In this first stage, the catalogue focuses on the modern and contemporary architecture designed and built between 1832 –year of construction of the first industrial chimney in Barcelona that we establish as the beginning of modernity– until today.
The project is born to make the architecture more accessible both to professionals and to the citizens through a website that is going to be updated and extended. Contemporary works of greater general interest will be incorporated, always with a necessary historical perspective, while gradually adding works from our past, with the ambitious objective of understanding a greater documented period.
The collection feeds from multiple sources, mainly from the generosity of architectural and photographic studios, as well as the large amount of excellent historical and reference editorial projects, such as architectural guides, magazines, monographs and other publications. It also takes into consideration all the reference sources from the various branches and associated entities with the COAC and other collaborating entities related to the architectural and design fields, in its maximum spectrum.
Special mention should be made of the incorporation of vast documentation from the COAC Historical Archive which, thanks to its documental richness, provides a large amount of valuable –and in some cases unpublished– graphic documentation.
The rigour and criteria for selection of the works has been stablished by a Documental Commission, formed by the COAC’s Culture Spokesperson, the director of the COAC Historical Archive, the directors of the COAC Digital Archive, and professionals and other external experts from all the territorial sections that look after to offer a transversal view of the current and past architectural landscape around the territory.
The determination of this project is to become the largest digital collection about Catalan architecture; a key tool of exemplar information and documentation about architecture, which turns into a local and international referent, for the way to explain and show the architectural heritage of a territory.
We kindly invite you to help us improve the dissemination of Catalan architecture through this space. Here you can propose works and provide or amend information on authors, photographers and their work, along with adding comments. The Documentary Commission will analyze all data. Please do only fill in the fields you deem necessary to add or amend the information.
The Arxiu Històric del Col·legi d'Arquitectes de Catalunya is one of the most important documentation centers in Europe, which houses the professional collections of more than 180 architects whose work is fundamental to understanding the history of Catalan architecture. By filling this form, you can request digital copies of the documents for which the Arxiu Històric del Col·legi d'Arquitectes de Catalunya manages the exploitation of the author's rights, as well as those in the public domain. Once the application has been made, the Arxiu Històric del Col·legi d'Arquitectes de Catalunya will send you an approximate budget, which varies in terms of each use and purpose.
This architectural complex is located to the right of the Llobregat river, on one side of the Bauma bridge, very close to the BP-1121 road.
The Bauma Factory is a construction made up of two buildings, the Roca and Llubià one, named after the two owners, and the new factory, located on the banks of the river, arranged side by side, following the line of the river course, and separated by the Torre del Amo. The first, older one, built to carry out the finishing and shipping processes, has a single storey and is characterised by a row of twenty-three openings in segmental arches. The second, which was used for spinning and weaving, as well as the flock store, the office and the turbine room, has four storeys and a gable roof, giving it a unitary character.
The Torre del Amo is a construction attached to the factory walls on the west corner, forming a main façade facing Monistrol and another one facing the road. The ground plan of the building is made up of two polygonal bodies, a square one equivalent to the porch and a rectangular one, where a lookout tower and the building's outbuildings are located. There is a staircase after the porch with three ovoid arches supported by two pillars with vegetal capitals and a three-slope roof. The tower is square in plan and has a lookout tower crowned with battlements. The unifying element between the two bodies is the roof with two slopes, made of green and reddish tiles. The walls are of exposed brickwork, and the full spaces and openings form vertical strips that fit in perfectly with the general composition of the factory buildings. The facing has several balconies with arches that vary from segmental arches to convex arches and lintelled arches. The plinths, imposts, arches and tympanums are covered with glazed tiles and ceramic friezes that form multicoloured geometric and vegetal compositions.
The Bauma factory was founded in the mid-19th century when Narcís Roca and Francesc Llubià joined forces to create the Bauma textile colony. At first, the Bauma factory was known by the names of the two owners: Roca and Llubià, names that lasted until 1929, although they changed hands several times. The saga began with the Güell family, and later, in 1892, it passed into the hands of the Dalmau i Tolrà brothers, who were well known in the textile world. And thirdly, in 1896, they were owned by Joan Vial i Solsona, coinciding with the period of maximum splendour of the factory and the colony. With this new owner, the company underwent significant growth and modernisation in both the factory and the colony, as both parts underwent major extensions and improvements. Also from this period are the extraordinary and emblematic buildings of the Torre del Amo and the Church, built between 1905 and 1908.
The Dalmau family kept the property until 1917, when it was taken over by the Parera i Vives brothers, and after 1920 it passed into the hands of Bartomeu Puiggros e Hijos de Bartomeu Puiggros. Finally, in 1930, it passed into the hands of Josep Balcells-Dolors Morató, until 1963, when it closed its doors, to be acquired a few years later by the final owners: Nerpel S.A., who started up the factory again, restored important parts of the building, such as the Torre del Amo, which was in a state of disrepair, and kept the property under the name of Balcells S.A. until 1990, when the company finally ceased to operate, a few years after the death of the new owner, Jaume Amor Ruiz, one of the last great textile entrepreneurs of the industrial era.
Bauma is known as the oldest of the three large colonies in the municipality of Castellbell i el Vilar, followed by Colonia Burés and Colonia Borràs. To reach the factory you have to cross a bridge, owned by the factory, which was built in 1859, and which has had to be rebuilt after several floods.
Set Colònia la Bauma