Intro

About

In this first stage, the catalogue focuses on the modern and contemporary architecture designed and built between 1832 –year of construction of the first industrial chimney in Barcelona that we establish as the beginning of modernity– until today.

The project is born to make the architecture more accessible both to professionals and to the citizens through a website that is going to be updated and extended. Contemporary works of greater general interest will be incorporated, always with a necessary historical perspective, while gradually adding works from our past, with the ambitious objective of understanding a greater documented period.

The collection feeds from multiple sources, mainly from the generosity of architectural and photographic studios, as well as the large amount of excellent historical and reference editorial projects, such as architectural guides, magazines, monographs and other publications. It also takes into consideration all the reference sources from the various branches and associated entities with the COAC and other collaborating entities related to the architectural and design fields, in its maximum spectrum.

Special mention should be made of the incorporation of vast documentation from the COAC Historical Archive which, thanks to its documental richness, provides a large amount of valuable –and in some cases unpublished– graphic documentation.

The rigour and criteria for selection of the works has been stablished by a Documental Commission, formed by the COAC’s Culture Spokesperson, the director of the COAC Historical Archive, the directors of the COAC Digital Archive, and professionals and other external experts from all the territorial sections that look after to offer a transversal view of the current and past architectural landscape around the territory.

The determination of this project is to become the largest digital collection about Catalan architecture; a key tool of exemplar information and documentation about architecture, which turns into a local and international referent, for the way to explain and show the architectural heritage of a territory.

Aureli Mora i Omar Ornaque
Directors arquitecturacatalana.cat

credits

About us

Project by:

Created by:

Directors:

2019-2024 Aureli Mora i Omar Ornaque

Documental Commission:

2019-2024 Ramon Faura Carolina B. Garcia Eduard Callís Francesc Rafat Pau Albert Antoni López Daufí Joan Falgueras Mercè Bosch Jaume Farreny Anton Pàmies Juan Manuel Zaguirre Josep Ferrando Fernando Marzá Moisés Puente Aureli Mora Omar Ornaque

Collaborators:

2019-2024 Lluis Andreu Sergi Ballester Maria Jesús Quintero Lucía M. Villodres Montse Viu

External Collaborators:

2019-2024 Helena Cepeda Inès Martinel

With the support of:

Generalitat de Catalunya. Departament de Cultura

Collaborating Entities:

ArquinFAD

 

Fundació Mies van der Rohe

 

Fundación DOCOMOMO Ibérico

 

Basílica de la Sagrada Família

 

Museu del Disseny de Barcelona

 

Fomento

 

AMB

 

EINA Centre Universitari de Disseny i Art de Barcelona

 

IEFC

 

Fundació Domènench Montaner.

Design & Development:

edittio Nubilum
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We kindly invite you to help us improve the dissemination of Catalan architecture through this space. Here you can propose works and provide or amend information on authors, photographers and their work, along with adding comments. The Documentary Commission will analyze all data. Please do only fill in the fields you deem necessary to add or amend the information.

The Arxiu Històric del Col·legi d'Arquitectes de Catalunya is one of the most important documentation centers in Europe, which houses the professional collections of more than 180 architects whose work is fundamental to understanding the history of Catalan architecture. By filling this form, you can request digital copies of the documents for which the Arxiu Històric del Col·legi d'Arquitectes de Catalunya manages the exploitation of the author's rights, as well as those in the public domain. Once the application has been made, the Arxiu Històric del Col·legi d'Arquitectes de Catalunya will send you an approximate budget, which varies in terms of each use and purpose.

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Informació bàsica de protecció de dades

Responsable del tractament: Col·legi d Arquitectes de Catalunya 'COAC'
Finalitat del tractament: Tramitar la sol·licitud de còpies digitals dels documents dels quals l’Arxiu Històric del COAC gestiona els drets d'explotació dels autors, a més d'aquells que es trobin en domini públic.
Legitimació del tractament: El seu consentiment per tractar les seves dades personals.
Destinatari de cessions o transferències: El COAC no realitza cessions o transferències internacionals de dades personals.
Drets de les persones interessades: Accedir, rectificar i suprimir les seves dades, així com, l’exercici d’altres drets conforme a l’establert a la informació addicional.
Informació addicional: Pot consultar la informació addicional i detallada sobre protecció de dades en aquest enllaç

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Constellation

Chronology (6)

  1. Sant Antoni Market

    Josep Maria Cornet i Mas, Antoni Rovira i Trias

    The Sant Antoni market is located outside the gate of the wall that bore its name, on a spontaneous market that exists outside the walls and adjacent to what used to be the Madrid road (now Mistral Avenue). Rovira i Trias, who lost the competition for the Eixample district in Barcelona, takes over Ildefons Cerdà’s winning proposal by arranging, in the middle of the whole square that the market occupies, a dome in the form of a covered square, designed in collaboration with Josep M. Cornet i Mas and with analogous dimensions to those of a junction of the Eixample. Four symmetrical pavilions face the chamfers, as arranging them turned ninety degrees from the direction of the streets (i.e., diagonally) allows them to reach the maximum inscribable length on a square. The perimeter of the square is closed and the spaces between the fence and the façades of the market are treated as yards for unloading goods. Leaning on this perimeter fence, a perimeter canopy is set up where a well-known foreign market takes place. There you can find everything on Sunday mornings, and it is a sight to behold and a place to take in the city. The refurbishment has two underground floors under the archeologically restored market, with the refurbished stalls. Excavations for the site have uncovered remains of the bastion of the wall, which have been incorporated into the project. It demolishes the perimeter fence, preserving the canopy to open the old courtyards of goods and turn them into public squares. One of these depresses an entire floor to allow access to the remains of the bastion and becomes an access to a new commercial plinth. The refurbishment will show the whole of the perfectly restored old market and will value its side façades, which were initially closed, a service architecture that has been dignified over the years. The new architecture will strengthen the civic character and, at the same time, enhance the historical memory of the place.
  2. Parada de Carn nº435-436 d'Antònia Giralt

    Eduard Maria Balcells Buigas

  3. Concurs Anual d'Edificis i Establiments Urbans

    Award-Winner / Winner. Category: Arquitectura - Millor Establiment Construït
    Parada de Carn nº435-436 d'Antònia Giralt

    Eduard Maria Balcells Buigas

  4. Mostres d'Arquitectura (Barcelona)

    Shortlisted. Category: Intervencions Parcials. Inclou Intervencions de Rehabilitació
  5. Rehabilitation of Sant Antoni Market

    Ravetllat-Ribas Arquitectes, Pere Joan Ravetllat i Mira, Carme Ribas i Seix

    Rehabilitation of Sant Antoni Market

    The Sant Antoni Market building, built according to a project by the architect Antoni Rovira i Trias and the engineer Josep M. Cornet i Mas, in 1882, is one of the most emblematic public buildings in Barcelona’s Eixample neighbourhood. It occupies an entire island and is organised in the shape of a Greek cross, reproducing in geometry and dimension the layout of the Eixample alignments. The cover. Over the years it had disfigured the original roof, replacing the tile with fiber-cement slabs. The project has recovered its two-tone ceramic tile finish, placed on wooden panels. The original wooden support straps have also been maintained where possible. Skylights have been redone on units that were once blinded. The walls. The existence of an underground part of the bastion of Sant Antoni, and the corresponding escarpment, have been decisive elements in the final drafting of the project. It is proposed the complete the maintenance of the existing part of the bastion and the almost complete maintenance of the escarpment, making it possible to understand and revive the space of the moat of the wall. These pre-existences have been incorporated into the project as an opportunity to increase the public interest of the whole. Three Markets. The proposal to organise the functional program of the Market is to make possible, for the first time, the cohabitation of the two markets (Fresh Market and Charm Market), inside, without disturbing each other. The proposed layout of the stops respects the central axes that allow us to perceive the full dimension of the diagonal of the island. On the outside, the Sunday Market is located under pergolas located on the perimeter of the island. The section. The building shows the ability to interrelate the different uses it contains. In basement floors, the heights are combined to achieve a higher gauge in the loading and unloading area. A first basement is dedicated to the new commercial uses, civic centre and museum.
  6. Mostres d'Arquitectura (Barcelona)

    Shortlisted

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