Intro

About

In this first stage, the catalogue focuses on the modern and contemporary architecture designed and built between 1832 –year of construction of the first industrial chimney in Barcelona that we establish as the beginning of modernity– until today.

The project is born to make the architecture more accessible both to professionals and to the citizens through a website that is going to be updated and extended. Contemporary works of greater general interest will be incorporated, always with a necessary historical perspective, while gradually adding works from our past, with the ambitious objective of understanding a greater documented period.

The collection feeds from multiple sources, mainly from the generosity of architectural and photographic studios, as well as the large amount of excellent historical and reference editorial projects, such as architectural guides, magazines, monographs and other publications. It also takes into consideration all the reference sources from the various branches and associated entities with the COAC and other collaborating entities related to the architectural and design fields, in its maximum spectrum.

Special mention should be made of the incorporation of vast documentation from the COAC Historical Archive which, thanks to its documental richness, provides a large amount of valuable –and in some cases unpublished– graphic documentation.

The rigour and criteria for selection of the works has been stablished by a Documental Commission, formed by the COAC’s Culture Spokesperson, the director of the COAC Historical Archive, the directors of the COAC Digital Archive, and professionals and other external experts from all the territorial sections that look after to offer a transversal view of the current and past architectural landscape around the territory.

The determination of this project is to become the largest digital collection about Catalan architecture; a key tool of exemplar information and documentation about architecture, which turns into a local and international referent, for the way to explain and show the architectural heritage of a territory.

Aureli Mora i Omar Ornaque
Directors arquitecturacatalana.cat

credits

About us

Project by:

Created by:

Directors:

2019-2025 Aureli Mora i Omar Ornaque

Documental Commission:

2019-2025 Ramon Faura Carolina B. Garcia Eduard Callís Francesc Rafat Pau Albert Antoni López Daufí Joan Falgueras Mercè Bosch Jaume Farreny Anton Pàmies Juan Manuel Zaguirre Josep Ferrando Fernando Marzá Moisés Puente Aureli Mora Omar Ornaque

Collaborators:

2019-2025 Lluis Andreu Sergi Ballester Maria Jesús Quintero Lucía M. Villodres Montse Viu

External Collaborators:

2019-2025 Helena Cepeda Inès Martinel

With the support of:

Generalitat de Catalunya. Departament de Cultura

Collaborating Entities:

ArquinFAD

 

Fundació Mies van der Rohe

 

Fundación DOCOMOMO Ibérico

 

Basílica de la Sagrada Família

 

Museu del Disseny de Barcelona

 

Fomento

 

AMB

 

EINA Centre Universitari de Disseny i Art de Barcelona

 

IEFC

 

Fundació Domènench Montaner.

Design & Development:

edittio Nubilum
Suggestions

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We kindly invite you to help us improve the dissemination of Catalan architecture through this space. Here you can propose works and provide or amend information on authors, photographers and their work, along with adding comments. The Documentary Commission will analyze all data. Please do only fill in the fields you deem necessary to add or amend the information.

The Arxiu Històric del Col·legi d'Arquitectes de Catalunya is one of the most important documentation centers in Europe, which houses the professional collections of more than 180 architects whose work is fundamental to understanding the history of Catalan architecture. By filling this form, you can request digital copies of the documents for which the Arxiu Històric del Col·legi d'Arquitectes de Catalunya manages the exploitation of the author's rights, as well as those in the public domain. Once the application has been made, the Arxiu Històric del Col·legi d'Arquitectes de Catalunya will send you an approximate budget, which varies in terms of each use and purpose.

Detail:

* If the memory has known authorship or rights, cite them in the field above 'Comments' .

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Informació bàsica de protecció de dades

Responsable del tractament: Col·legi d Arquitectes de Catalunya 'COAC'
Finalitat del tractament: Tramitar la sol·licitud de còpies digitals dels documents dels quals l’Arxiu Històric del COAC gestiona els drets d'explotació dels autors, a més d'aquells que es trobin en domini públic.
Legitimació del tractament: El seu consentiment per tractar les seves dades personals.
Destinatari de cessions o transferències: El COAC no realitza cessions o transferències internacionals de dades personals.
Drets de les persones interessades: Accedir, rectificar i suprimir les seves dades, així com, l’exercici d’altres drets conforme a l’establert a la informació addicional.
Informació addicional: Pot consultar la informació addicional i detallada sobre protecció de dades en aquest enllaç

Memory

The factory is organised on both sides of a central service area, with two symmetrical buildings that are each subdivided into three bodies. These are covered by a gable roof, resulting in a zig-zag roof line. The factory is covered by vaults that are supported on foundation pillars and have central skylights. An air chamber separates the vaults from the roofs. This lighting system with skylights explains the migration of windows throughout the building. On the central body there is a small tower arranged as a dwelling.

The style is modernist due to the period and the structural forms, but the decorative motifs and especially the shapes of the windows have a lot of historicism (neomedieval and neomudéjar).

The textile sector was, as in the rest of the districts of Barcelona, the first to start the industrialisation of the towns. A few years after the start of the operation of the Infanta Canal, there are news of the first Indian factory (1851) which has now disappeared, the Bagueria Factory, built in 1920, already in full industrial effervescence, dedicated to its original activity.

One of the bodies is now the headquarters of the Guàrdia Urbana.

Source: Inventari del Patrimoni Arquitectònic de Catalunya (IPAC)

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Constellation

Chronology

  1. Can Bagaria Factory

    Modest Feu i Estrada

    Can Bagaria Factory

    The factory is organised on both sides of a central service area, with two symmetrical buildings that are each subdivided into three bodies. These are covered by a gable roof, resulting in a zig-zag roof line. The factory is covered by vaults that are supported on foundation pillars and have central skylights. An air chamber separates the vaults from the roofs. This lighting system with skylights explains the migration of windows throughout the building. On the central body there is a small tower arranged as a dwelling. The style is modernist due to the period and the structural forms, but the decorative motifs and especially the shapes of the windows have a lot of historicism (neomedieval and neomudéjar). The textile sector was, as in the rest of the districts of Barcelona, the first to start the industrialisation of the towns. A few years after the start of the operation of the Infanta Canal, there are news of the first Indian factory (1851) which has now disappeared, the Bagueria Factory, built in 1920, already in full industrial effervescence, dedicated to its original activity. One of the bodies is now the headquarters of the Guàrdia Urbana.
  2. Rehabilitació de Can Bagaria per a la Construcció de la Nova Escola Municipal de Musica i Auditori

    Àrea Metropolitana de Barcelona (AMB), Marina Salvador López

    Rehabilitació de Can Bagaria per a la Construcció de la Nova Escola Municipal de Musica i Auditori

    L'antic magatzem del conjunt industrial tèxtil de Can Bagaria, una mostra del patrimoni arquitectònic modernista del segle XX, es rehabilita i s'adequa per ubicar-hi una escola de música municipal. Es parteix d'una nau de més de cent metres de longitud, amb coberta de teula àrab a dues aigües suportada sobre encavallades de fusta, i una façana principal d'obra vista amb una gran regularitat d'obertures. Interiorment, per trencar aquesta linealitat tan marcada, s'agrupen els diferents espais que necessita l'escola de música: zona d'accés, amb els espais d'ús comú; aules de diferent mida, repartides en dues plantes, i sala d'audicions, que es construirà més endavant. L'accés es planteja per una de les antigues portes de la nau, just al davant del gran espai d'entrada al conjunt industrial on, un cop urbanitzat, es podran dur a terme activitats musicals fora de les aules. A més dels espais d'administració propis de l'equipament, a la zona interior de l'accés s'hi situen l'escala i l'ascensor, i un cancell que, en el futur, portarà a la sala d'audicions. A la planta baixa, les aules més petites es distribueixen al llarg d'un passadís a tocar de la façana principal; a la planta superior, hi ha les aules i espais més grans, a banda i banda d'un passadís central. Per garantir la il·luminació i la ventilació de tots els espais, s'han aprofitat les antigues finestres de la nau i s'han creat diversos patis a tota alçària que, a més, ajuden a alleugerir l'impacte de la intervenció i a reconèixer visualment la secció i la volumetria interior originals, deixant a la vista les encavallades de fusta.
  3. Premis Bonaplata

    Award-Winner / Winner (ex aequo). Category: Béns Immobles
    Rehabilitació de Can Bagaria per a la Construcció de la Nova Escola Municipal de Musica i Auditori

    Àrea Metropolitana de Barcelona (AMB), Marina Salvador López

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