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1888
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1901
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1925 - 1927
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1929
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1934
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1952
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1953 - 1954
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Exposició "Gaudí" al Tinell
Martorell-Bohigas, Oriol Bohigas i Guardiola, Josep Maria Sostres i Maluquer
1956
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Headquarters of Gustavo Gili Publishers
Francesc Bassó i Birulés, Joaquim Gili i Moros
The new headquarters of the Gustavo Gili publishing house occupy the inner courtyard of a block of houses in the Eixample distract, usually full of basements for garages, warehouses and similar uses. As it is a highly atomised programme that required numerous easements, the building is divided into three clearly differentiated bodies. The central body houses the commercial and technical offices. This body faces the entrance garden, from where it is accessed through a double-height lobby, the only space with clearly visible architectural connotations. The body on the left houses the management area and its outbuildings. The body on the right is intended for storage and packaging, and is clearly separated from the previous two. The structure forms a grid independent of the enclosures and adopts a different module in each of the bodies, which appear differentiated in the solution of the roof.1954 - 1961
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Publications and Building Information Office Floor of the Architects' Association of Catalonia (COAC)
Pau Monguió i Abella, Francesc Vayreda i Bofill
1962
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1964
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1958 - 1965
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Continuation of Work on the Sagrada Familia Expiatory Temple
Antoni Gaudí i Cornet, Francesc de Paula Quintana Vidal
After the end of the war, Francesc de Paula Quintana, who had been Gaudí’s assistant architect, and later Sugrañes, took over the position of chief architect. Once the war was over, the new Temple board focused on the restoration of the affected areas (crypt, lower part of the apse and the Nativity Facade and the schools) and the recovery of Gaudí's workshop and project, collecting photographs and plans - published before the fire in Gaudí's biographies and books on the Sagrada Família - and recovering the plaster models damaged during the war, generated by very precise geometries. The construction of the Façade of the Passion began in 1954, which Gaudí described in a very detailed elevation plan, and which he had explained to his disciples. In the transept of the Passion, Quintana he erected the double-turn column dedicated to the diocese of Barcelona, following the geometric procedure devised by Gaudí, which was the first column inside the temple and served as a model for the rest.1939 - 1966
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1966
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1971
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1973
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1975 - 1978
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1977 - 1979
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Continuation of Work on the Sagrada Familia Expiatory Temple
Lluís Bonet i Garí, Antoni Gaudí i Cornet, Isidre Puig Boada
The architects Isidre Puig Boada and Lluis Bonet i Garí, who had regularly visited Gaudí in the last stage of his life and had worked on the development of the work under the direction of Francesc de Paula Quintana, became the successors after the death of the latter. At this stage, the architectural part of the Façade of the Passion is completed, except for the upper porch, and a large part of the documentation and models that will allow the continuation of the works is collected and studied.1966 - 1983
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Plaça dels Països Catalans
Viaplana / Piñón Arquitectes, Heliodoro Piñón Pallarés, Albert Viaplana i Veà
1981 - 1983
Awarded
Cataloged
Disappeared
All works