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In this first stage, the catalogue focuses on the modern and contemporary architecture designed and built between 1832 –year of construction of the first industrial chimney in Barcelona that we establish as the beginning of modernity– until today.
The project is born to make the architecture more accessible both to professionals and to the citizens through a website that is going to be updated and extended. Contemporary works of greater general interest will be incorporated, always with a necessary historical perspective, while gradually adding works from our past, with the ambitious objective of understanding a greater documented period.
The collection feeds from multiple sources, mainly from the generosity of architectural and photographic studios, as well as the large amount of excellent historical and reference editorial projects, such as architectural guides, magazines, monographs and other publications. It also takes into consideration all the reference sources from the various branches and associated entities with the COAC and other collaborating entities related to the architectural and design fields, in its maximum spectrum.
Special mention should be made of the incorporation of vast documentation from the COAC Historical Archive which, thanks to its documental richness, provides a large amount of valuable –and in some cases unpublished– graphic documentation.
The rigour and criteria for selection of the works has been stablished by a Documental Commission, formed by the COAC’s Culture Spokesperson, the director of the COAC Historical Archive, the directors of the COAC Digital Archive, and professionals and other external experts from all the territorial sections that look after to offer a transversal view of the current and past architectural landscape around the territory.
The determination of this project is to become the largest digital collection about Catalan architecture; a key tool of exemplar information and documentation about architecture, which turns into a local and international referent, for the way to explain and show the architectural heritage of a territory.
Aureli Mora i Omar Ornaque Directors arquitecturacatalana.cat
credits
About us
Project by:
Created by:
Directors:
2019-2024Aureli Mora i Omar Ornaque
Documental Commission:
2019-2024 Ramon FauraCarolina B. GarciaEduard CallísFrancesc RafatPau Albert Antoni López DaufíJoan FalguerasMercè BoschJaume FarrenyAnton PàmiesJuan Manuel ZaguirreJosep FerrandoFernando MarzáMoisés PuenteAureli MoraOmar Ornaque
Collaborators:
2019-2024Lluis AndreuSergi BallesterMaria Jesús QuinteroLucía M. VillodresMontse Viu
External Collaborators:
2019-2024Helena CepedaInès Martinel
With the support of:
Generalitat de Catalunya. Departament de Cultura
Collaborating Entities:
ArquinFAD
Fundació Mies van der Rohe
Fundación DOCOMOMO Ibérico
Basílica de la Sagrada Família
Museu del Disseny de Barcelona
Fomento
AMB
EINA Centre Universitari de Disseny i Art de Barcelona
We kindly invite you to help us improve the dissemination of Catalan architecture through this space. Here you can propose works and provide or amend information on authors, photographers and their work, along with adding comments. The Documentary Commission will analyze all data.
Please do only fill in the fields you deem necessary to add or amend the information.
The Arxiu Històric del Col·legi d'Arquitectes de Catalunya is one of the most important documentation centers in Europe, which houses the professional collections of more than 180 architects whose work is fundamental to understanding the history of Catalan architecture.
By filling this form, you can request digital copies of the documents for which the Arxiu Històric del Col·legi d'Arquitectes de Catalunya manages the exploitation of the author's rights, as well as those in the public domain.
Once the application has been made, the Arxiu Històric del Col·legi d'Arquitectes de Catalunya will send you an approximate budget, which varies in terms of each use and purpose.
Both buildings define the same urban front on Barcelona’s Nova Icària Avenue. The façade follows the streets’ alignments and is projected as a sum of formally equal units which are joined together by the stairs’ bodies, thus emphasising the vertical rhythm of the composition. On both sides of Àvila Street – and to reinforce the idea of a unitary front – the buildings are as close to each other as possible, leaving porches on the ground floor that make way to the interior of the island. In this interior, the façades are defined by large galleries that filter and relate the houses to the gardens. Due to the urban conditions resulting from the confluence between Icària Avenue and Bogatell Avenue, the building receives a unique treatment at this point. The adaptability of the plant to the various needs of the users is given by the orderly and regular arrangement of pillars and openings, the use of drywall in interior divisions, and the existence of alternative circulation through the outer gallery. The fact that the services and kitchens are concentrated and that the bedrooms are aligned gives a clear flexibility to the house’s uses.
Urban planning of an area of 79 Ha. for the Olympic Village of Barcelona 1992 with 2,500 homes. Transformation of the seafront including 107,200 m2 of parks and 130,000 m2 for the Olympic Port’s facilities (739 moorings). MBM's work on this project consisted mainly of the urban design of the entire sector, as well as the authorship of some apartment buildings, the Litoral Park and the Olympic Port, which includes the Port's reception building (Port Authority) and the Municipal Sailing School. MBM was also in charge of supervising the 32 projects of the other architects' housing buildings and of coordinating all the architectural, landscaping and engineering work, including the expressways, the railway line, the metro and the infrastructure.
Both buildings define the same urban front on Barcelona’s Nova Icària Avenue. The façade follows the streets’ alignments and is projected as a sum of formally equal units which are joined together by the stairs’ bodies, thus emphasising the vertical rhythm of the composition. On both sides of Àvila Street – and to reinforce the idea of a unitary front – the buildings are as close to each other as possible, leaving porches on the ground floor that make way to the interior of the island. In this interior, the façades are defined by large galleries that filter and relate the houses to the gardens. Due to the urban conditions resulting from the confluence between Icària Avenue and Bogatell Avenue, the building receives a unique treatment at this point. The adaptability of the plant to the various needs of the users is given by the orderly and regular arrangement of pillars and openings, the use of drywall in interior divisions, and the existence of alternative circulation through the outer gallery. The fact that the services and kitchens are concentrated and that the bedrooms are aligned gives a clear flexibility to the house’s uses.
Ajuda’ns a millorar el web i el seu contingut. Proposa’ns obres, aporta o esmena informació sobre obres, autors i fotògrafs, o comenta’ns el què penses.
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