Intro

About

In this first stage, the catalogue focuses on the modern and contemporary architecture designed and built between 1832 –year of construction of the first industrial chimney in Barcelona that we establish as the beginning of modernity– until today.

The project is born to make the architecture more accessible both to professionals and to the citizens through a website that is going to be updated and extended. Contemporary works of greater general interest will be incorporated, always with a necessary historical perspective, while gradually adding works from our past, with the ambitious objective of understanding a greater documented period.

The collection feeds from multiple sources, mainly from the generosity of architectural and photographic studios, as well as the large amount of excellent historical and reference editorial projects, such as architectural guides, magazines, monographs and other publications. It also takes into consideration all the reference sources from the various branches and associated entities with the COAC and other collaborating entities related to the architectural and design fields, in its maximum spectrum.

Special mention should be made of the incorporation of vast documentation from the COAC Historical Archive which, thanks to its documental richness, provides a large amount of valuable –and in some cases unpublished– graphic documentation.

The rigour and criteria for selection of the works has been stablished by a Documental Commission, formed by the COAC’s Culture Spokesperson, the director of the COAC Historical Archive, the directors of the COAC Digital Archive, and professionals and other external experts from all the territorial sections that look after to offer a transversal view of the current and past architectural landscape around the territory.

The determination of this project is to become the largest digital collection about Catalan architecture; a key tool of exemplar information and documentation about architecture, which turns into a local and international referent, for the way to explain and show the architectural heritage of a territory.

Aureli Mora i Omar Ornaque
Directors arquitecturacatalana.cat

credits

About us

Project by:

Created by:

Directors:

2019-2024 Aureli Mora i Omar Ornaque

Documental Commission:

2019-2024 Ramon Faura Carolina B. Garcia Eduard Callís Francesc Rafat Pau Albert Antoni López Daufí Joan Falgueras Mercè Bosch Jaume Farreny Anton Pàmies Juan Manuel Zaguirre Josep Ferrando Fernando Marzá Moisés Puente Aureli Mora Omar Ornaque

Collaborators:

2019-2024 Lluis Andreu Sergi Ballester Maria Jesús Quintero Lucía M. Villodres Montse Viu

External Collaborators:

2019-2024 Helena Cepeda Inès Martinel

With the support of:

Generalitat de Catalunya. Departament de Cultura

Collaborating Entities:

ArquinFAD

 

Fundació Mies van der Rohe

 

Fundación DOCOMOMO Ibérico

 

Basílica de la Sagrada Família

 

Museu del Disseny de Barcelona

 

Fomento

 

AMB

 

EINA Centre Universitari de Disseny i Art de Barcelona

 

IEFC

 

Fundació Domènench Montaner.

Design & Development:

edittio Nubilum
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We kindly invite you to help us improve the dissemination of Catalan architecture through this space. Here you can propose works and provide or amend information on authors, photographers and their work, along with adding comments. The Documentary Commission will analyze all data. Please do only fill in the fields you deem necessary to add or amend the information.

The Arxiu Històric del Col·legi d'Arquitectes de Catalunya is one of the most important documentation centers in Europe, which houses the professional collections of more than 180 architects whose work is fundamental to understanding the history of Catalan architecture. By filling this form, you can request digital copies of the documents for which the Arxiu Històric del Col·legi d'Arquitectes de Catalunya manages the exploitation of the author's rights, as well as those in the public domain. Once the application has been made, the Arxiu Històric del Col·legi d'Arquitectes de Catalunya will send you an approximate budget, which varies in terms of each use and purpose.

Detail:

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Informació bàsica de protecció de dades

Responsable del tractament: Col·legi d Arquitectes de Catalunya 'COAC'
Finalitat del tractament: Tramitar la sol·licitud de còpies digitals dels documents dels quals l’Arxiu Històric del COAC gestiona els drets d'explotació dels autors, a més d'aquells que es trobin en domini públic.
Legitimació del tractament: El seu consentiment per tractar les seves dades personals.
Destinatari de cessions o transferències: El COAC no realitza cessions o transferències internacionals de dades personals.
Drets de les persones interessades: Accedir, rectificar i suprimir les seves dades, així com, l’exercici d’altres drets conforme a l’establert a la informació addicional.
Informació addicional: Pot consultar la informació addicional i detallada sobre protecció de dades en aquest enllaç

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All works
  • Teresa Ametller House

    Lluís Bonet i Garí, Josep Sala Comas

    Teresa Ametller House

    The Agell House, due to its proportions, takes on a stately character. The typology adopted brings us closer to the characteristic of medieval palaces, since the square plan generates a courtyard in the middle and, around it, a gallery. The arrangement, on two of the building's flanks, of two towers that protrude from the volume recalls fortified palaces. The building, with two floors, has a hip roof of flat lace tiles, and with a barbican supported by panels. The semicircular porch that gives access to the entrance is surrounded by Ionic columns that support an open terrace on the first floor. On the opposite façade there is a porch terrace, on the central gable of which there is a relief of an almond tree, emblem of the original owner's family. The arrangement of the main access; the appearance of terraces and porches where Ionic columns alternate and, in others, semicircular arches, give the building certain medieval and, at the same time, classical echoes. In the openings, the application of sgraffitos with filigree details (the work of Joan Mirambell) and on one of the sides the arrangement of a built-in bench with the back of decorated tiles (the work of Francesc Domingo) have just given the building of a nineteenth-century character. This bench is tiled with ceramic borders and floral motifs, and at the top there are three designs. In the one in the centre, an almond tree with the inscription "L'Ametler, arbre de Catalunya" appears. The side drawings show a girl with a basket of flowers and a farmer. As it was an isolated tower, it was the architect Rubió i Tudurí who designed the extensive garden structured geometrically by topiary art, and let the eleven hectares of forest that surround the property grow more spontaneously. The tower was built on an extensive rustic property very close to the old chapel of Santa Elena d'Agell, mentioned already in the 10th century, and the Mas de "Ca l'Arnó", today called "Cals Frares" (1235), which for a few years was the manor of the property. Since the 18th century, the land was owned by the family of Teresa Amatller i Cros (1873-1960), daughter of the prestigious chocolatier, who was the promoter. A first project is due to Josep Sala i Comas, but in 1918, it was Lluís Bonet i Garí who took charge of it. In 1943, Antoni Amatller gave the house to the Women's Section, which used it for a hostel. Recently, the Generalitat de Catalunya acquired the house and conditioned it to function as a hostel for colonies. The works of rebuilding roofs, restoring and consolidating façades and adding a new building were directed by the architect Agapit Borràs. Currently, the building is part of the national network of social hostels in Catalonia.

    1918

  • House in El Maresme

    Studio PER, Pep Bonet Bertran, Cristian Cirici i Alomar

    House in El Maresme

    This house, initially designed as a family residence, has subsequently been subjected to several extensions and the landscaping of the outdoor space that surrounds it, which were not initially contemplated in order not to exceed a limited budget. No architectural separation has been built between the area used as a private garden and the rest of the property for agricultural use. The entire programme is developed on a single T-shaped plan, with the arms oriented towards the south. The façade is protected from the summer sun by a sloped roof porch, which is the extension of the roof on two tiled slopes of the whole house. It is built based on two sheets of brick walls, the exterior has a natural colour and the interior is painted white. The tiled roof rests on wooden beams, which at the same time rest on the interior brick wall. Bathrooms and kitchens are partially covered with broken pieces of marble.

    1982 - 1983

  • 2009

  • Habitatges a Cabrera de Mar

    TwoBo Arquitectura, María Pancorbo, Alberto Twose, Luis Twose, Pablo Twose

    Habitatges a Cabrera de Mar

    Omplir un buit urbà. L'edifici acull a la cara nord la proporció de buits, colors i composició del nucli antic de Cabrera de Mar, sense renunciar a un llenguatge més contemporani que s'expressa amb més intensitat a la cara sud, oberta al sol ia les vistes. Aquí l'estructura de formigó crea una gelosia que actua com un gran filtre, formant lògies i pèrgoles que protegeixen l'interior dels habitatges. L'habitatge s'estén pels dos extrems, a la cara nord s'apropia dels espais comunitaris o s'obre al carrer mitjançant grans aigües. A la cara sud s'obre a l'exposició del sol i la vida oberta a terrasses o patis. Cada habitatge cerca una transició fluida entre aquests dos pols, mitjançant recorreguts circulars, simples i dobles, oa les llargues visuals diagonals que creuen la planta. Al centre se situen volums (banys o armaris) que articulen i possibiliten tot aquest moviment. Ús de materials senzills però de clara expressió: Formigó, fusta de pi i ceràmica.

    2019

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