In this first stage, the catalogue focuses on the modern and contemporary architecture designed and built between 1832 –year of construction of the first industrial chimney in Barcelona that we establish as the beginning of modernity– until today.
The project is born to make the architecture more accessible both to professionals and to the citizens through a website that is going to be updated and extended. Contemporary works of greater general interest will be incorporated, always with a necessary historical perspective, while gradually adding works from our past, with the ambitious objective of understanding a greater documented period.
The collection feeds from multiple sources, mainly from the generosity of architectural and photographic studios, as well as the large amount of excellent historical and reference editorial projects, such as architectural guides, magazines, monographs and other publications. It also takes into consideration all the reference sources from the various branches and associated entities with the COAC and other collaborating entities related to the architectural and design fields, in its maximum spectrum.
Special mention should be made of the incorporation of vast documentation from the COAC Historical Archive which, thanks to its documental richness, provides a large amount of valuable –and in some cases unpublished– graphic documentation.
The rigour and criteria for selection of the works has been stablished by a Documental Commission, formed by the COAC’s Culture Spokesperson, the director of the COAC Historical Archive, the directors of the COAC Digital Archive, and professionals and other external experts from all the territorial sections that look after to offer a transversal view of the current and past architectural landscape around the territory.
The determination of this project is to become the largest digital collection about Catalan architecture; a key tool of exemplar information and documentation about architecture, which turns into a local and international referent, for the way to explain and show the architectural heritage of a territory.
We kindly invite you to help us improve the dissemination of Catalan architecture through this space. Here you can propose works and provide or amend information on authors, photographers and their work, along with adding comments. The Documentary Commission will analyze all data. Please do only fill in the fields you deem necessary to add or amend the information.
The Arxiu Històric del Col·legi d'Arquitectes de Catalunya is one of the most important documentation centers in Europe, which houses the professional collections of more than 180 architects whose work is fundamental to understanding the history of Catalan architecture. By filling this form, you can request digital copies of the documents for which the Arxiu Històric del Col·legi d'Arquitectes de Catalunya manages the exploitation of the author's rights, as well as those in the public domain. Once the application has been made, the Arxiu Històric del Col·legi d'Arquitectes de Catalunya will send you an approximate budget, which varies in terms of each use and purpose.
The Gottardo de Andreis Metalgraf Española factory building, popularly known as ‘La Llauna’, housed the metal packaging manufacturing and lithography company founded by the Italian Gottardo de Andreis in Badalona at the beginning of the 20th century, which was in operation from 1919 to 1980.
In this building, the architect Joan Amigó i Barriga once again demonstrates the versatility of his architectural style, which in this work moves further away from the modernist style and embraces and interprets the style of the Viennese Secession.
The most outstanding features of the building are the two main façades, the one on Carrer de l'Indústria and the one on Carrer Eduard Maristany. In the first, that of Carrer de l'Indústria, the clear Viennese influences mentioned above can be seen: garlands ending in volutes, the arrangement of the rhythms, and even the use of motifs such as the one repeated at the top of the façade, reminiscent of a musical lyre, are elements that show clear similarities with façades by Otto Wagner.
The most relevant feature of the façade on Carrer Eduard Maristany, next to the railway line, are the mosaics made by Lluís Bru i Salelles, one of the most important mosaicists of Modernisme. These ceramic details represent the coats of arms of Spain, Sampierdarena (Genoese district, the company's place of origin) and Badalona. The remaining mosaic, located at the bottom, is not a coat of arms, but a representation of an erupting volcano.
For the structure, Amigó i Barriga opted for a construction solution of cast-iron pillars supporting lattice girders, also made of iron, to achieve greater flexibility in the floor plan.
The project deals with the rehabilitation of a three-storey factory as a secondary education institute. The nave has three longitudinal bays, all three of the same width. The pillars of the ground and first floors are made of concrete, while those of the second floor are straight cast iron. The ceilings are based on ceramic joists supported on lattice beams. All the intervention is based on the respect of the structural pre-existences; there are subtractions and additions that organise the program and circulations and establish a clear spatial and functional hierarchy between all three floors.
The current "La Llauna" High School takes up part of the block of houses comprised between the streets of Sagunt, Indústria, Providència and Eduard Maristany, built without a unitary plan. It is a four-storey building with a sliding entrance door. For the construction of the ground floor, they were inspired by the outside of the city, and it is for this reason that it was conceived as a free space, with ramps and stairs that are repeated side by side in order to allow the rapid circulation of students. On the first floor there is a hall, a space designed to rest between classes. The removal of slabs from the intermediate floors allows it to have the maximum height dimension.
The most notable elements of the original building are the façades of Indústria and Eduard Maristany Street, with large-scale decorative features of Secessionist influence. These are vegetal garlands finished in volutes, square flower friezes in the first and large mosaic medallions with shields in the second.
It is a factory that belonged to the company founded by the Italian Gottardo de Andreis at the beginning of the 20th century, dedicated to the manufacture of lithographed tin containers. Initially, the factory consisted of two floors. In June 1910, two floors were added on the Indústria Street side, where there are sgrafittos of floral motifs and large scrolls. The other phases of expansion lasted until 1922.
Around 1980, the company suspended payments, and the entire block of houses could pass into the hands of the City Council. However, only a small sector has been acquired and occupied by the Miralles Institute (Pinós project) in 1984.
The building's refurbishment project won the FAD award for interior design and rehabilitation (1986), as well as the Beau 1 Spanish Architecture and Urbanism Biennale.
Enric Miralles i Moya, Carme Pinós i Desplat
Maira Arquitectes, ONL Arquitectura, Maira Gonzàlez Trullàs, Francisco Vargas