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In this first stage, the catalogue focuses on the modern and contemporary architecture designed and built between 1832 –year of construction of the first industrial chimney in Barcelona that we establish as the beginning of modernity– until today.
The project is born to make the architecture more accessible both to professionals and to the citizens through a website that is going to be updated and extended. Contemporary works of greater general interest will be incorporated, always with a necessary historical perspective, while gradually adding works from our past, with the ambitious objective of understanding a greater documented period.
The collection feeds from multiple sources, mainly from the generosity of architectural and photographic studios, as well as the large amount of excellent historical and reference editorial projects, such as architectural guides, magazines, monographs and other publications. It also takes into consideration all the reference sources from the various branches and associated entities with the COAC and other collaborating entities related to the architectural and design fields, in its maximum spectrum.
Special mention should be made of the incorporation of vast documentation from the COAC Historical Archive which, thanks to its documental richness, provides a large amount of valuable –and in some cases unpublished– graphic documentation.
The rigour and criteria for selection of the works has been stablished by a Documental Commission, formed by the COAC’s Culture Spokesperson, the director of the COAC Historical Archive, the directors of the COAC Digital Archive, and professionals and other external experts from all the territorial sections that look after to offer a transversal view of the current and past architectural landscape around the territory.
The determination of this project is to become the largest digital collection about Catalan architecture; a key tool of exemplar information and documentation about architecture, which turns into a local and international referent, for the way to explain and show the architectural heritage of a territory.
About us
Project by: 
Created by: 
Directors:
2019-2024 Aureli Mora i Omar OrnaqueDocumental Commission:
2019-2024 Ramon Faura Carolina B. Garcia Eduard Callís Francesc Rafat Pau Albert Antoni López Daufí Joan Falgueras Mercè Bosch Jaume Farreny Anton Pàmies Juan Manuel Zaguirre Josep Ferrando Fernando Marzá Moisés Puente Aureli Mora Omar OrnaqueCollaborators:
2019-2024 Lluis Andreu Sergi Ballester Maria Jesús Quintero Lucía M. Villodres Montse ViuExternal Collaborators:
2019-2024 Helena Cepeda Inès MartinelWith the support of:
Generalitat de Catalunya. Departament de CulturaCollaborating Entities:
ArquinFADFundació Mies van der Rohe
Fundación DOCOMOMO Ibérico
Basílica de la Sagrada Família
Museu del Disseny de Barcelona
Fomento
AMB
EINA Centre Universitari de Disseny i Art de Barcelona
IEFC
Fundació Domènench Montaner.
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We kindly invite you to help us improve the dissemination of Catalan architecture through this space. Here you can propose works and provide or amend information on authors, photographers and their work, along with adding comments. The Documentary Commission will analyze all data. Please do only fill in the fields you deem necessary to add or amend the information.
The Arxiu Històric del Col·legi d'Arquitectes de Catalunya is one of the most important documentation centers in Europe, which houses the professional collections of more than 180 architects whose work is fundamental to understanding the history of Catalan architecture. By filling this form, you can request digital copies of the documents for which the Arxiu Històric del Col·legi d'Arquitectes de Catalunya manages the exploitation of the author's rights, as well as those in the public domain. Once the application has been made, the Arxiu Històric del Col·legi d'Arquitectes de Catalunya will send you an approximate budget, which varies in terms of each use and purpose.
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Memory
In a place then located on the outskirts of the city, the Casaramona factory had to be built very quickly due to the fire that took place in the old factory in La Riereta Street. The work is organised with a scheme of three warehouses destined for yarns, warehouses and fabrics, separated by two interior streets that resolve the large dimensions of the complex. The structure is of ceramic vaults supported on iron porticos and covered with Catalan roofs that rest on the same vaults. The bodies at the four corners are higher, the stairwells rise even higher and, in the central part, two towers (of the clock and of the water elevation) take on a large vertical dimension, linked to the crenellated profile of all façades. With sober means and repetitive elements, Puig i Cadafalch gives great interest to the external image of the building, through the expression on the façade of the structural elements, such as the ends of the vaults or the series of buttresses.
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Casaramona Factory Building
In a place then located on the outskirts of the city, the Casaramona factory had to be built very quickly due to the fire that took place in the old factory in La Riereta Street. The work is organised with a scheme of three warehouses destined for yarns, warehouses and fabrics, separated by two interior streets that resolve the large dimensions of the complex. The structure is of ceramic vaults supported on iron porticos and covered with Catalan roofs that rest on the same vaults. The bodies at the four corners are higher, the stairwells rise even higher and, in the central part, two towers (of the clock and of the water elevation) take on a large vertical dimension, linked to the crenellated profile of all façades. With sober means and repetitive elements, Puig i Cadafalch gives great interest to the external image of the building, through the expression on the façade of the structural elements, such as the ends of the vaults or the series of buttresses. -
Concurs Anual d'Edificis i Establiments Urbans
Award-Winner / Winner. Category: ArchitectureCasaramona Factory BuildingCaixaForum Gift Shop
The store is originally conceived as a space without its own roof, defined by two stone-clad walls and a glass enclosure to which two doors are incorporated. On the lobby floor, the pieces of furniture are arranged, resolved with off-white and satin stainless steel. The quartering of the two walls serves to compose a bookcase and a showcase, both with their own light. General lighting is resolved with a grid of suspended white cylinders that reproduces the modulation of the pavement. This creates a uniform light plane for the store, as well as the roof.
