About
In this first stage, the catalogue focuses on the modern and contemporary architecture designed and built between 1832 –year of construction of the first industrial chimney in Barcelona that we establish as the beginning of modernity– until today.
The project is born to make the architecture more accessible both to professionals and to the citizens through a website that is going to be updated and extended. Contemporary works of greater general interest will be incorporated, always with a necessary historical perspective, while gradually adding works from our past, with the ambitious objective of understanding a greater documented period.
The collection feeds from multiple sources, mainly from the generosity of architectural and photographic studios, as well as the large amount of excellent historical and reference editorial projects, such as architectural guides, magazines, monographs and other publications. It also takes into consideration all the reference sources from the various branches and associated entities with the COAC and other collaborating entities related to the architectural and design fields, in its maximum spectrum.
Special mention should be made of the incorporation of vast documentation from the COAC Historical Archive which, thanks to its documental richness, provides a large amount of valuable –and in some cases unpublished– graphic documentation.
The rigour and criteria for selection of the works has been stablished by a Documental Commission, formed by the COAC’s Culture Spokesperson, the director of the COAC Historical Archive, the directors of the COAC Digital Archive, and professionals and other external experts from all the territorial sections that look after to offer a transversal view of the current and past architectural landscape around the territory.
The determination of this project is to become the largest digital collection about Catalan architecture; a key tool of exemplar information and documentation about architecture, which turns into a local and international referent, for the way to explain and show the architectural heritage of a territory.
About us
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2019-2024 Aureli Mora i Omar OrnaqueDocumental Commission:
2019-2024 Ramon Faura Carolina B. Garcia Eduard Callís Francesc Rafat Pau Albert Antoni López Daufí Joan Falgueras Mercè Bosch Jaume Farreny Anton Pàmies Juan Manuel Zaguirre Josep Ferrando Fernando Marzá Moisés Puente Aureli Mora Omar OrnaqueCollaborators:
2019-2024 Lluis Andreu Sergi Ballester Maria Jesús Quintero Lucía M. Villodres Montse ViuExternal Collaborators:
2019-2024 Helena Cepeda Inès MartinelWith the support of:
Generalitat de Catalunya. Departament de CulturaCollaborating Entities:
ArquinFADFundació Mies van der Rohe
Fundación DOCOMOMO Ibérico
Basílica de la Sagrada Família
Museu del Disseny de Barcelona
Fomento
AMB
EINA Centre Universitari de Disseny i Art de Barcelona
IEFC
Fundació Domènench Montaner.
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The Arxiu Històric del Col·legi d'Arquitectes de Catalunya is one of the most important documentation centers in Europe, which houses the professional collections of more than 180 architects whose work is fundamental to understanding the history of Catalan architecture. By filling this form, you can request digital copies of the documents for which the Arxiu Històric del Col·legi d'Arquitectes de Catalunya manages the exploitation of the author's rights, as well as those in the public domain. Once the application has been made, the Arxiu Històric del Col·legi d'Arquitectes de Catalunya will send you an approximate budget, which varies in terms of each use and purpose.
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Memory
Gabriel Mora Gramunt neix a Barcelona.
Arquitecte per l’Escola Tècnica Superior d’Arquitectura de Barcelona, l’any 1966.
Treballa com a col·laborador als estudis de Josep Mª Sostres i de Martorell, Bohigas, Mackay.
Inicia la seva activitat professional associat amb Helio Piñón i Albert Viaplana.
Funda la societat Bach/Mora i més endavant la societat Mora-Sanvisens, Arquitectes Associats, S.C.P. en la que desenvolupa actualment els seus treballs.
Coautor de diverses publicacions sobre l’Arquitectura de Barcelona i dels llibres “ Tierras y Templos de los grandes vinos “.
Ha impartit nombrosos seminaris i conferències a Espanya, Alemanya, França, Itàlia, Holanda, Àustria, Eslovènia, Anglaterra, Irlanda, Finlàndia i Amèrica Llatina.
Forma part de la Comissió Delegada del Consorci Urbanístic del Centre Direccional de Cerdanyola del Vallès.
Professor d’Història de l’Arquitectura Moderna a l’Escola de Disseny EINA.
Professor encarregat de Projectes a l’Escola Tècnica Superior d’Arquitectura de Barcelona (ETSAB).
Membre del Tribunal de Projecte Fi de Carrera.
Ha estat Professor Convidat a les Escoles d’Arquitectura de Viena, Dublín, Torino i Pamplona.
Author: Mora-Sanvisens Arquitectes Associats
Works (61)
On the Map
Awarded
Cataloged
Disappeared
All works
Constellation
Chronology (84)
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Puig House
Gabriel Mora i Gramunt, Heliodoro Piñón Pallarés, Albert Viaplana i Veà
The house satisfies the specific program for a mother and her child, reproducing the dictated layout of each room and the definition of its particular use. The integration of all the spaces takes place through a staircase of continuous sections located on the longitudinal axis, which gives access to small areas separated by unevenness. A second hierarchy of stairs favours specific routes for each inhabitant. The roofs faithfully follow the slopes of the internal upward movement, and the walls of the façade extend to the limits of the plot, closing the plot and leaving only a gap for the entrance on foot. -
Jiménez de Parga House
Gabriel Mora i Gramunt, Heliodoro Piñón Pallarés, Albert Viaplana i Veà
The house is located in a large estate, on the border between the municipalities of La Garriga and L'Ametlla del Vallès. The project responds to the isotropic and indifferent character of the site by means of an extensive implantation guided by a random geometry that defines each of the areas. The living room and the dining room, on the ground floor, and the master bedroom, on the upper floor, determine a clear façade plan facing the pool. The children's and guest bedrooms form a well-separated body at the rear. The open spaces penetrate to the heart of the house, where the staircase that connects both floors is located. -
Soler House
Located in a plot of land in the urban centre but qualified as a garden-city, the construction wants to express the intimacy that the ordinances deny it. The façade to the street is blind (it only expresses its geometry), as well as the north façade, opening a path to a south-facing garden where the swimming pool (the protagonist element) is privatised through a perforated façade that is the extension of the house and which increases its dimensions. -
Aguirre-Jori Houses
Dues cases aparellades de 60m2 formen un sol volum recobert de pissarra per integrar-se millor al paisatge. A la casa s'hi entra a través d'una volta recoberta amb una planxa de PVC que separa les dues plataformes d'aparcament. Aquesta volta translúcida dóna llum al vestíbul dels habitatges, protegeix del fred i de la neu i a la nit fa de llanterna per orientar-se a les fosques i fredes nits de l’hivern. -
Can Bruixa Apartment Building
Gabriel Mora i Gramunt, Heliodoro Piñón Pallarés, Albert Viaplana i Veà
The building responds to the need of including six homes per floor on a plot located in a corner and facing north, with little contact with the block of houses’ courtyard. The solution proposes the arrangement of five houses in a row, leaving the remaining space for the sixth house, which adopts an atypical configuration. In this way, all the houses have a minimum surface area guaranteed on the façade. The inner courtyards follow the guidelines of the fan, as well as the load-bearing structure, based on pillars of rectangular section that enclose the smaller corridors. On the first floor, each pair of pillars is joined together to form one, more suitable for office use. The entire rear partition is cleared for access stairs, and the hallways receive light from the courtyards. The façade forms a double skin that filters the contact with the street and allows a composition of the openings, regardless of the interior requirements. -
Neeskens House
Josep Emili Hernández-Cros, Gabriel Mora i Gramunt
La decisió inicial fou la de construir una casa revestida de pedra, ja que així ho exigien les ordenances de la zona, però intentant fugir del pintoresquisme habitual. Per tal d'aconseguir-ho s'adoptà una geometria molt precisa: el rectangle (per accentuar l'estereotomia de la pedra), que adopta la tipologia de l'impluvium en introduir un pati en diagonal cap al qual s'hi aboquen totes les parts representatives de l'habitatge. -
FAD Award
Shortlisted. Category: ArchitectureCan Bruixa Apartment BuildingArenas House
Bach-Mora Arquitectes, Jaume Bach i Núñez, Gabriel Mora i Gramunt
In the streets near the beach of Vilanova, we still find the homes of the "Indians", people who made their fortunes in the Americas at the end of the 19th century. They are constructions with clear references to the colonial world. The Arenas House makes a key, more abstract interpretation of the spatial and dynamic qualities of those.Remodelling and Improvement of the squares in Gràcia
Bach-Mora Arquitectes, Jaume Bach i Núñez, Gabriel Mora i Gramunt
The Villa de Gràcia was annexed to Barcelona at the end of the 19th century. A process of densification then began, which produced an uneven architecture, both in height and quality. Distributed in narrow alleys full of cars and with few public spaces occupied by poorly designed street furniture. Its nine small squares still retain their character today. It was a question, given the little help of the architecture of the neighbourhood, of organising the project from the inside of the space of the squares and reinforcing the peculiarities of each one of them. Emphasising the specific but affirming the fact of belonging to a common environment. It is proposed to replace the surface parking of the squares and reduce the sections of asphalt to a minimum, to enlarge them physically and visually, ordering the service elements rationally.L'Alzina Schools Complex
Bach-Mora Arquitectes, Jaume Bach i Núñez, Gabriel Mora i Gramunt
School group that includes all stages, from kindergarten to secondary school. It is located on an irregular block of houses, structured in pavilions, three of which remain in the new project. As splendid trees have grown between them, the isolated organisation on the main axis is respected and a spacious garden is released. One of the new buildings faces the street and absorbs the irregularity of the site, so that it acts as a backdrop for the second, more isolated and precisely defined by the dimensions of the two sports courts on the roof. The structure is reinforced concrete, and the brick covers the façades and forms the divisions and interior spaces. In the windows, the trumeau solution is adopted which allows to hide the guides of two roller blinds, necessary for their dimensions, as well as the central uprights of the leaves. In this way, changes of scale are hinted at in the fenestration.Pilot Station for FGC Railways: Muntaner Station
Bach-Mora Arquitectes, Jaume Bach i Núñez, Gabriel Mora i Gramunt
Due to a commission by Ferrocarrils Metropolitans de Barcelona, a proposal was made to standardise the entire design of the metro lines. It was about projecting the entire set of rules and station signs. In this way, the Ferrocarrils technicians refurbished many stations; small interventions to remodel the underground stations. These projects are proposed with voluntary discretion so that they offer a repertoire of sizes capable of dignifying these infrastructures. Thus, the patterned cladding with white marble, in alternating colours, is found along the entire line. The lighting enhances the service areas but does not deprive the vision of the roof, generally a vault, which serves as a support. The ribbed design of the pavement is an important visual improvement, while allowing it to be used outdoors. Finally, it is worth noting the design of the glass lockers, the electromagnet control steps and the benches and litter bins.FAD Award
Award-Winner / Winner. Category: RestorationPilot Station for FGC Railways: Muntaner StationFAD Award
Shortlisted. Category: ArchitectureL'Alzina Schools ComplexRodríguez House
Bach-Mora Arquitectes, Jaume Bach i Núñez, Gabriel Mora i Gramunt
Casa de molt limitat pressupost que es redueix a allò essencial i s'organitza dins d'una forma elemental en dues plantes, sobre el terreny pla d'una anodina urbanització propera al mar.Francesc Aldea School
Bach-Mora Arquitectes, Jaume Bach i Núñez, Gabriel Mora i Gramunt
Located in Terrassa, in what used to be a fantastic landscape and which is currently a meeting point of various images such as a motorway, a supermarket, an area of blocks and an urbanisation of marginal housing, the school needed a strong and unitary image that would distinguish it from the expressive chaos that surrounds it. Therefore, it is designed to resemble old industrial warehouses or agricultural buildings from the beginning of the century, easily identifiable and with its own specific weight. The school is located parallel to the access. The slope of the land allows a gap between the two bodies of the building, a difference in level that is used to give greater height to the assembly hall, emphasising the symbolic nature of this space.FGC Railway Station: Universitat Autònoma
Bach-Mora Arquitectes, Jaume Bach i Núñez, Gabriel Mora i Gramunt
The small station of the Universitat Autònoma de Barcelona in Bellaterra, designed and built in a very short time, had to partially adapt an existing staircase and tunnel. The project has two purposes: the first, to obtain an architecture with the dimension and entity appropriate to the place and its significance despite its reduced programme; the second, to find a formal solution to the different requirements of the façades on the platforms and on the avenue. Thus, the building is projected from a wall parallel to the train tracks that articulates, on one corner, a canopy held with braces that covers the entire platform and, on the other, a semi-detached body, covered and opaque in which a large lowered arch that houses the small pieces of the programme inside opens, at the same time that, centered on the axis of the avenue, it provides an end with more property. In the section of the wall that has no construction, the flight of the canopy is compensated by buttresses. The finishes, with small pieces of stoneware and strips of white marble, follow the proposal for the entire line.FAD Award
Shortlisted. Category: ArchitectureFGC Railway Station: Universitat AutònomaSant Vicenç dels Horts Primary Healthcare Centre
Bach-Mora Arquitectes, Jaume Bach i Núñez, Gabriel Mora i Gramunt
The Sant Vicenç dels Horts Primary Healthcare Centre is located on a flat plot of land, with an almost square surface, located within an urban plot of little interest and with a single dignified front facing the main road. A single floor is proposed in the entire surface and two in the main façade, with the aim of creating an appropriate image for a public building. The other façades are configured by an inexpressive perimeter enclosure. The floor plan revolves around a circular courtyard with a tree with a generous crown, which acts as a plant dome, in the centre. Around it, the patient circulation and waiting areas are located. The offices are located on the perimeter, protected from the direct view from the street by a courtyard.FAD Award
Shortlisted. Category: Arquitectura - Edificis de Nova PlantaSant Vicenç dels Horts Primary Healthcare CentreCan Gasset Dwellings
Bach-Mora Arquitectes, Jaume Bach i Núñez, Gabriel Mora i Gramunt
L’edifici completa una illa de cases ocupada per un palau neoclàssic i adopta la seva disposició general a partir d’aquesta referència. El nou edifici respecta l’eix de simetria del vell palau, disposant una única entrada central que condueix a un pati posterior de relació i circulacions. A la mitgera amb l’antic edifici s’hi adossa un cos baix, de planta baixa més un pis, que conté dos habitatges per planta, amb accés directe des del pati. El bloc principal, separat del palau, adopta una configuració de castell, amb els cossos de les cantonades més alts. S’accedeix als habitatges del bloc a través del pati, directament a les caixes d’escala. Les sales d’estar i les cuines donen a la façana interior i emfasitzen la importància del pati com a espai que vertebra tot l’edifici. El conjunt tanca l’illa de cases amb la forta referència del monument a tocar de la mitgera, que determina l’estricta regularitat de la disposició.Josep Maria Jujol School
Bach-Mora Arquitectes, Jaume Bach i Núñez, Gabriel Mora i Gramunt
In a high-density area in the Gràcia neighbourhood, the Barcelona City Council must build a CEIP school. It was decided to use the site of the Tallers Manyach factory, the work of Josep Mª Jujol, built in 1916, which is in a terrible state of conservation and is both protected and cataloged. Opting to build a school building on the façade of the Riera de Sant Miquel between the partitions, using the site prior to Jujol’s workshops, a 4-storey school is built, with the multi-sports court on the roof and preserving the warehouses of the old Manyach factory converted into school play porches. The restoration was complex due to the poor state of the metal structure that supported the base of the partitioned vaults. He forced it to be replaced or reinforced, depending on the case, all the vaults, all exposed buttresses and skylights were restored and waterproofed. The Jujol factory is separated from the new school through a courtyard where the restored ovens are located and the lower part is glazed to give transparency to the new functions of the factory, turning it into a large space covered with games for the children. Having lost its original colours, it was repainted with colours taken from the architect's palette and is offered as an "objet trouvé" in the block’s patio.Nursery of Torre Balldovina School
Bach-Mora Arquitectes, Jaume Bach i Núñez, Gabriel Mora i Gramunt
A small kindergarten was to be built in the small playground of a public school on the metropolitan outskirts. The project proposes to build in height by closing the garden on its rear façade so that it is reduced as little as possible. At this point and given that the plot is in an irregular residential chamfer, between a high average and a non-buildable private sports green space, a terraced arrangement is proposed, so that the classrooms have a sunny exit to the outside with views of the neighbouring trees. The middle is covered and the chamfer, complete with a dignified end since it cannot close on itself. The whole is valued by building a unitary light roof that gives it scale and the appearance of a public building - the clock also helps, in addition to offering a pleasant, covered terrace in the shade for playing.FAD Award
Finalist. Category: Buildings of new plant for public useNursery of Torre Balldovina SchoolFAD Award
Award-Winner / Winner (ex aequo). Category: Architecture - Remodelling and RehabilitationJosep Maria Jujol SchoolMercè Rossell i Domènech School of Viticulture and Oenology
Bach-Mora Arquitectes, Jaume Bach i Núñez, Gabriel Mora i Gramunt
The school is located near a small plateau in the wine region of El Penedès. It completes old agricultural buildings such as a country house and part of the attached cellars. Most of the new buildings are located on the north side of the property, creating an open courtyard in the manner of traditional agricultural spaces. An old right-of-way requires the new one to be connected to the existing one, by means of a bridge and an underpass. Part of the old constructions are absorbed by the new constructions, such as the small country house integrated into the main entrance, or the ruins at the northern end, carefully valued by the opening of the assembly hall. The construction is erected with load-bearing walls of brick and exposed prefabricated concrete beams. The school contains classrooms, laboratories, assembly hall, student residence and restaurant.Raventós Blanc Cava Cellars
Bach-Mora Arquitectes, Jaume Bach i Núñez, Gabriel Mora i Gramunt
The new agricultural complex for the production of cava is located on a large estate, opposite the old Codorniu wineries, designed by Josep Puig and Cadafalch. The project considers the view of the Montserrat mountain, as well as the presence of a century-old oak tree, the ancestral symbol of the company. The complex is organised around two courtyards, one circular and the other rectangular, which configure a plan in the shape of a sickle, the tool used in field work. The circular courtyard gives access to the representative buildings, while the second courtyard is the centre of agricultural tasks, and has the cellars and offices around its perimeter. The cellars are covered by a system of dihedrals held with braces that allow the distributed entry of light and recall the forms of covering of industrial warehouses at the beginning of the century. The roofs are of flat tiles and the overhangs have been covered with sandstone.FAD Award
Finalist. Category: Interior Design - Public, Commercial and Professional InteriorsRefurbishment of the Fifth floor of the Architects' Association of Catalonia (COAC)FAD Award
Award-Winner / Winner (ex aequo). Category: Buildings of new plant for private useRaventós Blanc Cava CellarsPerill Sports Complex
Bach-Mora Arquitectes, Jaume Bach i Núñez, Gabriel Mora i Gramunt
The lack of space in the central neighbourhood of Gràcia in Barcelona gave rise to this proposal for a multi-sports building developed in height. The possibility of using the roof of the inner courtyard of the chamfer, about six metres high above the narrow street, adds complexity to it. The building rationally juxtaposes the various uses vertically: from lower to higher structural light, from lower to higher need for natural light and from higher to lower influx of use. The desire to translate, in an episode of architecture, the relationship of all the various spaces originates the appearance of a generous staircase full of natural light on a high wall of white tiles that runs between the lobby and the central exterior courtyard, where the pool opens.Refurbishment of the Fifth floor of the Architects' Association of Catalonia (COAC)
Bach-Mora Arquitectes, Jaume Bach i Núñez, Gabriel Mora i Gramunt
The secretary’s office floor had been designed by Antoni Moragas i Gallissà. The COAC’s board considered that it had become obsolete, so they commissioned a total renovation of the floor. The new floor has been incorporated into the new lobby to make the reception space bigger and, consequently, three areas have been created: closed offices, a panoramic office and the third archive office. In the project parts of the old interior have been recovered to keep the memory of the COAC’s history.Remodelling of the Arts Centre of the Caixa de Pensions Foundation
Bach-Mora Arquitectes, Jaume Bach i Núñez, Gabriel Mora i Gramunt
The “La Caixa” Cultural Centre is located in the Macaya Palace (Puig i Cadafalch, 1901), a historical-artistic monument of national interest, which was a modernist private residence. Later on, it was adapted, together with the annexes, for cultural use and became one of the most active centres in the city in terms of exhibition programming. It still preserves the façades, the entrance and the central courtyard with the staircase going up to the main floor, which is in very good condition. The interiors, on the other hand, have been deeply remodeled. The order aims to adapt the entrance, cover the patio and re-design the exhibition rooms. The most delicate point is the entrance, which was hidden among service pieces. The arrangement of the entrance ramp and the hollowness of the wall provide this space with a more public character. The same happens with the windows on the ground floor, which were boarded up and opened again, bringing life back to the façade by incorporating the bookstore service.FAD Award
Award-Winner / Winner. Category: Interior Design - Remodelling and RehabilitationRemodelling of the Arts Centre of the Caixa de Pensions FoundationFAD Award
Finalist. Category: Buildings of new plant for public usePerill Sports ComplexTelephone Exchange
Bach-Mora Arquitectes, Jaume Bach i Núñez, Gabriel Mora i Gramunt
En el punt de confluència de les fortuïtes alineacions de carrers d’una barriada vertical contemporània de Reus, es situa aquesta peça composada, com és usual, de dos parts desiguals: equip i oficines. La decisió de tractar-les de forma unitària, en continuïtat, i la corba de la façana com a mitjà de transcendir els límits irregulars del solar, són les dues decisions principals, tot i que, conceptualment, l'horitzontalitat de les finestres es planteja com a opció, des de l'idea del públic, a la verticalitat dominant de la multiplicitat del privat.Uriach House
Bach-Mora Arquitectes, Jaume Bach i Núñez, Gabriel Mora i Gramunt
Simple volumes, large deck plans, overhangs that protect the house from the sun and rain, porches, contrast between the outside space and the introverted spaces of the courtyard, water collected in them... These are themes of vernacular architecture that are reinterpreted in this house located on an irregular and extensive plot in the town of L’Ametlla del Vallès.Extension of Corachan Clinic (Phase 2)
Bach-Mora Arquitectes, Jaume Bach i Núñez, Gabriel Mora i Gramunt
The expansion of the Corachan Clinic is considered as the need to give typological expression to the existing heterogeneity. To achieve this, a new urban plan was drafted that adapted the adjacent area to hospital use and allowed the extension with volumes similar to that used in the rest of Gironella Square, where the extension had the façade and the complex, the new and significant entrance. The addition is a block with a U-shaped central corridor, which continues on each floor challenging the existing and structural corridors, around the courtyards. The curvilinear section that supports the main façade opens to accommodate the block of elevators and stairs that thus indicate its end, while the curve bends the façade towards the set’s centre of gravity and indicates belonging to the main body. The main façade is paved with white marble pieces and with a grey granite plinth. The rear parts are covered with ocher stucco. The marble pieces located in the corner of the façade are supported by a stainless-steel structure, facilitating the release of the wall and the discreet lighting and ventilation of the staircase. The veining is transparent towards the interior during daytime, and towards the exterior at nighttime.MS I House
Mora-Sanvisens Arquitectes Associats, Gabriel Mora i Gramunt, Carmina Sanvisens Montón
The intervention takes place in a building built in 1917, located in one of the few existing pedestrian passages in the upper part of Barcelona. In this passage, an attempt was made to test the compatibility of the English garden city model with the terraced house type. The street façade of this existing architecture has been preserved, and it is undoubtedly the best testimonial reference from the time of construction. When the restoration began, the house was in a dilapidated state, with only its essential structure preserved: façades, load-bearing walls and the Catalan vault staircase. Based on these elements, the interior space was redistributed. In the central corridor, there is the staircase on one side, from which all its surface finishes are changed. On the other side we find the kitchen and a dining room-office which is ventilated and illuminated through a small interior patio and the façade, respectively. In the area facing the garden, the old gallery attached to the façade has been removed. Through a sliding glass window, the living room and the dining room are spatially extended towards the back garden to the porch that closes the opposite end. The bedrooms are located on the ground floor. On the roof, the originally existing volume was restructured again, moving it to the north side to accommodate a swimming pool and a solarium on the south side, and leaving the back space as an auxiliary service roof.Solid Waste Incinerator Plant
Bach-Mora Arquitectes, Jaume Bach i Núñez, Gabriel Mora i Gramunt
Una planta incineradora de residus sòlids urbans és bàsicament una fosa o contenidor amb una àrea de descàrrega, un pont-grua que eleva les restes fins els forns i una sèrie d'elements que permeten extreure energia del procés en forma d'aigua calenta i electricitat. Es planteja, doncs, una distinció entre la part “mecànica” del procés i la “tècnica” de transformació, que treballa amb elements manufacturats –tubs, conductes, generadors, filtres... – dissenyats com un conjunt des de l'enginyeria. En conseqüència, es projecta la primera com una arquitectura de grans caixes cúbiques, i simplement s'ordena i exterioritza el potencial expressiu de la segona. Els materials utilitzats per donar textura als diferents volums cúbics són bàsicament el formigó in situ, els prefabricats de formigó en placa i la planxa de ferro galvanitzat col·locada horizontalment en l'interior del bloc de formigó vist.FAD Award
Finalist. Category: Buildings of new plant for public useExtension of Corachan Clinic (Phase 2)FGC Railway Station: Can Ros
Bach-Mora Arquitectes, Jaume Bach i Núñez, Gabriel Mora i Gramunt
The small stop of Sant Vicenç dels Horts, on the outskirts of the rural town, is in the centre of the city. The line, due to the topography, runs elevated with respect to the historic core and at level with the rear periphery. There has never been more than a platform and an innumerable underpass, low and narrow. The project matches the underground station and the pedestrian crossing. Each of the two tracks bridges the space of the lobby and leaves between them an entrance of natural light that matches the width of the single central platform. The canopy that covers it extends as a cover for this space, which in this way offers a dimension and a character which is appropriate to its public function. To separate the trains from this focus of light and avoid the rain, two cut-out walls are erected as a metaphor for the railway.Terrassa Olympic Stadium
Bach-Mora Arquitectes, Jaume Bach i Núñez, Josep Maria Domènech, Carles Escudé Muncunill, Gabriel Mora i Gramunt
The Abat Marcet sports area in Terrassa, with an extension of about 14ha, had to be remodeled to host the field hockey competitions of the 1992 Summer Olympics. The treatment of the main piece was the origin of the entire intervention. It is an unfinished semi-underground stadium with two levels of stands. The creation of a third level in height is not recommended and it is proposed to bury those that would have been emerging parts so as not to enter into a competition with the neighbouring buildings and the view of the periphery. On the other hand, the main tribune is aired, and the iron structures are distinguished from the concrete ones, pushing back the tension pillar of the main section and obtaining a long and curved "stoa" of fine pillars as a new and emblematic façade. Four high metal lighting towers, counterbalanced by light canopies in unstable balance emphasise the corners. The rest of the areas are treated, consequently, in the same way: modelling of the horizontal space through terraces, walls, passable roofs - such as the entrance to the semi-underground gym -, punctuated by a field of objects such as triangular skylights, lighting towers, large, curved roofs in isolated pieces...FAD Award
Finalist. Category: Architecture - Remodelling and RehabilitationTerrassa Olympic StadiumTelephone Exchange in Vila Olímpica
Bach-Mora Arquitectes, Jaume Bach i Núñez, Gabriel Mora i Gramunt
The Special Plan for the Olympic Village proposes a series of door-to-door buildings, straddling the end of the Eixample and the town's own layout, next to the sea. These are unique buildings not intended for residence but for various activities, such as services. Icària Avenue becomes one of the main commercial areas of the town and has four of these unique buildings. Telefónica's head office is located at the confluence with Joan d’Àustria Street. We have proposed it as the union of two independent bodies, both functionally and aesthetically. They are connected by a bridge over the street and a common basement. The volume of the rectangular floor, practically blind, contains the telephone equipment and machinery, while the elliptical and glazed, the offices. The prismatic body is clad in stone, with a collapsed façade that recedes to get more interior space. The elliptical one is covered with corrugated aluminum sheet, adopting this geometry to achieve slimness, as it has a lower height. The junction above the street contains the communication ramps and a multipurpose rest room with mountain and sea views. The two figures create an interesting formal tension with what these symbolic buildings of the town imply, solving the heavy iconographic problem of a step, bridge or portal and offering a convenient image of a public building.Premis Bonaplata
Menció Especial. Category: Arquitectura - Nova Realització IndustrialSolid Waste Incinerator PlantFAD Award
Finalist. Category: Arquitectura - Edificis de Nova Planta, Obres de Reforma o Rehabilitació d'Edificis ExistentsFGC Railway Station: Sabadell-EstacióComplex of 90 Social Housing Units
Bach-Mora Arquitectes, Jaume Bach i Núñez, Gabriel Mora i Gramunt
The neighbourhood of Torreguitart, which began to be built in the mid-1980s with strictly aligned red brick buildings, had to be completed at one of the main intersections of Sabadell's road belt on which it is supported. The proposal, logically, is based on the continuity of the blocks, but introducing a Z-shaped break, thus freeing the front space, open to the "peripheral disorder" and away from the road crossing and elevated above the traffic, in order to offer greater comfort and visual dominance over the environment. Paved with the same red clay as the façade, it offers itself as a "square" and gateway to the shady "park" at the back. The square is bounded with the road belt by a lower block of light brick houses that fits better in scale and gives an end to the whole set. The regulation of officially protected housing practically prevents any typological variation. Small advances have been made in this project by placing the elevator and entrances on the façade, thus achieving sunny lobbies and landings and a structuring of the home from public rooms to private rooms as we go inside.FGC Railways Central Workshop and Operations Centre
Bach-Mora Arquitectes, Jaume Bach i Núñez, Gabriel Mora i Gramunt
Three large pieces and a small, fixed control core between large landscapes of tracks were the starting point of the operating centre of the Railways of the Generalitat de Catalunya in Rubí, where the workshops and part of the offices are gathered, thus, away from the congestion of the central metropolitan area. It is a large-scale intervention – the large building has more surface area than a block of Cerdà’s Eixample – close to the urban centre of Rubí and the B-30 motorway. The 90x130m workshop building is divided into three main bays, as the need to have three crane bridges made sense for a single bay. Each of them is saved by an identical truss that moves with the curvature of the roof, valued by a continuous zenithal light. This steel ship is surrounded by a two-story precast concrete structure - two different techniques and a possibility to distribute skills, deadlines and jobs. Consequently, concrete slabs and corrugated steel lacquered sheets are also alternated. In one of the test rooms, the dining rooms, the separation spaces or conference rooms are attached to the body of offices with freer forms, all more connected and adapted to the limits of the land, and open with a panoramic window to the vision of the metropolitan mobility of the trains themselves or of the nearby motorways.Extension of the FGC Railway Station: Universitat Autònoma
Bach-Mora Arquitectes, Jaume Bach i Núñez, Gabriel Mora i Gramunt
Confronting the small station of 1984 with a larger and more complex structure necessary for the establishment of the double line (the initial cul-de-sac disappears) represents an important conceptual difficulty. The existing station had been conceived as a wall parallel to the train tracks that presented, on each of its sides, two well-differentiated episodes: the light canopy, suspended from the wall itself by cables, and the compact body in the one that opened the large, lowered access arch and that contained the station's offices. In the new approach, the idea of the wall and the canopy is maintained, but with a different formalisation to the first project. The new station is conceived as a large nave with a single light saved by visible beams of a special profile that go beyond the closure of the main façade, thus allowing an external transitional space in the access to the station. These beams bifurcate a little before crossing the wall that separates the platform and support the canopy that covers it. As was the case in the first station, in the areas of the wall where there are no buildings, the canopy bar braces are offset by buttresses. A light curved metal cover, which goes over the enclosures and the wall itself, envelops the whole complex.FGC Railway Station: Sabadell-Estació
Bach-Mora Arquitectes, Jaume Bach i Núñez, Gabriel Mora i Gramunt
The FGC line is buried when it reaches the Sabadell station. The old building, which follows the pure Catalan railway style, is poorly located on a site scattered with various building types (and largely sunk by the trench of the line itself), and it left almost no space for any trees or for the carriage entrance, now converted into a car park. The covering of the trench and the location of the new station at the closest point of the perimeter streets proposed by the project makes it possible to largely eliminate the railway barrier, by means of the pedestrian crossing. The station, similar in volume to its context, is located on the axis of the two streets it joins. It is clearly visible, as well as from the bottom of the proposed park & ride. The building is structured in red and ochre brick walls and wide horizontal concrete planes. Protected spaces are offered, suitable for the crossing of traffic and, at the same time, they frame the adjacent buildings or the scattered flow of nearby trains and motorways. The jump between the upper entrance – the hall opens visually towards the platforms – and the platforms has also been made horizontally from the wide glass structure finished in a concrete lintel, supported by a pillar tree. Thus, a certain monumentality can be distinguished in the underground entrance of the train, opposite the more extended side of the car park canopy.Casa MS II
Mora-Sanvisens Arquitectes Associats, Gabriel Mora i Gramunt, Carmina Sanvisens Montón
La reforma consisteix a convertir dos apartaments en un de sol de 80 m2 per habitatge de segona residència. Aquests dos apartaments estan situats en un edifici de 50 apartaments fets als anys 70 per alguns components de l’Estudi PER. Els elements bàsics a l’hora de plantejarse l’actuació, que es considerava que s’havien de preservar, són els següents: les parets estructurals fetes amb gero de 15, deixades vistes i pintades de blanc, formen dues crugies de 4mx9m amb una forma esbiaixada als extrems. Aquestes dues crugies formen una unitat dins el grup d’apartaments i estan separats pels costats dels altres apartaments per uns patis d’il·luminació i ventilació de 50cm d’amplada. Un altre element important és la meravellosa vista cap al poble de Cadaqués i el mar, a través d’uns grans finestrals. Totes les divisions interiors i els terres són fets de fusta contraxapada tipus “Permali”. Les portes, del mateix material, són totes corredisses i permeten unificar o dividir els espais a conveniència. Tot l’habitatge està altament equipada i tecnificada, cosa que permet utilitzar-la indistintament a l’hivern i a l’estiu.Premis Bonaplata
Award-Winner / Winner. Category: Arquitectura - Nova Realització IndustrialFGC Railways Central Workshop and Operations CentreMollet del Vallès Secondary School
Bach-Mora Arquitectes, Jaume Bach i Núñez, Gabriel Mora i Gramunt
Located at the end of a newly created neighbourhood with a very regular layout and architecture, the new school complex is organised around three courtyards that adapt to the terrain and have different functions and characters. The first is the entrance with access below the bridge structure of the library. The most public parts open to its surroundings: meeting room, library and gym. The second is the central courtyard, quiet and enclosed. The last one, more open, welcomes the surrounding landscape and vegetation. The playground and the entrance separate the large and close group of houses, so that the main corridor is located on the façade, behind a brick wall with small openings. The walls that are orthogonal to it are treated with galvanised iron sheet, placed horizontally to achieve the effect of lightness.FAD Award
Finalist. Category: Interiorisme - Obres de Decoració d'Espais InteriorsCasa MS IIFAD Award
Finalist. Category: Arquitectura - Edificis de Nova Planta, Obres de Reforma o Rehabilitació d'Edificis ExistentsMollet del Vallès Secondary SchoolRamon Fuster School (Phase 1)
Bach-Mora Arquitectes, Jaume Bach i Núñez, Gabriel Mora i Gramunt
The school developed its activities in a small group of towers adjacent to the garden city of Bellaterra. The parents' association, when deciding to build a new plant, proposed a similar model. The project envisages three independent buildings intended, respectively, for primary education, secondary education and services. Each of them is developed in three floors in height, united in its gravity centre by an external passage attached to the retaining wall of the street. They have their own access. Of the proposed buildings, only one is built in the first phase. The following phases would be built by the MORA-SANVISENS Arquitectes Associats studio.Fleming Block
Bach-Mora Arquitectes, Jaume Bach i Núñez, Gabriel Mora i Gramunt
The main objective is to project three prismatic volumes of elementary volumetry; the first is rectangular and the other two are square. These volumes harmonise with the buildings and typology of the area, which is of isolated buildings, generating a visual permeability, especially in the Ronda del General Mitre. The interior of the building (roof of the multi-cinema rooms) is treated as a garden area for private use and the depressed square frames and relates the buildings in the corner. The façades, very relevant elements, present two discontinuous forms, sunny with large sliding shutters that make them continuously changing and those facing the noisy belt and the north, more blind and tectonic.Sinel Factory Building
Bach-Mora Arquitectes, Jaume Bach i Núñez, Gabriel Mora i Gramunt
The complex includes: the manufacturing warehouses, the 16m high logistics warehouses, the factory's own offices and those belonging to the holding company (located on the first floor), in addition to an isolated building that contains the changing rooms and the canteen. The offices wrap around the factory building, are located facing a forest with magnificent views and form a two-level T, creating a large entrance porch to the complex. The building has a metal structure. As for the closing materials, they are prefabricated concrete slabs in the factory area and sheet metal in the offices. The complex is dedicated to the production of industrial labels. It contains two companies: Caposa and Sinel. They share manufacturing facilities and offices. The spaces, therefore, had to be organised dynamically to allow a certain flexibility, especially for the future.Ramon Fuster School (Phases 2, 3, 4)
Mora-Sanvisens Arquitectes Associats, Gabriel Mora i Gramunt, Carmina Sanvisens Montón
The complex, located on a steep slope, consists of three buildings. The one to the north, carried out by the BACH-MORA Arquitectes studio, was done some time ago, and the project continues the initial approach. Therefore, two more buildings are built that follow the volumes and ideas of the original project, modifying it in order to respond to the current needs of the school. Together, the three buildings express three stages of education (kindergarten, primary and secondary), communicating with each other through a walkway at level -1, which acts as terraces on the outside, porches, of outdoor study place, etc. On this level there are also the common services, and it is the exit level to go to the dining room, the gym, etc. The three buildings create between them, on level -2, the playing spaces or multi-sports courts. Each building has its own space and porch. The buildings formally express, within a unit of materials and forms, their specific internal functions, based on the variation within the same typology. The school group follows the pedagogical line marked by Ramon Fuster, in which architecture must express the evaluation of teaching: boys and girls must experience their educational progression through spatial changes. The school's other philosophy is to live nature (to enjoy the weather: the sun and the rain, the cold and the heat).FAD Award
NominatedSinel Factory BuildingFAD Award
Finalist. Category: ArchitectureFleming BlockGymnasium for the Frederic Mistral-Tècnic Eulàlia School
Mora-Sanvisens Arquitectes Associats, Gabriel Mora i Gramunt, Carmina Sanvisens Montón
The multi-sports building, which contains a children's gymnasium and changing rooms, was placed under the existing sports courts while taking advantage of the strong unevenness of the lot, as it had to be buried due to reasons defined in the Special Plan. A north-facing façade is created, through which the building receives light, accesses to different levels of the building and an independent entrance on Foix Avenue.Ramon Fuster School (phase 3)
Mora-Sanvisens Arquitectes Associats, Gabriel Mora i Gramunt, Carmina Sanvisens Montón
The complex, located on a steep slope, consists of three buildings. The building located in the north side, carried out by the BACH-MORA Arquitectes studio, was done some time ago. The project continues the initial approach. Therefore, two more buildings are built that follow the volumes and ideas of the original project, modifying it in order to respond to the current needs of the school. The three buildings, together, express three stages of education (kindergarten, primary and secondary), communicating with each other through a walkway at level -1, which acts as terraces on the outside, porches, of outdoor study place, etc. On this level there are also the common services, and it is the exit level to go to the dining room, the gym, etc. On level – 2, the three buildings create the playing spaces and multi-sports courts. Each building has its own space and porch. The buildings formally express, within a unit of materials and forms, their specific internal functions, based on the variation within the same typology. The school group follows the pedagogical line marked by Ramon Fuster, in which architecture must express the evaluation of teaching: boys and girls must experience their educational progression through spatial changes. The school's other philosophy is to live nature (enjoy the weather: the sun and the rain, the cold and the heat).Line 4 Metro Station: El Maresme-Fòrum
Mora-Sanvisens Arquitectes Associats, Gabriel Mora i Gramunt, Carmina Sanvisens Montón
This station belongs to the layout of the L4 line, existing and in operation. The work was carried out in the open air and with great construction difficulties, as it had to be compatible with the movement of the trains. The initial project was structured from its section and consisted of placing the installation and ventilation gallery under the platforms, leaving the structure that covers the station free. For economic reasons and work deadlines, a second project was carried out which, despite reducing both the cost of the structure and the construction time, forced the ventilation of the station to pass through the roof, masking the clarity of the main section. This change forced us to rethink the initial design, projecting an intermediate roof over the platforms for the passage of facilities (electricity, ventilation, signaling and telecommunications). This roof consists of structures that support metal trays to serve as a filter and, at the same time, as a diffusive screen for the lighting of the platforms, leaving, in the background, the air renewal facilities. The appropriate decision of the material, the design and the corresponding relationships become the key to the project. The structure is of screen walls, with the platform covered by large, prefabricated beams of post-stressed concrete. The ceilings are covered with metal mesh ceilings joining the reception spaces (lobbies) and circulation (corridors and platforms), this continuous mesh filters the light, hides the installations and serves as a support for signage. The covering of the screen walls in halls and corridors are 20x100cm pieces of granite supported with metal elements. On the platforms the structural screens are clad with precast concrete slabs of 126 x 300 placed vertically. The areas where the cladding module cannot be applied, such as the spaces intended for lifts and stairs, are made of stainless-steel sheet. The functional objects - lockers, bins, signage and lifts - are unified by using glass and stainless steel in their design. The benches on the platforms are 60x200cm prefabricated concrete pieces supported on iron profiles. The entire station is designed so that the materials and the design of the spaces have maximum durability and safety, avoiding degradation and enhancing the mobility and accessibility of all types of passengers.MPS House
Mora-Sanvisens Arquitectes Associats, Gabriel Mora i Gramunt, Carmina Sanvisens Montón
La casa es troba al Ros, una de les cales que conformen la gran badia de Cadaqués. Situada davant de mar, a primera filera, i aixecada respecte del passeig de la riba, just per no veure els cotxes i els vianants. Urbanísticament, encara que a prop del casc antic, té una qualificació d'edificació aïllada. La parcel·la és petita, d'uns 480m2, amb una orientació sud-oest. L'edificació és un volum compacte de geometria simple com moltes altres construccions de Cadaqués. A aquest volum se li afegeixen elements lleugers: pèrgoles, tendals, persianes, branes i emmarcats de finestres que protegeixen de la intensa llum i li donen la textura de les ombres. El volum de la casa és esglaonat per l'aplicació de l'ordenança municipal que obliga a retardar la planta pis, recolzant-se sobre unes plataformes o bancals que baixen cap al mar. La coberta està en contrapendent per a donar més alçada a la façana de mar que recull la pèrgola de la planta pis. En la primera plataforma hi ha la zona d'estar-menjador; en la segona, la piscina; i en l’ última, el jardí. Des de la planta primera es veu el conjunt de plans esglaonats que, juntament amb el mar, formen un patchwork de colors i materials diferents. La piscina es desplaça del centre de la parcel·la ocupant un espai lateral entre la casa i el carrer, distorsionant així la seva simetria frontal. L’accés es produeix pel carrer lateral. L'entrada principal s’obre amb una gran vidriera que mostra l'escala que vincula les plantes i dóna llum al soterrani. S'ha donat accés al mar a través d'un conjunt d'escales que van comunicant les plataformes i tenen continuïtat fins a la terrassa de la planta pis. La continuïtat entre l'interior i l'exterior en la façana principal és reafirmada per la unitat del terra amb una pedra caliça de color verd-grisós que es confon amb el mar. Les parets interiors perimetrals són de totxo pintat per tal de donar una textura similar a les construccions antigues de pedra encalada. L'altre material és la fusta de taulell marí amb què es revesteixen els interiors, les divisions, els mobles i els sostres que volen recordar el confort dels camarots dels vaixells.PS House
Mora-Sanvisens Arquitectes Associats, Gabriel Mora i Gramunt, Carmina Sanvisens Montón
La casa projectada és un volum elemental prismàtic, de dues plantes, amb coberta a dues aigües, empotrat a la pendent del terreny i orientat a sud i a les vistes. Degut a la seva llargària es divideix en dos cossos sota la mateixa coberta, separats per un porxo on es situa l'entrada, en planta baixa. A la planta pis es converteix en una galeria de distribució cap a la zona de dormitoris dels fills o la sala d’estar i apartament dels pares. Aquesta galeria fa, a la vegada, de vestíbul i zona de relax. La casa es construeix amb materials de la zona seguint les estrictes ordenances municipals. La coberta és de teula àrab i les parets de pedra seca i fusta. L'estructura de la casa és, en planta baixa, de pilars i llosa de formigó vist i, en la planta pis, de pilars i coberta d’encavallades, ambdós de fusta, que es converteixen en protagonistes espaials de l'interior de l'habitatge.Vehí House
Mora-Sanvisens Arquitectes Associats, Gabriel Mora i Gramunt, Carmina Sanvisens Montón
En el paratge de s'Alqueria, a Cadaqués, les ordenances són tan restrictives que condicionen tot tipus d'arquitectura. Les edificacions tan sols poden tenir una planta, la coberta ha d'ésser inclinada i amb teula i les parets han d’estar revestides o construïdes en pedra local. Aquestes mesures, que en principi s'estableixen per garantir l'èxit de la integració de les edificacions en el paisatge, no aconsegueixen el seu propòsit, perquè la qualitat arquitectònica, que és el que domina, es independent d’aquestes tres condicions establertes. L’habitatge projectat s’adapta a aquestes mesures proposant tres volums coberts amb una sola pendent, formant dos d'ells una ‘L’ orientada a sud, oberta a les vistes de la cala de s'Alqueria i protegida del vent de tramuntana que bufa del nord. Aquests tres volums recullen un seguit de tres espais: un d'entrada a l'habitatge, on es converteix en porxo pels vehicles; el segon, obert a sud, abraça unes plataformes a diferents nivells a les que s’inclou la piscina; i el tercer, a un nivell més baix, es l'entrada als serveis i al garatge soterrat.Extension and Remodelling of Caritat Serinyana Primary School
Mora-Sanvisens Arquitectes Associats, Gabriel Mora i Gramunt, Carmina Sanvisens Montón
Entrant a Cadaqués, a la riba esquerra i fent front a la vila Vella, es troba l’Escola Caritat Serinyana, edifici construït el 1924 d’estil clàssic d’influència francesa. Cap als anys 80 es realitza una reeixida ampliació amb el nou ordre arquitectònic; una franja blanca allargada. L’última operació consisteix en la segona i definitiva ampliació de l’escola Primària i la nova creació de l’Institut de Secundaria amb els corresponents espais comuns; menjador, sala polivalent, vestidors, administració, etc. i també la ubicació de tres pistes esportives. Aquest conjunt escolar actual representa un augment de superfície important, de més de 4.200m2, un fort impacte per la imatge fragmentada de petit gra que caracteritza la morfologia constructiva de la vila. La nova proposa són unes edificacions lineals i esglaonades en tres nivells amb un llenguatge neutre, emprant la pedra, extreta de la mateixa obra, evocant les “bancades o travesses” agrícoles, característiques del paisatge de Cadaqués que s’adapten perfectament a la topografia del terreny i es mimetitzen amb ell. L’edifici lineal resultant té una longitud de 150m i el conformen exclusivament els espais de les aules, que s’agrupen de dos en dos formant a la vegada una estructura fragmentada que ressalta l’abstracció geomètrica, evitant la monotonia. Sobre els tres nivells i ha amb contacte amb el terreny rocós es situen les pistes esportives separades per les edificacions que contenen els serveis comuns. Les edificacions són d’estructura de formigó deixat vist i els tancaments de pedra extreta de la mateixa obra i executada en sec com es feia antigament. El resultat és un gran conjunt d’edificis que respecten la memòria i harmonitzen amb el lloc; edificis negres que fan un esforç per trobar la mida adequada, per desaparèixer educadament davant de l’esclat blanc de Cadaqués.Esteve Paluzie Library and Constitució Square
Mora-Sanvisens Arquitectes Associats, Josep Emili Hernández-Cros, Gabriel Mora i Gramunt, Carmina Sanvisens Montón
The building is located in the northern part of Plaça de la Constitució, on the axis with the Dr. Moragues Avenue and slightly moved to one side to suggest and connect the passage towards Estoril and Nàpols Streets, on the other side of the future 'Interpolar'. The building, structured in three staggered floors, from the basement to the first floor, creates a large overhang in the connection area between the two neighbourhoods. A large part of the library is planned to be underground to take advantage of the maximum surface area of the square and to minimise the volumetric impact on the current constructions in the area. This basement is ventilated and lit by a patio with fully glazed walls and covered with a pergola with adjustable slats to filter the light. The patio also illuminates part of the floor, which has already undergone displacement, giving access to the square. This lighting mechanism culminates on the second floor. The courtyard of light creates a fissure along the entire building; on the other hand, the building is very closed in its perimeter façades. The entire ground floor of the library is organised in such a way that it is accessible and permeable to the circulation of users. At one end is the bar-cafeteria and the exhibition hall, connected to the library, which can be used independently of it. The main access is open towards the square and has the information and reference spaces, the general background area, music, image and computerised consultation spaces, which are also located on the ground floor. In the basement there is the rest of the general background area, support spaces, study space, multimedia space and storage room, tanks and installations. On the ground floor is the children's area and the internal work area. The children's area space is connected to the patio-garden with a covered porch. The structure is made of reinforced concrete bearing walls and pillars. The façade is made of granite.Lines 9 and 10 Metro Station: La Sagrera
Mora-Sanvisens Arquitectes Associats, Gabriel Mora i Gramunt, Carmina Sanvisens Montón
The Generalitat de Catalunya is currently carrying out the infrastructure works for the tunnel and stations of the new L9-L10 Metro line. On behalf of GISA, the interior conditioning and access project for La Sagrera station L9-L10 is being drawn up. The intervention focuses on the station's own facilities project and the treatment of the interiors in relation to enclosures and partitions, pavements, coverings, low ceilings, design of the elements of the platform and forecasting the location of the elements of toll and sales and signaling equipment according to specific project prescriptions for L4 and, temporarily, L9. The main characteristic of this station is the depth at which the platform is with respect to the access points (approx. 37m). This condition has defined the geometry of both the station and the way to access the platform. Access is from the main lobby of the L5, so the scope of the project begins directly inside the station. The lateral vertical walls of the different floors are covered with retro-illuminated panels and stainless steel; on the other hand, the front wall with respect to the escalators that give access to the platforms is reserved for a composition of Trespa panels in different colours by the artist Pere Bellès. The flat ceiling of the main lobby is projected from a grid of metal profiles that differentiates this floor from the rest with a flat ceiling of prefabricated stainless-steel panels. The platforms are covered with prefabricated Trespa panels arranged in the form of scales.Ramon Fuster School (phase 4)
Mora-Sanvisens Arquitectes Associats, Gabriel Mora i Gramunt, Carmina Sanvisens Montón
The Ramon Fuster School is built by a set of three isolated buildings, joined by a common walkway, which were placed in stages between 1992 and 2000; now a fourth building is being built to house the secondary education classroom, an assembly hall, a gymnasium and, on the roof, a new multi-sports court. The new extension is located in a wooded area with a steep slope and separated from the complex by a vehicle access ramp. Morphologically, it is treated as a formally different building, since it does not have a metal roof like the other buildings, and it has a more elementary shape due to the location of the covered track. The volume is clad in vertical minion sheet of dark grey, almost black, scraping an opposite image and integrated with the forest.New FGC Railway Stations: Vallparadís Universitat, Terrassa, Terrassa Nacions Unides
Mora-Sanvisens Arquitectes Associats, Gabriel Mora i Gramunt, Carmina Sanvisens Montón
Commissioned by Infraestructures.cat, the project for the extension of the Generalitat de Catalunya Railways in Terrassa for the stations of Vallparadís Universitat, Terrassa Estació del Nord, Terrassa Naciones Unides, in addition to the rehabilitation of the Terrassa Rambla station, is being drafted, as well as emergency exits and tunnels. The main characteristic of these stations is that they are all buried at a depth of 20-26m and, on the surface of streets or parks, only the access aedicule, emergency exits and ventilation elements emerge. The stations are carried out in two phases. In the first, carried out by the engineering departments, it foresees the civil works infrastructure of the tunnel, as well as the structure and volume of the stations. These are large underground rectangular buildings, with several floors and with different uses depending on the station: tertiary, parking floors and facilities areas, in addition to FGC lobbies and platforms. In the second phase, the conditioning of the stations is carried out. The interventions focus on the installation project and the treatment of the interiors in relation to enclosures and partitions, floors, coverings, ceilings, design of elements in halls and platforms and location of equipment elements, tolls, sales and signaling for FGC. In the resulting design of these stations, although in very different situations and requirements in each one, an attempt has been made to give a common and integrating image - both in lobbies and on platforms - so that the traveler, upon entering the premises and moving for its interiors, perceives a unity of materials and finishes, with slight differences in the identifying colours of each station and in the adaptation of the constructive solutions due to the different characteristics of each station.FGC Industrial Unit-Museum of Historical Material
AMOO (Aureli Mora + Omar Ornaque), Mora-Sanvisens Arquitectes Associats, Gabriel Mora i Gramunt, Aureli Mora Sanvisens, Omar Ornaque Mor, Carmina Sanvisens Montón
This is a large-scale expansion intervention of the workshop building and main building of the FGC Operational Centre in Rubí with three main objectives: - To cover the old road of dynamic tests for storage and museumisation of various historical units. - To provide a new façade and image to the access street to the centre, while giving greater privacy to the homes in the nearest suburban core. - To act as an exhibitor of the historical units towards the car park and access to the centre's offices. The scale of the workshop and office building - with a larger surface area than a block of the Cerdà plan - and the length of the dynamic test track to be covered, required a forceful and symbolic intervention, which at the same time give material and volumetric continuity to the centre and provide a contemporary image in tune with the institution's current requirements. A long structure is projected adjacent to the workshop building of 173.00m in length and continuous section in the form of an arch that avoids the problem of distinguishing between façade and roof and that, resting on the existing concrete wall that delimits the perimeter from the centre and formally separating from the workshop building, it creates an optimal transition between the existing curved and inclined roofs and the street, towards which it becomes the new image. This structure is clad on the outside with continuous smooth sheet metal with a tab joint, avoiding any joint in section and providing a continuous rhythm along the entire length of the new ship, only interrupted by the emergency staircase - an expressly unique volume, exempt from the main structure— and by the spelling of large corporate letters that subtly present the institution and mark the main access. Inside, this structure is presented in a rational and completely naked way, enhancing its tectonic beauty and marking a constant rhythm that is surprising for its length. The inner lining of the arched enclosure is also made of sheet metal - this grooved, indented, micro-perforated and arranged over large thicknesses of thermal and acoustic insulation - in order to minimise internal reverberation and acoustic pollution towards the outside, in case of specific movement of historical units. When you reach the main entrance to the centre, the new nave opens up towards the offices through a large, glazed façade from top to bottom that allows you to observe the historical units from the outside, like a great heritage showcase. This façade disintegrates into a lower, irregular volume when it reaches the end of the unit, highlighting its access through a double pillar and revealing part of the inner face of the arched roof. This decomposed and lighter end of the main unit adapts kindlier to the set of elements of the main entrance to the centre and still allows a glimpse of the original workshop space from the street. In short, a large and forceful infrastructural intervention that strengthens the railway image of the centre by means of its extensive length and makes it possible to extend the useful life of one of the most unique sets of FGC.Premis Bonaplata
Award-Winner / Winner. Category: Béns MoblesFGC Industrial Unit-Museum of Historical MaterialBibliography (68)
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