Intro

About

In this first stage, the catalogue focuses on the modern and contemporary architecture designed and built between 1832 –year of construction of the first industrial chimney in Barcelona that we establish as the beginning of modernity– until today.

The project is born to make the architecture more accessible both to professionals and to the citizens through a website that is going to be updated and extended. Contemporary works of greater general interest will be incorporated, always with a necessary historical perspective, while gradually adding works from our past, with the ambitious objective of understanding a greater documented period.

The collection feeds from multiple sources, mainly from the generosity of architectural and photographic studios, as well as the large amount of excellent historical and reference editorial projects, such as architectural guides, magazines, monographs and other publications. It also takes into consideration all the reference sources from the various branches and associated entities with the COAC and other collaborating entities related to the architectural and design fields, in its maximum spectrum.

Special mention should be made of the incorporation of vast documentation from the COAC Historical Archive which, thanks to its documental richness, provides a large amount of valuable –and in some cases unpublished– graphic documentation.

The rigour and criteria for selection of the works has been stablished by a Documental Commission, formed by the COAC’s Culture Spokesperson, the director of the COAC Historical Archive, the directors of the COAC Digital Archive, and professionals and other external experts from all the territorial sections that look after to offer a transversal view of the current and past architectural landscape around the territory.

The determination of this project is to become the largest digital collection about Catalan architecture; a key tool of exemplar information and documentation about architecture, which turns into a local and international referent, for the way to explain and show the architectural heritage of a territory.

Aureli Mora i Omar Ornaque
Directors arquitecturacatalana.cat

credits

About us

Project by:

Created by:

Directors:

2019-2024 Aureli Mora i Omar Ornaque

Documental Commission:

2019-2024 Ramon Faura Carolina B. Garcia Eduard Callís Francesc Rafat Pau Albert Antoni López Daufí Joan Falgueras Mercè Bosch Jaume Farreny Anton Pàmies Juan Manuel Zaguirre Josep Ferrando Fernando Marzá Moisés Puente Aureli Mora Omar Ornaque

Collaborators:

2019-2024 Lluis Andreu Sergi Ballester Maria Jesús Quintero Lucía M. Villodres Montse Viu

External Collaborators:

2019-2024 Helena Cepeda Inès Martinel

With the support of:

Generalitat de Catalunya. Departament de Cultura

Collaborating Entities:

ArquinFAD

 

Fundació Mies van der Rohe

 

Fundación DOCOMOMO Ibérico

 

Basílica de la Sagrada Família

 

Museu del Disseny de Barcelona

 

Fomento

 

AMB

 

EINA Centre Universitari de Disseny i Art de Barcelona

 

IEFC

 

Fundació Domènench Montaner.

Design & Development:

edittio Nubilum
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We kindly invite you to help us improve the dissemination of Catalan architecture through this space. Here you can propose works and provide or amend information on authors, photographers and their work, along with adding comments. The Documentary Commission will analyze all data. Please do only fill in the fields you deem necessary to add or amend the information.

The Arxiu Històric del Col·legi d'Arquitectes de Catalunya is one of the most important documentation centers in Europe, which houses the professional collections of more than 180 architects whose work is fundamental to understanding the history of Catalan architecture. By filling this form, you can request digital copies of the documents for which the Arxiu Històric del Col·legi d'Arquitectes de Catalunya manages the exploitation of the author's rights, as well as those in the public domain. Once the application has been made, the Arxiu Històric del Col·legi d'Arquitectes de Catalunya will send you an approximate budget, which varies in terms of each use and purpose.

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Responsable del tractament: Col·legi d Arquitectes de Catalunya 'COAC'
Finalitat del tractament: Tramitar la sol·licitud de còpies digitals dels documents dels quals l’Arxiu Històric del COAC gestiona els drets d'explotació dels autors, a més d'aquells que es trobin en domini públic.
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Memory

La Llauna Secondary School is a project by Enric Miralles and Carme Pinós to refurbish and adapt an early 20th century factory – the Gottardo Factory of Andreis Metalgraf Española, popularly known as ‘La Llauna’ – to convert it into a secondary school in Badalona.

One of the most remarkable strategies of the project is its positioning with respect to what was there beforehand. Certain key points of the building are spared to improve the quality of the spaces and the relationship between them, as well as to highlight the intervention within the original building.

At other points, however, the building is simply stripped bare or underlain by the addition of new volumes that generate new spaces. The result is an intervention that respects the pre-existence, resignifying it and making it part of the new functioning of the building.

The access, located on Carrer de Sagunt, is one of the examples of the strategy explained. This is configured by means of a large metal sliding door that draws a curve in the floor with its opening. This is fitted into a vertical strip in the façade formed by openings in the upper floors, emptying the original façade and highlighting the entrance to the new school through this new fitting. The access gives way to a large free ground floor, which is designed as the ample space that is lacking in the street through which the school is accessed, leaving only the original structure of the factory and cornering off the essential services such as the caretaker's office or the secretary's office. This design of the ground floor as a new public space is reinforced by the placement of typical urban elements such as lampposts and bicycle racks.

The stairwell can be accessed through the ground floor, on the side where the services such as the concierge's office are located, directly via stairs, and on the side of this new free space, via three large ramps that complement the desired experience in this large space and stop at the height of the lattice beams that support the forging. From this point, stairs continue the access to the hall situated on the first floor, designed as a meeting point between the classrooms located on the first floors. The hall is presented as a large double-height space thanks to the hollowing out of the floor slabs, which allows visual relations to be established with the upper and lower floors, becoming a balcony over the entrance.

The materials used in the intervention are mainly three: concrete block, iron and wood. The first two materials are already present in the original building, leaving wood as an element that brings warmth and domesticity to the spaces and breaks with the typical factory aesthetic. Thus, concrete blocks are mainly used in the new interior enclosures, while iron is used for the structure of the lighter elements supported by the original structure, such as staircases or entrance devices. Wood often complements the metal structure by forming the steps, handrails or even the flooring, and is also used for elements such as benches.

Author: Judith Villegas

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Constellation

Chronology (5)

  1. Gottardo de Andreis Metalgraf Española Factory Building

    Joan Amigó i Barriga

    Gottardo de Andreis Metalgraf Española Factory Building

    The Gottardo de Andreis Metalgraf Española factory building, popularly known as ‘La Llauna’, housed the metal packaging manufacturing and lithography company founded by the Italian Gottardo de Andreis in Badalona at the beginning of the 20th century, which was in operation from 1919 to 1980. In this building, the architect Joan Amigó i Barriga once again demonstrates the versatility of his architectural style, which in this work moves further away from the modernist style and embraces and interprets the style of the Viennese Secession. The most outstanding features of the building are the two main façades, the one on Carrer de l'Indústria and the one on Carrer Eduard Maristany. In the first, that of Carrer de l'Indústria, the clear Viennese influences mentioned above can be seen: garlands ending in volutes, the arrangement of the rhythms, and even the use of motifs such as the one repeated at the top of the façade, reminiscent of a musical lyre, are elements that show clear similarities with façades by Otto Wagner. The most relevant feature of the façade on Carrer Eduard Maristany, next to the railway line, are the mosaics made by Lluís Bru i Salelles, one of the most important mosaicists of Modernisme. These ceramic details represent the coats of arms of Spain, Sampierdarena (Genoese district, the company's place of origin) and Badalona. The remaining mosaic, located at the bottom, is not a coat of arms, but a representation of an erupting volcano. For the structure, Amigó i Barriga opted for a construction solution of cast-iron pillars supporting lattice girders, also made of iron, to achieve greater flexibility in the floor plan.
  2. La Llauna Secondary School

    Enric Miralles i Moya, Carme Pinós i Desplat

    La Llauna Secondary School

    La Llauna Secondary School is a project by Enric Miralles and Carme Pinós to refurbish and adapt an early 20th century factory – the Gottardo Factory of Andreis Metalgraf Española, popularly known as ‘La Llauna’ – to convert it into a secondary school in Badalona. One of the most remarkable strategies of the project is its positioning with respect to what was there beforehand. Certain key points of the building are spared to improve the quality of the spaces and the relationship between them, as well as to highlight the intervention within the original building. At other points, however, the building is simply stripped bare or underlain by the addition of new volumes that generate new spaces. The result is an intervention that respects the pre-existence, resignifying it and making it part of the new functioning of the building. The access, located on Carrer de Sagunt, is one of the examples of the strategy explained. This is configured by means of a large metal sliding door that draws a curve in the floor with its opening. This is fitted into a vertical strip in the façade formed by openings in the upper floors, emptying the original façade and highlighting the entrance to the new school through this new fitting. The access gives way to a large free ground floor, which is designed as the ample space that is lacking in the street through which the school is accessed, leaving only the original structure of the factory and cornering off the essential services such as the caretaker's office or the secretary's office. This design of the ground floor as a new public space is reinforced by the placement of typical urban elements such as lampposts and bicycle racks. The stairwell can be accessed through the ground floor, on the side where the services such as the concierge's office are located, directly via stairs, and on the side of this new free space, via three large ramps that complement the desired experience in this large space and stop at the height of the lattice beams that support the forging. From this point, stairs continue the access to the hall situated on the first floor, designed as a meeting point between the classrooms located on the first floors. The hall is presented as a large double-height space thanks to the hollowing out of the floor slabs, which allows visual relations to be established with the upper and lower floors, becoming a balcony over the entrance. The materials used in the intervention are mainly three: concrete block, iron and wood. The first two materials are already present in the original building, leaving wood as an element that brings warmth and domesticity to the spaces and breaks with the typical factory aesthetic. Thus, concrete blocks are mainly used in the new interior enclosures, while iron is used for the structure of the lighter elements supported by the original structure, such as staircases or entrance devices. Wood often complements the metal structure by forming the steps, handrails or even the flooring, and is also used for elements such as benches.
  3. FAD Award

    Award-Winner / Winner. Category: Interior Design - Rehabilitation
    La Llauna Secondary School

    Enric Miralles i Moya, Carme Pinós i Desplat

  4. Bienal Española de Arquitectura y Urbanismo (BEAU)

    Award-Winner / Winner
    La Llauna Secondary School

    Enric Miralles i Moya, Carme Pinós i Desplat

  5. Rehabilitació Integral de la Tercera Planta de l’Institut La LLauna

    Maira Arquitectes, ONL Arquitectura, Maira Gonzàlez Trullàs, Francisco Vargas

    Rehabilitació Integral de la Tercera Planta de l’Institut La LLauna

    El projecte és el resultat de fusionar el caràcter industrial de l’edifici amb el programa docent resolent les complexitats tècniques sense alterar l’actuació de la Carme Pinós i l’Enric Miralles de les plantes inferiors i respectant la protecció patrimonial dels elements de coberta.

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