Intro

About

In this first stage, the catalogue focuses on the modern and contemporary architecture designed and built between 1832 –year of construction of the first industrial chimney in Barcelona that we establish as the beginning of modernity– until today.

The project is born to make the architecture more accessible both to professionals and to the citizens through a website that is going to be updated and extended. Contemporary works of greater general interest will be incorporated, always with a necessary historical perspective, while gradually adding works from our past, with the ambitious objective of understanding a greater documented period.

The collection feeds from multiple sources, mainly from the generosity of architectural and photographic studios, as well as the large amount of excellent historical and reference editorial projects, such as architectural guides, magazines, monographs and other publications. It also takes into consideration all the reference sources from the various branches and associated entities with the COAC and other collaborating entities related to the architectural and design fields, in its maximum spectrum.

Special mention should be made of the incorporation of vast documentation from the COAC Historical Archive which, thanks to its documental richness, provides a large amount of valuable –and in some cases unpublished– graphic documentation.

The rigour and criteria for selection of the works has been stablished by a Documental Commission, formed by the COAC’s Culture Spokesperson, the director of the COAC Historical Archive, the directors of the COAC Digital Archive, and professionals and other external experts from all the territorial sections that look after to offer a transversal view of the current and past architectural landscape around the territory.

The determination of this project is to become the largest digital collection about Catalan architecture; a key tool of exemplar information and documentation about architecture, which turns into a local and international referent, for the way to explain and show the architectural heritage of a territory.

Aureli Mora i Omar Ornaque
Directors arquitecturacatalana.cat

credits

About us

Project by:

Created by:

Directors:

2019-2024 Aureli Mora i Omar Ornaque

Documental Commission:

2019-2024 Ramon Faura Carolina B. Garcia Eduard Callís Francesc Rafat Pau Albert Antoni López Daufí Joan Falgueras Mercè Bosch Jaume Farreny Anton Pàmies Juan Manuel Zaguirre Josep Ferrando Fernando Marzá Moisés Puente Aureli Mora Omar Ornaque

Collaborators:

2019-2024 Lluis Andreu Sergi Ballester Maria Jesús Quintero Lucía M. Villodres

External Collaborators:

2019-2024 Helena Cepeda Inès Martinel

With the support of:

Generalitat de Catalunya. Departament de Cultura

Collaborating Entities:

ArquinFAD

 

Fundació Mies van der Rohe

 

Fundación DOCOMOMO Ibérico

 

Basílica de la Sagrada Família

 

Museu del Disseny de Barcelona

 

Fomento

 

AMB

 

EINA Centre Universitari de Disseny i Art de Barcelona

 

IEFC

 

Fundació Domènench Montaner.

Design & Development:

edittio Nubilum
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We kindly invite you to help us improve the dissemination of Catalan architecture through this space. Here you can propose works and provide or amend information on authors, photographers and their work, along with adding comments. The Documentary Commission will analyze all data. Please do only fill in the fields you deem necessary to add or amend the information.

The Arxiu Històric del Col·legi d'Arquitectes de Catalunya is one of the most important documentation centers in Europe, which houses the professional collections of more than 180 architects whose work is fundamental to understanding the history of Catalan architecture. By filling this form, you can request digital copies of the documents for which the Arxiu Històric del Col·legi d'Arquitectes de Catalunya manages the exploitation of the author's rights, as well as those in the public domain. Once the application has been made, the Arxiu Històric del Col·legi d'Arquitectes de Catalunya will send you an approximate budget, which varies in terms of each use and purpose.

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Informació bàsica de protecció de dades

Responsable del tractament: Col·legi d Arquitectes de Catalunya 'COAC'
Finalitat del tractament: Tramitar la sol·licitud de còpies digitals dels documents dels quals l’Arxiu Històric del COAC gestiona els drets d'explotació dels autors, a més d'aquells que es trobin en domini públic.
Legitimació del tractament: El seu consentiment per tractar les seves dades personals.
Destinatari de cessions o transferències: El COAC no realitza cessions o transferències internacionals de dades personals.
Drets de les persones interessades: Accedir, rectificar i suprimir les seves dades, així com, l’exercici d’altres drets conforme a l’establert a la informació addicional.
Informació addicional: Pot consultar la informació addicional i detallada sobre protecció de dades en aquest enllaç

Awarded
Cataloged
Disappeared
All works
  • 1880

  • second half of the 19th century

  • Cal Garrofa

    Joaquim Brau Bachs

    Cal Garrofa

    Modernist manor house with all the typical features and materials of the time. Built with plastered brick, the windows are highlighted with artificial stone and with floral ornaments. Above the main door there is, in the form of a gazebo, a tribune with leaded glass, of which there are six missing in total and the upper part of which functions as a terrace, all decorated with floral motifs and with a wrought-iron railing at game flanked by pilasters with florets. The roof is tiled with terracotta balusters. The windows on both floors also retain their original coloured glass. The fence at the entrance to the garden dates from later than the construction of the house. When the first Eixample became official in 1875 with the opening of Rafael Casanova's Rambla, a large number of permits were given to renovate or build new houses. This is with regard to the streets that were already developed in the past. Around the urban core, in the newer part and which would become Pi and Margall streets, Lluís Castells and others, stately houses with gardens in front and in some cases in the back were popular. Among them we can mention, as the first in chronology, Can Castells and Cal Rovelló, and a little later Can Jordana and the one we are dealing with, which is one of the clearest examples of modernism in the city.

    1900

  • 1957 - 1958

  • 1966 - 1967

  • Roman Baths Museum

    Arriola & Fiol Arquitectes, Andreu Arriola Madorell, Carme Fiol i Costa

    Roman Baths Museum

    The Roman Baths Permanent Exhibition project is integrated into the future Museum of Sant Boi de Llobregat - the remains of the Roman thermal building will be one of the most important exhibits of the new museum installation promoted by the Barcelona City Council and Sant Boi City Council. This project is considered as a first phase of the Sant Boi Museum installation with two primary objectives: to enable the completion of the archaeological research and to build the cover that will guarantee the definitive consolidation of the remains. The accessibility to the ruins as well as the visit routes have been conditioned by the organisation of the functional programme. This program projects a museum installation staffed by at least one or two permanent people. The entrance to the new building is through the intersection of Carrer Hospital and Avinguda Maria Girona and access to the thermal complex is from the apoditerium. There is a gentle step that saves the difference in level and configures some stands to contemplate the scene of the ruins and some stairs that accompany the route.

    1990 - 1998

  • L'Olivera Civic Centre and Sports Facility

    Moisés Gallego Olmos

    L'Olivera Civic Centre and Sports Facility

    In the northwest area of Sant Boi there is a green space that creates a funnel-shaped void, closed at the wide end by the rear façades of some buildings. The plot offers the possibility to create a backdrop that does not exist now. The new building is generated with a uniform plan made up of few lines, related to the important scale imposed by the exterior space. The programme suggests the arrangement of three closed buildings within a single enclosure: a residence, a cultural and social building and a sports building. The three parts of the programme are contained in a single enclosure, forming three juxtaposed bodies, and the façade acts as a unifying element. Thus, each part of the programme can be developed independently, once the relationships between the elements have been established. The result is a container of large dimensions, uniform and linked to the scale and the urban requirements of the location.

    1995 - 1998

  • Girona 37 Dwellings

    Ravetllat-Ribas Arquitectes, Pere Joan Ravetllat i Mira, Carme Ribas i Seix

    Girona 37 Dwellings

    The aim was to give maximum unity to the two fragments of the block, both to achieve a dignified finish and to make it possible to understand both parts as belonging to the same project. Two staircases of two dwellings per landing are proposed on Girona Street with a ground floor and 4 landings. This part of the plot contains 16 homes (7 homes of 90 m2 with 4 bedrooms and 9 homes of 70 m2 with 3 bedrooms). On the Riera Gasulla Street side, a single staircase with three floors per landing is proposed. The typical floor plan contains 2 homes of about 70 m2, with the same program as the one mentioned above, and a smaller home with 1 bedroom. On the upper floor, the house closest to the party wall is deleted, providing an increase in surface area to one of the remaining houses and creating a total of 8 houses. The total sum is 24 homes. It has been thought appropriate to place all the living-dining rooms outside and with the best possible orientation. That is why they either face directly south or are passing and face two opposite sides. The façade folds improve the orientation of the different rooms of the house and allow adequate contact with the outside, at the same time they contribute to uniform the number of openings. All kitchens ventilate to the outside through a laundry-dryer and a patio intended for installations. On the ground floor there are 3 halls with level entrance from the streets. A space is planned for the relocation of a transformer station and 3 commercial premises, two on the corners and another facing Girona Street. Access to the car park is also provided on the ground floor, which contains 9 spaces on the ground floor and 17 in the basement. The structure of the building has been proposed as a simple and orderly grid. This arrangement, together with regular and reasonable lights of between 4 and 6 metres, allows good use. The exterior enclosure is of exposed construction and the roof is of ceramic tile, with a 30% slope.

    1997 - 2000

  • 2002

  • Sant Boi Law Courts

    BAAS Arquitectura, Jordi Badia i Rodríguez, Jordi Framis Ferrer

    Sant Boi Law Courts

    A simple scheme of three bars with the court offices separated by courtyards is blurred by a uniform skin of vertical white concrete lamellas that embraces the building like a sheet. The slats, with different inclinations and distances, generate an image that presides over the new square with a heavy building, sober and opaque from a distance, and transparent from the inside. The arrangement of the slats suggests that of the books in a library.

    2002 - 2006

  • Marianao Pre-School Centre

    AV62 Arquitectos, Toño Foraster, Victoria Garriga

    Marianao Pre-School Centre

    The project is conceived from the commitment to provide such young children with a friendly and stimulating space, spatially and sensorially suited to the peculiar relationship they establish with things at such a young age, much more tactile and olfactory than visual. Spaces that allow to be recognised with the hands, with the body. Walls that allow them to be placed attached to them, protected. Furniture arranged in a way that allows children to stand around it and interact with each other by playing. Spaces that allow them to find their own corners. Spaces likely to be recognised. A spatial gradation that allows children to discover and make spaces their own. The children will start by appropriating the space and things of their classrooms, then their yards; eventually they will discover the children of the other classes through the perforated walls, through which they can see, communicate and also pass from one playground to another. And finally, the garden. Gardening is fundamental to our project. We propose two types of interventions: one based on shrubs and the other on trees, always with the intention that children, from a very young age, have direct contact with natural cycles. In the space that remains between the enclosure of the classroom courtyards and the enclosure wall at the front of the plot, we propose the planting of low Mediterranean shrubs: lavender, thyme, rosemary, mastic, steppe, broom... along with pine. The second intervention suggests the planting of fruit trees in areas of uneven topography. In the paved space that remains between the building and the unpaved areas of the garden, groups of larger and leafy trees will be placed: oak, linden, chestnut, walnut.

    2008

  • Ford Across the River Llobregat

    Àrea Metropolitana de Barcelona (AMB), Aida Munsó i Griful, Francisco Javier Navarro Rodríguez

    Ford Across the River Llobregat

    The floodable ford is part of a strategy for environmental recovery and promotion of social use in the area of the Llobregat River. This is integrated into the existing network of river paths and strengthens the connection between the two banks of the river, covering a connectivity deficit between the neighbouring municipalities of Sant Joan Despí and Sant Boi de Llobregat. The ford saves 30 metres in length at the crossing point. It consists of the succession of a series of concrete boxes in situ. The width of the passable platform is sufficient for the crossing of pedestrians and bicycles, and at the same time it accommodates the discontinuous lateral protection elements and limits of the banks of the ford. The action has been completed with the concrete path that saves the unevenness on both sides, adapting to the existing slopes until reaching the gravel paths and with the restoration and revegetation of the sides of the area affected by the works.

    2012 - 2013

  • Environmental Recovery of the Embankments and Approaches to the River Llobregat

    Batlle i Roig Arquitectura, MMI Gestió d'Arquitectura i Paisatge, Enric Batlle i Durany, Joan Roig i Duran

    Environmental Recovery of the Embankments and Approaches to the River Llobregat

    The objective of the proposal is the identification of the main conditions for the environmental recovery of the Llobregat River, as well as the definition of the necessary actions to improve its accessibility from the different municipalities that surround it and enhance its social use to carry out leisure activities. It is about thinking about the river as a complex, which gives it a unitary landscape treatment criterion, which serves both to facilitate its future maintenance, and at the same time to understand it as a unit. The development of the proposal is based on understanding the river from two complementary points of view: - The river as a living and changing entity, full of life and a natural space with its own dynamics and functioning. - The river as a green and peri-urban leisure space, which should be a place of enjoyment for citizens, while respecting the environment in which it is located. The landscape proposal understands the river as a green space connected to the city and its surroundings.

    2007 - 2015

  • 79 Habitatges amb Protecció al Saló Central

    Estudio Herreros, MIM-Arquitectes, Mariona Benedito Ribelles, Juan Herreros, Jens Richter, Martí Sanz Ausàs

    79 Habitatges amb Protecció al Saló Central

    The programme, comprised of protected, affordable and mixed social housing, requires the available volume to be almost completely filled. This limitation alonside the self-imposed requirements of efficiency and simplicity, poses a challenge in building a project with some added value. An investigation was carried out to find the hidden potential of a proposal that is pragmatic but also sensitive to subtle external stimuli. A 12 housing units floor plan is drawn that uses up the limited connection space by introducing a trough-vestibule with a single central core containing two intertwined stairs, two elevators and two installation cores. This leaves us with a single through-vestibule and a single service core on the ground floor affecting the clarity of the retail space and the underground parking garage. With regard to the dwellings, the living rooms and bedrooms are outward-facing, while the kitchens, bathrooms and hallways face the walkways shared by each group of three neighbours. From this layout, which solidifies the available volume, subtraction operations are performed that wittle away the volume to generate a new morphology with generous collective and individual terraces, facilitating cross ventilation and diagonal views by lightening the original density and orienting the building towards its most attractive landscapes. The exterior facades are repetitive, clad in industrial ventilated panels. They feature large groupes of windows with an accentuated horizontal dimension that simplify the appearence of the building (fortunately surrounded by públic space) and give it a certain monumental quality. Colour is an important ingredient of this distinctive silhouette, with a playful range of green hues that respond to the possibilities of the surroundings. The facades of the patios and walkways are in very bright and luminous colours, combining two similar hues to create a vibrancy that enhances their joyfulness. The materials employed give it an almmost picturesque quality though the use of lattice, tiles and floorings that create a herringbone patern widely seen in the Mediterranean tradition. Inside the dwellings, the joinery enhances a desired "balcony" effect that significantly expands the interior space.

    2009 - 2019

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