Intro

About

In this first stage, the catalogue focuses on the modern and contemporary architecture designed and built between 1832 –year of construction of the first industrial chimney in Barcelona that we establish as the beginning of modernity– until today.

The project is born to make the architecture more accessible both to professionals and to the citizens through a website that is going to be updated and extended. Contemporary works of greater general interest will be incorporated, always with a necessary historical perspective, while gradually adding works from our past, with the ambitious objective of understanding a greater documented period.

The collection feeds from multiple sources, mainly from the generosity of architectural and photographic studios, as well as the large amount of excellent historical and reference editorial projects, such as architectural guides, magazines, monographs and other publications. It also takes into consideration all the reference sources from the various branches and associated entities with the COAC and other collaborating entities related to the architectural and design fields, in its maximum spectrum.

Special mention should be made of the incorporation of vast documentation from the COAC Historical Archive which, thanks to its documental richness, provides a large amount of valuable –and in some cases unpublished– graphic documentation.

The rigour and criteria for selection of the works has been stablished by a Documental Commission, formed by the COAC’s Culture Spokesperson, the director of the COAC Historical Archive, the directors of the COAC Digital Archive, and professionals and other external experts from all the territorial sections that look after to offer a transversal view of the current and past architectural landscape around the territory.

The determination of this project is to become the largest digital collection about Catalan architecture; a key tool of exemplar information and documentation about architecture, which turns into a local and international referent, for the way to explain and show the architectural heritage of a territory.

Aureli Mora i Omar Ornaque
Directors arquitecturacatalana.cat

credits

About us

Project by:

Created by:

Directors:

2019-2024 Aureli Mora i Omar Ornaque

Documental Commission:

2019-2024 Ramon Faura Carolina B. Garcia Eduard Callís Francesc Rafat Pau Albert Antoni López Daufí Joan Falgueras Mercè Bosch Jaume Farreny Anton Pàmies Juan Manuel Zaguirre Josep Ferrando Fernando Marzá Moisés Puente Aureli Mora Omar Ornaque

Collaborators:

2019-2024 Lluis Andreu Sergi Ballester Maria Jesús Quintero Lucía M. Villodres Montse Viu

External Collaborators:

2019-2024 Helena Cepeda Inès Martinel

With the support of:

Generalitat de Catalunya. Departament de Cultura

Collaborating Entities:

ArquinFAD

 

Fundació Mies van der Rohe

 

Fundación DOCOMOMO Ibérico

 

Basílica de la Sagrada Família

 

Museu del Disseny de Barcelona

 

Fomento

 

AMB

 

EINA Centre Universitari de Disseny i Art de Barcelona

 

IEFC

 

Fundació Domènench Montaner.

Design & Development:

edittio Nubilum
Suggestions

Suggestion box

Request the image

We kindly invite you to help us improve the dissemination of Catalan architecture through this space. Here you can propose works and provide or amend information on authors, photographers and their work, along with adding comments. The Documentary Commission will analyze all data. Please do only fill in the fields you deem necessary to add or amend the information.

The Arxiu Històric del Col·legi d'Arquitectes de Catalunya is one of the most important documentation centers in Europe, which houses the professional collections of more than 180 architects whose work is fundamental to understanding the history of Catalan architecture. By filling this form, you can request digital copies of the documents for which the Arxiu Històric del Col·legi d'Arquitectes de Catalunya manages the exploitation of the author's rights, as well as those in the public domain. Once the application has been made, the Arxiu Històric del Col·legi d'Arquitectes de Catalunya will send you an approximate budget, which varies in terms of each use and purpose.

Detail:

* If the memory has known authorship or rights, cite them in the field above 'Comments' .

Remove * If the photographs has known authorship or rights, cite them in the field above 'Comments'.
You can attach up to 5 files of up to 10 MB each.

Informació bàsica de protecció de dades

Responsable del tractament: Col·legi d Arquitectes de Catalunya 'COAC'
Finalitat del tractament: Tramitar la sol·licitud de còpies digitals dels documents dels quals l’Arxiu Històric del COAC gestiona els drets d'explotació dels autors, a més d'aquells que es trobin en domini públic.
Legitimació del tractament: El seu consentiment per tractar les seves dades personals.
Destinatari de cessions o transferències: El COAC no realitza cessions o transferències internacionals de dades personals.
Drets de les persones interessades: Accedir, rectificar i suprimir les seves dades, així com, l’exercici d’altres drets conforme a l’establert a la informació addicional.
Informació addicional: Pot consultar la informació addicional i detallada sobre protecció de dades en aquest enllaç

Memory

Domènech spent the summers with his family at Can Rocosa in Canet de Mar.
In order to enlarge the space, they had bought the two houses next door that chamfered Riera de la Gavarra and Riera dels Buscarons and unified their courtyards into a single courtyard.

The old country house was used as an architectural studio and personal refuge. He kept the Baroque elements of the building, such as the sgraffito on the façade, the courtiers, the peephole in the staircase and the stone lintels, but at the same time he incorporated numerous decorative elements from his works, sometimes plaster models of the sculptures or ceramic samples.
The large room on the first floor still has its drawing table and library shelves.
It is now part of the Casa Museu Lluís Domènech i Montaner Canet de Mar.

Author: Clàudia Sanmartí

Source: Fundació Domènech i Montaner

Authors

How to get there

On the Map

Awarded
Cataloged
Disappeared
All works

Constellation

Chronology

  1. Refurbishment of the Can Rocosa Country House

    Lluís Domènech i Montaner

    Refurbishment of the Can Rocosa Country House

    Domènech spent the summers with his family at Can Rocosa in Canet de Mar. In order to enlarge the space, they had bought the two houses next door that chamfered Riera de la Gavarra and Riera dels Buscarons and unified their courtyards into a single courtyard. The old country house was used as an architectural studio and personal refuge. He kept the Baroque elements of the building, such as the sgraffito on the façade, the courtiers, the peephole in the staircase and the stone lintels, but at the same time he incorporated numerous decorative elements from his works, sometimes plaster models of the sculptures or ceramic samples. The large room on the first floor still has its drawing table and library shelves. It is now part of the Casa Museu Lluís Domènech i Montaner Canet de Mar.
  2. Domènech House

    Lluís Domènech i Montaner, Pere Domènech i Roura, Francesc Guàrdia i Vial

    Domènech House

    Domènech carried out a number of renovation projects for his political colleagues. Francesc Macià, a military engineer and politician who became president of the Generalitat, commissioned him to renovate the interior of his house in Lleida, the Macià chalet. It is the last work Domènech carried out in Canet de Mar. As was the case with most of his works of this period, he had the collaboration of his son Pedro and his son-in-law Francesc Guàrdia. The Domènech family had their second residence in Canet de Mar, in the old Rocosa country house. This building did not have enough space to house the architect's large family and his studio. In 1877, they bought two houses on the corner of Riera Gavarra and Riera de Buscarons, which were connected to the house by the rear courtyards. Masia Rocosa became the architect's office and workshop and the new building the family residence. A first unrealised project is preserved at the Fons Cabruja in Canet de Mar. In 1918, a building permit was requested for the renovation and restoration of the Domènech house of the project that was finally carried out. The original building, on a corner at the confluence of the two streams, was two small 17th-century buildings. The previous constructions were not demolished, but a large part of the walls were reused. Domènech went up again and redistributed and ennobled all the openings, adding a hall with exposed brick arches at the top and monumentalising the chamfered corner with a tribune decorated with floral and zoomorphic elements. Inside the house, all the rooms were renovated, ensuring that all the rooms had windows on the outside. A staircase with ceramic risers connects the ground floor with the first floor, leading to a double-height entrance hall. On the floor of this space is a walk-through skylight that brings light from the upper skylight to the ground floor. A spiral staircase connects this space with the perimeter balcony on the first floor. Several rooms in the building contain the plaster casts of some of the sculptural works in its buildings. In 1980, it was renovated to house a bank and an extension was built in the garden. After the transfer of all the buildings to the Town Council and a second refurbishment in 2011, it is now a facility that houses the Domènech i Montaner House-Museum in Canet de Mar.
  3. Remodelling and Extension of Domènech House as a Bank Headquarters

    B01 Arquitectes, Roser Amadó i Cercós, Lluís Domènech i Girbau

    Remodelling and Extension of Domènech House as a Bank Headquarters

    'La Caixa' acquired the Domènech de Canet de Mar estate which was composed of an 18th century country house, a house built by Domènech i Montaner and a garden shared by both. The intention was to locate its bank headquarters there, building a pavilion in the garden and adapting the modernist house, leaving the restoration of the country house for a future intervention. Later, however, it was ceded to the Canet de Mar Town Hall and became the Domènech i Montaner House - Museum. The project is mainly based on the creation of a new pavilion that relates the Domènech House and the old country house in a different way. The relationship with the modernist house is based on two basic considerations: respect for the building's architectural uniqueness and the conservation of the character of the house's enclosed garden, which formed an overall image of a strong urban presence. To achieve these two objectives, it is proposed to build a closed volume that faces the Riera, respecting the height of the garden wall and that connects coherently with the exterior balcony with which Casa Domènech ends over the Riera.

Related Works

Set Casa Domènech

Bústia suggeriments

Ajuda’ns a millorar el web i el seu contingut. Proposa’ns obres, aporta o esmena informació sobre obres, autors i fotògrafs, o comenta’ns el què penses. Participa!