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In this first stage, the catalogue focuses on the modern and contemporary architecture designed and built between 1832 –year of construction of the first industrial chimney in Barcelona that we establish as the beginning of modernity– until today.
The project is born to make the architecture more accessible both to professionals and to the citizens through a website that is going to be updated and extended. Contemporary works of greater general interest will be incorporated, always with a necessary historical perspective, while gradually adding works from our past, with the ambitious objective of understanding a greater documented period.
The collection feeds from multiple sources, mainly from the generosity of architectural and photographic studios, as well as the large amount of excellent historical and reference editorial projects, such as architectural guides, magazines, monographs and other publications. It also takes into consideration all the reference sources from the various branches and associated entities with the COAC and other collaborating entities related to the architectural and design fields, in its maximum spectrum.
Special mention should be made of the incorporation of vast documentation from the COAC Historical Archive which, thanks to its documental richness, provides a large amount of valuable –and in some cases unpublished– graphic documentation.
The rigour and criteria for selection of the works has been stablished by a Documental Commission, formed by the COAC’s Culture Spokesperson, the director of the COAC Historical Archive, the directors of the COAC Digital Archive, and professionals and other external experts from all the territorial sections that look after to offer a transversal view of the current and past architectural landscape around the territory.
The determination of this project is to become the largest digital collection about Catalan architecture; a key tool of exemplar information and documentation about architecture, which turns into a local and international referent, for the way to explain and show the architectural heritage of a territory.
About us
Project by: 
Created by: 
Directors:
2019-2024 Aureli Mora i Omar OrnaqueDocumental Commission:
2019-2024 Ramon Faura Carolina B. Garcia Eduard Callís Francesc Rafat Pau Albert Antoni López Daufí Joan Falgueras Mercè Bosch Jaume Farreny Anton Pàmies Juan Manuel Zaguirre Josep Ferrando Fernando Marzá Moisés Puente Aureli Mora Omar OrnaqueCollaborators:
2019-2024 Lluis Andreu Sergi Ballester Maria Jesús Quintero Lucía M. Villodres Montse ViuExternal Collaborators:
2019-2024 Helena Cepeda Inès MartinelWith the support of:
Generalitat de Catalunya. Departament de CulturaCollaborating Entities:
ArquinFADFundació Mies van der Rohe
Fundación DOCOMOMO Ibérico
Basílica de la Sagrada Família
Museu del Disseny de Barcelona
Fomento
AMB
EINA Centre Universitari de Disseny i Art de Barcelona
IEFC
Fundació Domènench Montaner.
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We kindly invite you to help us improve the dissemination of Catalan architecture through this space. Here you can propose works and provide or amend information on authors, photographers and their work, along with adding comments. The Documentary Commission will analyze all data. Please do only fill in the fields you deem necessary to add or amend the information.
The Arxiu Històric del Col·legi d'Arquitectes de Catalunya is one of the most important documentation centers in Europe, which houses the professional collections of more than 180 architects whose work is fundamental to understanding the history of Catalan architecture. By filling this form, you can request digital copies of the documents for which the Arxiu Històric del Col·legi d'Arquitectes de Catalunya manages the exploitation of the author's rights, as well as those in the public domain. Once the application has been made, the Arxiu Històric del Col·legi d'Arquitectes de Catalunya will send you an approximate budget, which varies in terms of each use and purpose.
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Memory
The new Llagosta municipal cemetery has been designed as a public facility within the general framework of the future Besós river park.
The project gives the cemetery a capacity of 401 niches and 110 columbariums, which would be reached once the two planned phases are built.
Due to the proximity of the water table, the construction of buried tombs and pantheons has been ruled out.
In the first phase - which occupies an area of 1,174 m2 - 201 niches and 56 columbariums, an ecumenical chapel, an autopsy room, ancillary services and car parks have been built, and the guidelines for its future growth have also been set.
The site is organised from a series of small niche courtyards, which are arranged along two main axes. This series of patios could be said to draw a carpet. The chapel, the morgue, etc. are interspersed in the succession of courtyards and have their own collected atmosphere.
This organisation of space provides the site with a human scale, far from any monumental rhetoric, and allows the fragmentation of the whole into small environments, defined by walls and vegetation, behind which the niches are collected in intimate and differentiated spaces.
Among this drawing of walls and courtyards, only the geometric volume of the chapel roof stands out, which establishes a clear reference in a very blurred environment.
The site has been completed with the planting of pines and virgin vines, in the niche patios; mimosas and laurels in the courtyards of the chapel; cypress trees on the access road; and, around the enclosure, a space has been delimited by planting long rows of poplars.
The La Llagosta municipal cemetery was designed as a public facility within the general framework of the future Besòs river park. The project provides the cemetery with a capacity of 401 niches and 110 columbariums. The project was divided into two phases.
The site is organised from a series of small niche courtyards, which are arranged along two main axes. This series of patios draw a carpet. The chapel and the morgue are interspersed in the succession of courtyards and have their own collected atmosphere. This organisation of space provides the site with a human scale, far from any monumental rhetoric, and allows the fragmentation of the whole into small environments, defined by walls and vegetation, behind which the niches are collected in intimate and differentiated spaces. Among this drawing of walls and courtyards, only the geometric volume of the chapel roof stands out, which establishes a clear reference in a very blurred environment.
Regarding the materials used and the finishes, concrete and wood have been used. The niches are prefabricated in concrete while the walls and fences are in exposed concrete formwork with vertical wooden planks. The growth axes are temporarily closed with plastered, cracked and painted masonry walls. As for floor finishes, the exterior paths have been paved with concrete in situ, with a scraped finish, and inside the chapel, this same pavement is lowered and polished. In the yards, river gravel has been spread. The joinery is built from the same planks as the formwork, stained and varnished.
The site has been completed with the planting of pines and virgin vines, in the niche patios; mimosas and laurels in the courtyards of the chapel; cypress trees on the access road; and, around the enclosure, a space has been delimited by planting long rows of poplars.
The built part corresponds to the first phase of a wider project, which provides space for 400 niches and 110 columbariums. The configuration of the project responds to the action divided in phases. The built phase consists of a closed rectangular enclosure, accessible only through a wooden sliding door. Right at the entrance there is a courtyard that gives access to the chapel and to two avenues that divide the site into three unequal strips. The niches are arranged in these strips in varied positions and always linked to a small patio. The cemetery eschews views and monumentality and emphasises gathering and the human scale, as well as the identity of each of the created corners. The outer spaces are shaded by the vegetation and some horizontal slabs that cover the steps, creating a system of small enclosures that serve only three rows of niches.
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La Llagosta Municipal Cemetery
Conxita Balcells i Blesa, Santiago Vives i Sanfeliu
The new Llagosta municipal cemetery has been designed as a public facility within the general framework of the future Besós river park. The project gives the cemetery a capacity of 401 niches and 110 columbariums, which would be reached once the two planned phases are built. Due to the proximity of the water table, the construction of buried tombs and pantheons has been ruled out. In the first phase - which occupies an area of 1,174 m2 - 201 niches and 56 columbariums, an ecumenical chapel, an autopsy room, ancillary services and car parks have been built, and the guidelines for its future growth have also been set. The site is organised from a series of small niche courtyards, which are arranged along two main axes. This series of patios could be said to draw a carpet. The chapel, the morgue, etc. are interspersed in the succession of courtyards and have their own collected atmosphere. This organisation of space provides the site with a human scale, far from any monumental rhetoric, and allows the fragmentation of the whole into small environments, defined by walls and vegetation, behind which the niches are collected in intimate and differentiated spaces. Among this drawing of walls and courtyards, only the geometric volume of the chapel roof stands out, which establishes a clear reference in a very blurred environment. The site has been completed with the planting of pines and virgin vines, in the niche patios; mimosas and laurels in the courtyards of the chapel; cypress trees on the access road; and, around the enclosure, a space has been delimited by planting long rows of poplars. -
FAD Award
Finalist. Category: ArchitectureLa Llagosta Municipal Cemetery