In this first stage, the catalogue focuses on the modern and contemporary architecture designed and built between 1832 –year of construction of the first industrial chimney in Barcelona that we establish as the beginning of modernity– until today.
The project is born to make the architecture more accessible both to professionals and to the citizens through a website that is going to be updated and extended. Contemporary works of greater general interest will be incorporated, always with a necessary historical perspective, while gradually adding works from our past, with the ambitious objective of understanding a greater documented period.
The collection feeds from multiple sources, mainly from the generosity of architectural and photographic studios, as well as the large amount of excellent historical and reference editorial projects, such as architectural guides, magazines, monographs and other publications. It also takes into consideration all the reference sources from the various branches and associated entities with the COAC and other collaborating entities related to the architectural and design fields, in its maximum spectrum.
Special mention should be made of the incorporation of vast documentation from the COAC Historical Archive which, thanks to its documental richness, provides a large amount of valuable –and in some cases unpublished– graphic documentation.
The rigour and criteria for selection of the works has been stablished by a Documental Commission, formed by the COAC’s Culture Spokesperson, the director of the COAC Historical Archive, the directors of the COAC Digital Archive, and professionals and other external experts from all the territorial sections that look after to offer a transversal view of the current and past architectural landscape around the territory.
The determination of this project is to become the largest digital collection about Catalan architecture; a key tool of exemplar information and documentation about architecture, which turns into a local and international referent, for the way to explain and show the architectural heritage of a territory.
We kindly invite you to help us improve the dissemination of Catalan architecture through this space. Here you can propose works and provide or amend information on authors, photographers and their work, along with adding comments. The Documentary Commission will analyze all data. Please do only fill in the fields you deem necessary to add or amend the information.
The Arxiu Històric del Col·legi d'Arquitectes de Catalunya is one of the most important documentation centers in Europe, which houses the professional collections of more than 180 architects whose work is fundamental to understanding the history of Catalan architecture. By filling this form, you can request digital copies of the documents for which the Arxiu Històric del Col·legi d'Arquitectes de Catalunya manages the exploitation of the author's rights, as well as those in the public domain. Once the application has been made, the Arxiu Històric del Col·legi d'Arquitectes de Catalunya will send you an approximate budget, which varies in terms of each use and purpose.
The clock tower stands in the centre of the Plaça de la Vila de Gràcia and, at almost 33 metres high, is the tallest public tower in the district. Although it is built mainly of stone ashlars, brick was used for the construction of the windows that open out, the vertical bands that decorate it and the corners of the structure. The tower has a solid square stone base, topped on each side with the coats of arms of the Vila de Gràcia, Barcelona, the Principality of Catalonia and the arms of Queen Isabella II. In the keyhole of the base facing the City Hall building, there is a fountain, framed by a large arch and with two sculpted spouts in the shape of faces that spout water from their mouths. On the upper part of the fountain, also framed by the arch, is a commemorative plaque commemorating the year of its construction (1864), the damage it suffered during the popular uprising of the “Quintes” in 1870 and its restoration in 1882.
The body of the tower itself is built on the square base. It is octagonal in plan, although the eight faces are not of a unitary size; rather, those that make up the corners are smaller and projecting, more like a kind of chamfer. For this reason, the windows that open onto the tower are only on the four main faces, which coincide with those of the square on the ground floor. The tower is organised in elevation on three clearly differentiated levels, the first of which runs directly on the square podium and is topped by a large cornice. This cornice is decorated with twelve sculpted plaques representing the zodiac, which are the most emblematic element of the tower, making it the only civil tower in the Vila de Gràcia (the rest were church bell towers).
The next section, which is higher than the previous one, has two groups of windows that are configured as small openings in sardinel brickwork and are framed by the vertical brick strips that decorate the tower. These strips extend to the cornice that closes this second body and are finished off with a kind of arches reminiscent of those found in Romanesque mountain constructions. This cornice, which separates the second part of the tower from the crowning, develops in the form of a continuous cantilever, giving rise to a circulation element that surrounds the top floor. This continuous balcony with an iron railing makes sense because of the structure of the building itself: a bell tower with a clock.
On the top floor there is a clock with four dials that can be seen from any point in the town. The machinery was built by the Swiss watchmaker Albert Billeter, the true precursor of electric clocks in Spain. The structure is crowned by a large bell, the work of Isidre Pallarès, decorated with elaborate friezes, the coat of arms of Gràcia and reliefs of Saint Isidore, the Virgin of Gràcia and the Blessed Sacrament.
On the ground floor, there is a door that leads to the inside of the tower, where there is a spiral staircase with a continuous return and without landings that leads to the clock machinery.