectural and photographic studios, as well as the large amount of excellent historical and reference editorial projects, such as architectural guides, magazines, monographs and other publications. It also takes into consideration all the reference sources from the various branches and associated entities with the COAC and other collaborating entities related to the architectural and design fields, in its maximum spectrum.

Special mention should be made of the incorporation of vast documentation from the COAC Historical Archive which, thanks to its documental richness, provides a large amount of valuable –and in some cases unpublished– graphic documentation.

The rigour and criteria for selection of the works has been stablished by a Documental Commission, formed by the COAC’s Culture Spokesperson, the director of the COAC Historical Archive, the directors of the COAC Digital Archive, and professionals and other external experts from all the territorial sections that look after to offer a transversal view of the current and past architectural landscape around the territory.

The determination of this project is to become the largest digital collection about Catalan architecture; a key tool of exemplar information and documentation about architecture, which turns into a local and international referent, for the way to explain and show the architectural heritage of a territory.

Aureli Mora i Omar Ornaque
Directors arquitecturacatalana.cat

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About us

Project by:

Created by:

Directors:

2019-2025 Aureli Mora i Omar Ornaque

Documental Commission:

2019-2025 Ramon Faura Carolina B. Garcia Eduard Callís Francesc Rafat Pau Albert Antoni López Daufí Joan Falgueras Mercè Bosch Jaume Farreny Anton Pàmies Juan Manuel Zaguirre Josep Ferrando Fernando Marzá Moisés Puente Aureli Mora Omar Ornaque

Collaborators:

2019-2025 Lluis Andreu Sergi Ballester Maria Jesús Quintero Lucía M. Villodres Montse Viu

External Collaborators:

2019-2025 Helena Cepeda Inès Martinel

With the support of:

Generalitat de Catalunya. Departament de Cultura

Collaborating Entities:

ArquinFAD

 

Fundació Mies van der Rohe

 

Fundación DOCOMOMO Ibérico

 

Basílica de la Sagrada Família

 

Museu del Disseny de Barcelona

 

Fomento

 

AMB

 

EINA Centre Universitari de Disseny i Art de Barcelona

 

IEFC

 

Fundació Domènench Montaner.

Design & Development:

edittio Nubilum
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We kindly invite you to help us improve the dissemination of Catalan architecture through this space. Here you can propose works and provide or amend information on authors, photographers and their work, along with adding comments. The Documentary Commission will analyze all data. Please do only fill in the fields you deem necessary to add or amend the information.

The Arxiu Històric del Col·legi d'Arquitectes de Catalunya is one of the most important documentation centers in Europe, which houses the professional collections of more than 180 architects whose work is fundamental to understanding the history of Catalan architecture. By filling this form, you can request digital copies of the documents for which the Arxiu Històric del Col·legi d'Arquitectes de Catalunya manages the exploitation of the author's rights, as well as those in the public domain. Once the application has been made, the Arxiu Històric del Col·legi d'Arquitectes de Catalunya will send you an approximate budget, which varies in terms of each use and purpose.

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Responsable del tractament: Col·legi d Arquitectes de Catalunya 'COAC'
Finalitat del tractament: Tramitar la sol·licitud de còpies digitals dels documents dels quals l’Arxiu Històric del COAC gestiona els drets d'explotació dels autors, a més d'aquells que es trobin en domini públic.
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Constellation

Chronology

  1. Escoles de Cal Pons

    Josep Torres Argullol

  2. Cal Pons Colony

    autoria desconeguda

    Cal Pons Colony

    The Pons colony is characterised by the fact that it is one of the textile colonies that was established and developed in a relatively short period of time (1875-1910), which gives it a great sense of unity. The two owners' towers, the director's tower and the church are the most emblematic buildings of Cal Pons, together with the garden. In 1908, King Alfonso XIII travelled to the Llobregat basin and paid a visit to the Pons colony. Church of Sant Josep The church has a Latin cross plan and is 32 metres long. The main nave is covered with a ribbed vault, and the side chapels act as buttresses for the central nave. At the intersection of the main nave and the transept there is an octagonal dome. The polygonal apse has an ambulatory that leads to the crypt and the sacristy. In 1879, the isolated bell tower was erected and in 1907 the family pantheon was built, where Lluís Pons i Enrich and his wife, Anna Roca, were buried. Externally, the church has a haughty appearance reinforced by the dome, the bell tower and the set of pinnacles. The main façade, facing south, is made of well-cut ashlars, while the rest of the building harmoniously combines rubble stone with brick. It is a neo-Gothic building that was constructed in sixteen months, the work of the architect Josep Torres i Argullol. The interior was decorated by Francesc Morell, brother of the factory manager at the time. School, convent, theatre and girls' home. The buildings have two storeys: the ground floor was used as a school and the upper floor was used as a convent, the priest's home and the residence for working girls. Like the rest of the buildings in the colony, the construction materials used were stone for the walls and brick for the windows and doors. The old tower (a fortified town before 1885) and the new tower (inaugurated in 1897) are monumental buildings in a medieval historicist style. They were designed as medieval castles surrounded by gardens. The old tower was the first to be built. It is a solid but slender building, with a very marked central body. The Catalan spiral staircase stands out. It is eclectic in style with a Gothic influence. The new tower is a large construction built on a rock at the end of the colony's gardens. In its structure, the central body predominates over both sides. The main façade, with a double staircase, faces north. The exterior walls combine brick, plaster and mosaics. It has many medieval-style decorative details: capitals with bestiary, floral decoration, gargoyles, blind arches on the eaves of the roof, etc. In the entrance hall there are allegorical paintings that refer to the continents of America, Africa, Asia and Europe. It is a landscape in the background with a female figure who brings some element that refers to each continent. In the representation of Europe, the background landscape is the Pons colony seen from the foot of the Llobregat. It was initially the continuous residence of the owners, later it served as a second residence and in the mid-20th century the furniture was auctioned off and it was converted into a towel factory. The architect of these two buildings is unknown. However, it seems that it could have been Josep Torres i Argullol or Alexandre Soler i March, architects who worked for the Pons family. The director's villa was built before 1900, it is more austere and smaller, and its architect is also unknown. The garden When the colony was designed, the intention was to turn the estate into an enclosed garden that would isolate it from the outside world. The garden was for the private use of the owners of the colony and the director's family. But when the Pons family were not there, the workers could use the garden and the adjoining forest. In this space there was a great diversity of plant species (some of which have since disappeared): banana trees, lime trees, mulberry trees, trumpet trees, horse chestnut trees, palm trees, poplars, holm oaks, fir trees... In the private garden of the new tower, two 1900s gazebos made of brick and wood stand out, overlooking the Llobregat river and the colony. Until the 1950s and 1960s, the colony was the most active cultural centre in the municipality of Puig-reig. The magazine “Colònia Pons” was published and the Home School and the School of Labour linked to the Industrial School of Barcelona were created. The factory workers received training that was truly cutting edge at the regional level. On 25 March 1886, construction began on the church of the Pons colony dedicated to the Virgin of Montserrat. It was consecrated on 10 August 1897. It was built at the same time as the large factory, the workers' housing and the two towers. In the mid-20th century, and especially in the wake of the Spanish Civil War, the towers where the owners resided were abandoned and a progressive deterioration of the cultural activities and the park, which had an interesting collection of exotic birds, began. The moments of splendour of the Pons colony coincide with the early days of its existence, between 1880 and 1930.

Related Works

Set Colònia Cal Pons

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