El Born Market is a key part of the urbanisation plan that gave rise to Ciutadella Park when it was demolished in the mid-19th century. A series of long and narrow islands are arranged parallel to the direction of the park and deliver it against the Ribera district. The heart of the intervention is a public square flanked by Mercat del Born (Barcelona's wholesale market). The original market was conceived as a covered square with a very light roof, the work of Josep Maria Cornet i Mas. This roof has the shape of a cross inscribed on the perimeter of the market, formed by asymmetrical gabled arms with skylights on the ridge, raised in relation to other groups of identical roofs. There is an octagonal dome with a lantern in the cross. The enclosures of the market are opaque up to half height and remain covered (as are the jumps between roofs) by a metal blind, almost a mesh, which introduces a nuanced, almost religious light. The market was abandoned in 1971 and survives abandoned during the Olympic Games. When, finally, it was intended to house the Provincial Library of Barcelona, its architects, Enric Sòria and Rafael de Cáceres, found the remains of the old neighbourhood of La Ribera in an optimal state of conservation. Currently, the building is still under construction to house part of the Museum of the History of the City which will deal with the preservation of these ruins under the structure of the archaeologically restored market. The new intervention has perimeter platforms that will allow a view of the ruins while keeping the space of the roundabout intact. The museum programme will be housed in cubicles arranged in the square. The entire intervention will be public and will restore the character of a square that Mediterranean markets have.

The Sant Antoni market is located outside the gate of the wall that bore its name, on a spontaneous market that exists outside the walls and adjacent to what used to be the Madrid road (now Mistral Avenue). Rovira i Trias, who lost the competition for the Eixample district in Barcelona, takes over Ildefons Cerdà’s winning proposal by arranging, in the middle of the whole square that the market occupies, a dome in the form of a covered square, designed in collaboration with Josep M. Cornet i Mas and with analogous dimensions to those of a junction of the Eixample. Four symmetrical pavilions face the chamfers, as arranging them turned ninety degrees from the direction of the streets (i.e., diagonally) allows them to reach the maximum inscribable length on a square. The perimeter of the square is closed and the spaces between the fence and the façades of the market are treated as yards for unloading goods. Leaning on this perimeter fence, a perimeter canopy is set up where a well-known foreign market takes place. There you can find everything on Sunday mornings, and it is a sight to behold and a place to take in the city. The refurbishment has two underground floors under the archeologically restored market, with the refurbished stalls. Excavations for the site have uncovered remains of the bastion of the wall, which have been incorporated into the project. It demolishes the perimeter fence, preserving the canopy to open the old courtyards of goods and turn them into public squares. One of these depresses an entire floor to allow access to the remains of the bastion and becomes an access to a new commercial plinth. The refurbishment will show the whole of the perfectly restored old market and will value its side façades, which were initially closed, a service architecture that has been dignified over the years. The new architecture will strengthen the civic character and, at the same time, enhance the historical memory of the place.

Edifici situat al nucli més antic de Sitges, al costat de la Casa de la Vila. Es tracta d'una construcció d'una sola nau amb coberta a dues vessants. La façana de maó vist , és de composició simètrica i presenta com a element més remarcable la marquesina de ferro de l'entrada. En el seu origen , el mercat era aïllat; posteriorment es va afegir un nou cos que el va unir amb altres edificacions. L'edifici del mercat de Sitges, primera construcció en ferro de la vila. Va ser projectat i L'edifici del mercat de Sitges, primera construcció en ferro de la vila. Va ser projectat i dirigit per l'arquitecte municipal Gaietà Buigas i Monravà , i es la primera obra sitgeriana L'edifici del mercat de Sitges, primera construcció en ferro de la vila. Va ser projectat i d'aquest arquitecte. Els plànols daten de l'any 1889. La subhasta de les obres fou adjudicada a Pere Ferran per 24.700 ptas. La inauguració oficial del mercat és va fer el 15 d'agost del 1890. De l'any 1891 es conserven encara els dibuixos originals de la marquesina de ferro colat de l'entrada, realitzats també per Gaietà Buïgas. L'any 1935 s'hi van fer obres d'engrandiment

Civil construction with a longitudinal rectangular plan covered by a flat roof, in the centre of which a barrel vault that occupies its entire length rises. It consists of a central corridor and a row of sales stalls on each side, and on the outside there are also stops. The stalls are separated by cast iron columns that support the roof. The set stands out especially for its vault, which also serves as ventilation once the stalls are closed. The front façades and the plinth of the building are clad in marble, and the interior of the building is decorated with glazed ceramics with tiles that form stripes of colours that make it more noticeable. The market was designed by the architect from Mataró Emili Cabanyes, and opened on the 5th of June, 1892. A year later, Josep Puig i Cadafalch designed and executed the remodelling of the roof, which gave its current appearance. In 1979, it was restored by the architects Isidre Molsosa and Montserrat Torres. It is a very characteristic building in Mataró which receives the popular name of "the train" due to its elongated shape. For the same reason, it is also popularly known as "the line" or "the tram".

The Meat Market is located in Plaça de l'Oli, in the corner with Plaça de la Vall del Castell. It is a public building between partitions consisting of a ground floor under an Arabic tile roof. The windows are lowered arches and the entrance portals are semi-circular arches. The composition is symmetrical, the language used in the work is eclectic and the material used is exposed brick. The market was built in 1882 on the site where the Old Theatre (built in 1817, with a capacity for around six hundred people) had been demolished in 1873. This Municipal Theatre occupied part of Plaça de l'Oli, and when the market was built, this space was recovered.

Public building with a single nave and between partitions. It is on the corner with Muralla dels Vellets Street. It has an Arabic tile roof which is a pavilion with a lantern. There are two accesses to the chamfers, with steps. The walls are ordered by horizontal and vertical bands of exposed brick, a material also used in the door and windowsills. The project for the Chicken and Giblets Market, carried out by the architect Santiago Güell, was presented on September 25, 1911. In 1912, the auction for the building was held and in December 1913 it was officially inaugurated. It houses the Archive and the House-Museum of the Festa Major de Vilafranca.

El mercat central de Tarragona va ser construït originalment en una zona despoblada de l’eixample. Té una superfície de 2.400 metres quadrats i ocupa una sola planta. La nau central està coberta per una gran volta de fibrociment. Les cantonades i els centres de les façanes queden ressaltats per unes grans obertures que permeten l’entrada de llum natural a través d’unes grans persianes. L’estructura, que queda vista a l’interior, és de columnes de forja i cintres metàl·liques. Pujol de Barberà concep l’edifici aplicant-hi la inventiva pròpia dels nous corrents modernistes, si bé amb la contenció historicista pròpia de la seva condició de restaurador.

Large exposed brick and stone construction, with a staircase and a curved entrance porch. Deck with iron horses. Interior of a single nave divided into three streets - as many as entrance doors - to facilitate the compartmentalisation of the stops. In the centre, where Carrer de les Margarides would cross the premises, the fish stalls are set up in a roundabout. The side windows provide lighting. Large central window on the façade at floor level, above the porch. Ornamentation with tiles and mouldings on the stone elements located on the plinth, at the beginning of the entrance arches and on the pinnacles. Postmodernist work. It is located in a central place in La Riera, near the church square, it stands out from the whole because of its size and the empty porch, despite following the same façade alignment of the neighbouring houses. In recent years, the municipal broadcasting station was installed on the empty porch, on the first floor.

The market consists of the semi-basement floor, which houses the warehouse, and the ground floor, with the market, accessible from four points located at the corners (one of which is crowned by a dome). The roof is made up of different inclined planes that leave openings between them that illuminate the interior. The market was carefully designed: the project envisaged the different types of stalls according to their use (fruit, meat or fish) and their location, as well as the different elements that made them up (cladding, lights, numbering, stands, etc.). The interior has undergone a progressive process of transformation, losing its original unitary character. Work began in November 1928 on the so-called "Pla de Sang". This site was the one envisaged by J. Renom-Manich's "Pla de Reforma i Eixample".