In this first stage, the catalogue focuses on the modern and contemporary architecture designed and built between 1832 –year of construction of the first industrial chimney in Barcelona that we establish as the beginning of modernity– until today.
The project is born to make the architecture more accessible both to professionals and to the citizens through a website that is going to be updated and extended. Contemporary works of greater general interest will be incorporated, always with a necessary historical perspective, while gradually adding works from our past, with the ambitious objective of understanding a greater documented period.
The collection feeds from multiple sources, mainly from the generosity of architectural and photographic studios, as well as the large amount of excellent historical and reference editorial projects, such as architectural guides, magazines, monographs and other publications. It also takes into consideration all the reference sources from the various branches and associated entities with the COAC and other collaborating entities related to the architectural and design fields, in its maximum spectrum.
Special mention should be made of the incorporation of vast documentation from the COAC Historical Archive which, thanks to its documental richness, provides a large amount of valuable –and in some cases unpublished– graphic documentation.
The rigour and criteria for selection of the works has been stablished by a Documental Commission, formed by the COAC’s Culture Spokesperson, the director of the COAC Historical Archive, the directors of the COAC Digital Archive, and professionals and other external experts from all the territorial sections that look after to offer a transversal view of the current and past architectural landscape around the territory.
The determination of this project is to become the largest digital collection about Catalan architecture; a key tool of exemplar information and documentation about architecture, which turns into a local and international referent, for the way to explain and show the architectural heritage of a territory.
We kindly invite you to help us improve the dissemination of Catalan architecture through this space. Here you can propose works and provide or amend information on authors, photographers and their work, along with adding comments. The Documentary Commission will analyze all data. Please do only fill in the fields you deem necessary to add or amend the information.
The Arxiu Històric del Col·legi d'Arquitectes de Catalunya is one of the most important documentation centers in Europe, which houses the professional collections of more than 180 architects whose work is fundamental to understanding the history of Catalan architecture. By filling this form, you can request digital copies of the documents for which the Arxiu Històric del Col·legi d'Arquitectes de Catalunya manages the exploitation of the author's rights, as well as those in the public domain. Once the application has been made, the Arxiu Històric del Col·legi d'Arquitectes de Catalunya will send you an approximate budget, which varies in terms of each use and purpose.
The project's approach takes advantage of the site's optimal conditions: facing southeast, isolated, elevated with respect to the communication routes, centrally located. The building is placed at the rear and respects the natural slope of the land, favouring maximum sunlight in the playground and on the main façade. The main body is divided into three bays: the front one, 6.40 metres wide, houses the classrooms. Each classroom receives light through two large windows with waterproof blinds. The second bay, 3 metres wide, is occupied by the corridor. And the rear bay, 4.75 metres wide, houses the complementary rooms.
A member of GATCPAC, Pedro Armengou was the municipal architect of Manresa and knew how to choose a site with excellent conditions for the construction of the school: south-east orientation, elevated in relation to the public thoroughfare, central location, ease of communication, etc. The project makes the most of these qualities by placing the building at the back of the site, thus obtaining maximum sunlight for the playing fields and the building. The main façade of the building faces southeast and all the classrooms face in the same direction.
All the principles of constructive rationalism have been respected: widened windows, simplicity of volume and use of a flat roof. The south-east façade is predominantly empty to the extent that it is almost all windows. From inside the classrooms one can appreciate the excellent location of the school complex and in the south corner there are two terraces that serve as outdoor classrooms. The classrooms are furnished with wooden tables and chairs, and the tables are of three graduated sizes to cater for the six year groups. A projection screen has been installed in the gymnasium. The decoration is very simple, of a rationalist nature.
The building is characterised by new rationalist ideas and is, in fact, the architect's most important work. Armengou was able to choose a site with excellent conditions for the project.
It is a four-storey building with a basement for installations. It is structured according to the criteria based on three parallel bays, oriented to the southeast to make the most of the land. The classrooms are located in the first bay, which faces the main façade and is 6.4 metres wide. In a second, central bay - 3 metres wide -, there is a circulation core that gives access to the different rooms. In the third bay - 4.75 metres wide - with a façade to the rear, there is a set of functionally auxiliary rooms for the building's activity or services. The building meets construction criteria considered basic techniques in current construction and therefore has a reinforced concrete structure. The enclosures are made of brick and the façades, plastered and painted, make no concessions to ornamentation.
All the criteria of constructive rationalism were respected in this work: simplicity in the volume, use of a flat roof and elongated windows.
The building was designed in 1932 by Pere Armengou i Torra, municipal architect of Manresa, and inaugurated in 1934. The ‘Renaixença’ school is this architect's most important work; he was also responsible for the design of some of the school furniture, following the criteria proposed by the Bauhaus. Subsequently, around 1968, a series of interventions were carried out which, although they substantially modified the work, respected its initial spirit.