Intro

About

In this first stage, the catalogue focuses on the modern and contemporary architecture designed and built between 1832 –year of construction of the first industrial chimney in Barcelona that we establish as the beginning of modernity– until today.

The project is born to make the architecture more accessible both to professionals and to the citizens through a website that is going to be updated and extended. Contemporary works of greater general interest will be incorporated, always with a necessary historical perspective, while gradually adding works from our past, with the ambitious objective of understanding a greater documented period.

The collection feeds from multiple sources, mainly from the generosity of architectural and photographic studios, as well as the large amount of excellent historical and reference editorial projects, such as architectural guides, magazines, monographs and other publications. It also takes into consideration all the reference sources from the various branches and associated entities with the COAC and other collaborating entities related to the architectural and design fields, in its maximum spectrum.

Special mention should be made of the incorporation of vast documentation from the COAC Historical Archive which, thanks to its documental richness, provides a large amount of valuable –and in some cases unpublished– graphic documentation.

The rigour and criteria for selection of the works has been stablished by a Documental Commission, formed by the COAC’s Culture Spokesperson, the director of the COAC Historical Archive, the directors of the COAC Digital Archive, and professionals and other external experts from all the territorial sections that look after to offer a transversal view of the current and past architectural landscape around the territory.

The determination of this project is to become the largest digital collection about Catalan architecture; a key tool of exemplar information and documentation about architecture, which turns into a local and international referent, for the way to explain and show the architectural heritage of a territory.

Aureli Mora i Omar Ornaque
Directors arquitecturacatalana.cat

credits

About us

Project by:

Created by:

Directors:

2019-2024 Aureli Mora i Omar Ornaque

Documental Commission:

2019-2024 Ramon Faura Carolina B. Garcia Eduard Callís Francesc Rafat Pau Albert Antoni López Daufí Joan Falgueras Mercè Bosch Jaume Farreny Anton Pàmies Juan Manuel Zaguirre Josep Ferrando Fernando Marzá Moisés Puente Aureli Mora Omar Ornaque

Collaborators:

2019-2024 Lluis Andreu Sergi Ballester Maria Jesús Quintero Lucía M. Villodres Montse Viu

External Collaborators:

2019-2024 Helena Cepeda Inès Martinel

With the support of:

Generalitat de Catalunya. Departament de Cultura

Collaborating Entities:

ArquinFAD

 

Fundació Mies van der Rohe

 

Fundación DOCOMOMO Ibérico

 

Basílica de la Sagrada Família

 

Museu del Disseny de Barcelona

 

Fomento

 

AMB

 

EINA Centre Universitari de Disseny i Art de Barcelona

 

IEFC

 

Fundació Domènench Montaner.

Design & Development:

edittio Nubilum
Suggestions

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We kindly invite you to help us improve the dissemination of Catalan architecture through this space. Here you can propose works and provide or amend information on authors, photographers and their work, along with adding comments. The Documentary Commission will analyze all data. Please do only fill in the fields you deem necessary to add or amend the information.

The Arxiu Històric del Col·legi d'Arquitectes de Catalunya is one of the most important documentation centers in Europe, which houses the professional collections of more than 180 architects whose work is fundamental to understanding the history of Catalan architecture. By filling this form, you can request digital copies of the documents for which the Arxiu Històric del Col·legi d'Arquitectes de Catalunya manages the exploitation of the author's rights, as well as those in the public domain. Once the application has been made, the Arxiu Històric del Col·legi d'Arquitectes de Catalunya will send you an approximate budget, which varies in terms of each use and purpose.

Detail:

* If the memory has known authorship or rights, cite them in the field above 'Comments' .

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Informació bàsica de protecció de dades

Responsable del tractament: Col·legi d Arquitectes de Catalunya 'COAC'
Finalitat del tractament: Tramitar la sol·licitud de còpies digitals dels documents dels quals l’Arxiu Històric del COAC gestiona els drets d'explotació dels autors, a més d'aquells que es trobin en domini públic.
Legitimació del tractament: El seu consentiment per tractar les seves dades personals.
Destinatari de cessions o transferències: El COAC no realitza cessions o transferències internacionals de dades personals.
Drets de les persones interessades: Accedir, rectificar i suprimir les seves dades, així com, l’exercici d’altres drets conforme a l’establert a la informació addicional.
Informació addicional: Pot consultar la informació addicional i detallada sobre protecció de dades en aquest enllaç

Memory

Arquitecte titulat a l'ETSAB .

Des de de 1997 contractat a l’ Àrea Metropolitana de Barcelona. Entre els projectes realitzats es troben:
Projecte de remodelació de la plaça Joaquim Torrents i Lladó a Badalona.
Projecte de remodelació de la carretera d'accés al Observatori Fabra. Barcelona.
Projecte del Parc del Turonet a Montgat. Barcelona.
Projecte de Pavelló esportiu a Santa Coloma de Gramenet.
Projecte d'Auditori i espais exteriors a Santa Coloma de Gramenet.
Projecte de Sala Polivalent en Pallejà.
Projecte de Biblioteca i Sala Polivalent Merce Rodoreda a Sant Joan Despí.
Projecte d'Ampliació i vestuaris del camp de futbol La Barruana. Sant Vicenç dels Horts.
Projecte de rehabilitació i reforma d'edifici polivalent “La Capsa”. El Prat del Llobregat.
Projecte de reforma de la plaça Jardins Salvat Papasseit. El Prat del Llobregat.
Projecte de Biblioteca Pública al barri de Almeda. Cornellà del Llobregat.
Projecte del Centre Cívic Palmira Doménech. El Prat del Llobregat.

Concursos i premis:
Seleccionat el projecte del Centre Insular de Sanitat, per a l'exposició ”II Biennal d'Arquitectura Espanyola 1991-1992”.
Premi del Col·legi d'Arquitectes d'Eivissa i Balears en l'apartat d'edificis d'ús públic,1991.
Primer premi en concurs d'avantprojectes, de reforma i ampliació del C.E.I.P. Pompeu Fabra de Manlleu, 1998.
Primer premi en concurs d'avantprojectes, per a la construcció d'un C.E.I.P. de dues línies a Martorell, 1999.
Seleccionat FAD 1998 el projecte de remodelació de l'Av. República Argentina de Cornellà.
Seleccionat FAD 2000 el projecte d'ordenació de la plaça Joan Fuster a Montcada i Reixac , i
finalista en la Biennal d'Arquitectura del Vallès 2001, en l'apartat d'espais exteriors.
Primer premi en concurs d'avantprojectes del INCASOL per a la construcció de 21 habitatges a Cardona, 2002.
Seleccionat FAD 2003 el projecte del Camp Municipal de futbol de Cervelló.
Seleccionat FAD 2003 el projecte del Parc del Turonet, a Montgat, en l'apartat d'espais exteriors.
Finalista FAD 2000 el projecte de remodelació de la plaça Joaquin Torrents i Lladó a Badalona, en l'apartat d'espais exteriors.
Finalista FAD 2003 el projecte de remodelació de la carretera del Observatori Fabra a Barcelona, en l'apartat d'espais exteriors.
Finalista el projecte del Parc del Turonet, a Montgat, en el Premi Europeu de Paisatge Rosa Barba, 3a Biennal Europea de Paisatge.
Finalista el projecte del Parc del Turonet, a Montgat, al Premi Europeu de l'Espai Públic Urbà 2004.
Finalista el projecte del Parc del Turonet, a Montgat, Triennal del Maresme. 2004.
Primer premi en concurs d'avantprojectes, per a la construcció d'un ambulatori en Les Planes d’Hóstoles, 2008.
Seleccionada la Biblioteca Mercè Rodoreda en la 9a edició dels Premis Catalunya Construcció, 2012.
Seleccionada FAD 2012 en la categoria d’Arquitectura la Biblioteca Mercè Rodoreda de Sant Joan Despí.

Works

On the Map

Awarded
Cataloged
Disappeared
All works

Constellation

Chronology

  1. Joan del Moral Sports Pavilion

    Àrea Metropolitana de Barcelona (AMB), Carlos Llinàs Carmona

    Joan del Moral Sports Pavilion

    The building has been built on a site classified as equipment by the General Metropolitan Plan located at the intersection of Washington and Cristòfor Colom Streets, in a low-density residential area. The land has an average longitudinal slope of 14% and borders on the north side with a future linear park area that joins Santa Eulàlia Street and Nord Street. On the west side it borders the wall that closes an isolated single-family building. Taking into account the urban situation and the conditions of the site, both in terms of dimensions and topography, an attempt has been made to place the pavilion at a level that would allow access on foot through the lowest level of the site and that, at the same time, it ensured that the emerging volume above the surrounding streets maintained a similarity with the neighbouring buildings, generally low and two-storey. This approach increases the excavation that must be carried out but minimises the impact of the building on the nearby urban environment. Access is through the southwest corner, where Washington and Cristòfor Colom streets meet - it is configured through a small double-height arcade, protected by the roof, and allows passage at street level, which is the same as the lobby and sports court. From this lobby, the circulation of spectators and athletes is distributed separately to the stands and the locker room areas. The services for the public, the concierge, the referees' changing rooms, as well as a warehouse and a facilities room are located on this floor. On the first floor there are four collective changing rooms, and one of them is adapted with access from a passageway in which the lockers are located and which has an exit to the exterior passage that separates the building from the neighbouring construction. This floor is also accessible to spectators by means of a staircase that connects with a balcony located above the track, which at the same time has the function of maintaining and collecting the retractable stands on the ground floor. The track and grandstand area are located on the ground floor, with a roof with three skylights facing north coinciding with the position of the structure's trusses. Side openings protected with wooden slats have also been provided. It should be noted that the pavilion has been located leaving a separation strip with both the neighbouring plot and the future linear park, which will open on the north side of the site. These exterior steps are accessible only for maintenance and as emergency exits. An access has also been opened for track maintenance on Washington Street, at the point where it coincides with the street level, equipped with the corresponding entrance.
  2. Can Roig i Torres Auditorium

    Carlos Llinàs Carmona

    Can Roig i Torres Auditorium

    Multipurpose building that is semi-underground and gradually adapts to the unevenness of the land between Rafael de Casanova Street and Can Roig i Torres. A series of ramps and stairs connect the different spaces. From Rafael de Casanova Street, an iron and wooden fence separates us from the outer lobby of the Auditorium, defined between the neighbouring party walls. The façade combines white Naturvex cladding with large, glazed openings with dark aluminum joinery. The flat roof is accessible to people. A floating concrete slab decouples the roof from the pavement preventing external vibrations and noise from affecting the interior. Despite being concrete slabs, the exterior has been treated with honey pine wood and natural vegetation to create a warmer atmosphere. The building also houses the Can Roig music school.
  3. Multipurpose Hall

    Àrea Metropolitana de Barcelona (AMB), Carlos Llinàs Carmona

    Multipurpose Hall

    This project responds to the need of the Pallejà City Council to have a room that meets the conditions for the realisation of cultural or recreational events with the possibility of flexibly adapting to various requirements of use and space. The building has been erected on a plot bounded by Sant Isidre, Pintor Fortuny, Velázquez and Nostra Senyora de Loreto Streets: the latter is an important axis that acts as a link between the new facility, the Molinada Park, the sports centre and the city centre. In this context, it was proposed to arrange the construction in such a way that it formed a public square with a façade and access to the street. It has been located parallel to the street so that the square is closed with the services building, bar and access, with the possibility of making their uses independent. In addition, an underground car park for 100 spaces has been planned, which can be accessed from the lowest level of the plot, on Sant Isidre Street. The enclosure of the room can be compartmentalised with movable partitions or suspended from the armatures, while the enclosure facing the square, glass for the most part, forms a longitudinal gallery that tries to facilitate circulation between the interior and the square and provide transparency from it towards the room. This gallery can also function as a distribution element towards the different rooms if several events take place simultaneously. Inside, movable curtains have been placed along the gallery to be able to darken or to optionally close some of the rooms. A set of retractable stands has been arranged which can also be moved in the longitudinal direction of the room to store them in the final part. The total capacity of the largest room is 798 seats, of which 304 correspond to the bleachers. The equipment has air conditioning given the functional characteristics of the room and the high number of people it can accommodate. The service building that includes the bar, with its own access, can function independently and has storage and a small kitchen. A concierge or locker space has also been included which complements the spaces intended for the management or administration of the room, located at the north end of it. The structure has been made with reinforced concrete pillars in the basement and a metal structure on the ground floor, with armor to cover the 18 metres that the room roughly measures in a transverse direction. The exterior coverings are mostly made of cement board and natural fibers: they form a ventilated façade, with solar protections made with the same material on the west façade. The interior coverings, in addition to the paneling, explain, both on the ceiling and on the walls, the existence of materials with sound-absorbing characteristics. The floor used is continuous terrazzo in the room, with aluminum joint and wooden platform in the access gallery and the bar.

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