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In this first stage, the catalogue focuses on the modern and contemporary architecture designed and built between 1832 –year of construction of the first industrial chimney in Barcelona that we establish as the beginning of modernity– until today.
The project is born to make the architecture more accessible both to professionals and to the citizens through a website that is going to be updated and extended. Contemporary works of greater general interest will be incorporated, always with a necessary historical perspective, while gradually adding works from our past, with the ambitious objective of understanding a greater documented period.
The collection feeds from multiple sources, mainly from the generosity of architectural and photographic studios, as well as the large amount of excellent historical and reference editorial projects, such as architectural guides, magazines, monographs and other publications. It also takes into consideration all the reference sources from the various branches and associated entities with the COAC and other collaborating entities related to the architectural and design fields, in its maximum spectrum.
Special mention should be made of the incorporation of vast documentation from the COAC Historical Archive which, thanks to its documental richness, provides a large amount of valuable –and in some cases unpublished– graphic documentation.
The rigour and criteria for selection of the works has been stablished by a Documental Commission, formed by the COAC’s Culture Spokesperson, the director of the COAC Historical Archive, the directors of the COAC Digital Archive, and professionals and other external experts from all the territorial sections that look after to offer a transversal view of the current and past architectural landscape around the territory.
The determination of this project is to become the largest digital collection about Catalan architecture; a key tool of exemplar information and documentation about architecture, which turns into a local and international referent, for the way to explain and show the architectural heritage of a territory.
Aureli Mora i Omar Ornaque Directors arquitecturacatalana.cat
credits
About us
Project by:
Created by:
Directors:
2019-2024Aureli Mora i Omar Ornaque
Documental Commission:
2019-2024 Ramon FauraCarolina B. GarciaEduard CallísFrancesc RafatPau Albert Antoni López DaufíJoan FalguerasMercè BoschJaume FarrenyAnton PàmiesJuan Manuel ZaguirreJosep FerrandoFernando MarzáMoisés PuenteAureli MoraOmar Ornaque
Collaborators:
2019-2024Lluis AndreuSergi BallesterMaria Jesús QuinteroLucía M. VillodresMontse Viu
External Collaborators:
2019-2024Helena CepedaInès Martinel
With the support of:
Generalitat de Catalunya. Departament de Cultura
Collaborating Entities:
ArquinFAD
Fundació Mies van der Rohe
Fundación DOCOMOMO Ibérico
Basílica de la Sagrada Família
Museu del Disseny de Barcelona
Fomento
AMB
EINA Centre Universitari de Disseny i Art de Barcelona
We kindly invite you to help us improve the dissemination of Catalan architecture through this space. Here you can propose works and provide or amend information on authors, photographers and their work, along with adding comments. The Documentary Commission will analyze all data.
Please do only fill in the fields you deem necessary to add or amend the information.
The Arxiu Històric del Col·legi d'Arquitectes de Catalunya is one of the most important documentation centers in Europe, which houses the professional collections of more than 180 architects whose work is fundamental to understanding the history of Catalan architecture.
By filling this form, you can request digital copies of the documents for which the Arxiu Històric del Col·legi d'Arquitectes de Catalunya manages the exploitation of the author's rights, as well as those in the public domain.
Once the application has been made, the Arxiu Històric del Col·legi d'Arquitectes de Catalunya will send you an approximate budget, which varies in terms of each use and purpose.
The palace is located on a steeply sloping site, which served to centralise the access in the middle of two curved ramps that converge. The organisation of the building is based on creating a central body that takes the form of a triumphal arch or Renaissance façade, crowned with a pediment, and a dome with a hexagonal drum that acts as a lantern that illuminates the interior from above. Two loggias or porticoed galleries start from the main body on each side, with semicircular arches supported by Tuscan columns, which are crowned by small temples with hexagonal domes. These porticoed galleries conceal the two wings in which the building completes its space. The work that Pelai Martínez carried out in La Bisbal d'Empordà as municipal architect and the relationship with the firm Terracotta Fuster in the production of terracotta is evident in every detail of the building, as it is with these materials that all the ornamental elements are made, which give the whole a strong chromatic contrast with the smooth, whitish stucco of the walls. The echoes of Florence are evident and, in this sense, the admiration that both architects felt for Brunelleschi is very noticeable.
It was built between 1927 and 1929 to become the Palace of Graphic Arts for the 1929 Barcelona International Exhibition, under the design of the architect Pelai Martínez i Paricio, with the collaboration of Raimon Duran i Reynals. The latter made a long trip to the Italian city in 1920, accompanied by Nicolau M. Rubió Tudurí, a great admirer of Brunelleschi.
Source: Inventari del Patrimoni Arquitectònic de Catalunya (IPAC)
The palace is located on a steeply sloping site, which served to centralise the access in the middle of two curved ramps that converge. The organisation of the building is based on creating a central body that takes the form of a triumphal arch or Renaissance façade, crowned with a pediment, and a dome with a hexagonal drum that acts as a lantern that illuminates the interior from above. Two loggias or porticoed galleries start from the main body on each side, with semicircular arches supported by Tuscan columns, which are crowned by small temples with hexagonal domes. These porticoed galleries conceal the two wings in which the building completes its space. The work that Pelai Martínez carried out in La Bisbal d'Empordà as municipal architect and the relationship with the firm Terracotta Fuster in the production of terracotta is evident in every detail of the building, as it is with these materials that all the ornamental elements are made, which give the whole a strong chromatic contrast with the smooth, whitish stucco of the walls. The echoes of Florence are evident and, in this sense, the admiration that both architects felt for Brunelleschi is very noticeable.
It was built between 1927 and 1929 to become the Palace of Graphic Arts for the 1929 Barcelona International Exhibition, under the design of the architect Pelai Martínez i Paricio, with the collaboration of Raimon Duran i Reynals. The latter made a long trip to the Italian city in 1920, accompanied by Nicolau M. Rubió Tudurí, a great admirer of Brunelleschi.
Reforma del Nucli Central del Museu d'Arqueologia de Catalunya
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