Intro

About

In this first stage, the catalogue focuses on the modern and contemporary architecture designed and built between 1832 –year of construction of the first industrial chimney in Barcelona that we establish as the beginning of modernity– until today.

The project is born to make the architecture more accessible both to professionals and to the citizens through a website that is going to be updated and extended. Contemporary works of greater general interest will be incorporated, always with a necessary historical perspective, while gradually adding works from our past, with the ambitious objective of understanding a greater documented period.

The collection feeds from multiple sources, mainly from the generosity of architectural and photographic studios, as well as the large amount of excellent historical and reference editorial projects, such as architectural guides, magazines, monographs and other publications. It also takes into consideration all the reference sources from the various branches and associated entities with the COAC and other collaborating entities related to the architectural and design fields, in its maximum spectrum.

Special mention should be made of the incorporation of vast documentation from the COAC Historical Archive which, thanks to its documental richness, provides a large amount of valuable –and in some cases unpublished– graphic documentation.

The rigour and criteria for selection of the works has been stablished by a Documental Commission, formed by the COAC’s Culture Spokesperson, the director of the COAC Historical Archive, the directors of the COAC Digital Archive, and professionals and other external experts from all the territorial sections that look after to offer a transversal view of the current and past architectural landscape around the territory.

The determination of this project is to become the largest digital collection about Catalan architecture; a key tool of exemplar information and documentation about architecture, which turns into a local and international referent, for the way to explain and show the architectural heritage of a territory.

Aureli Mora i Omar Ornaque
Directors arquitecturacatalana.cat

credits

About us

Project by:

Created by:

Directors:

2019-2024 Aureli Mora i Omar Ornaque

Documental Commission:

2019-2024 Ramon Faura Carolina B. Garcia Eduard Callís Francesc Rafat Pau Albert Antoni López Daufí Joan Falgueras Mercè Bosch Jaume Farreny Anton Pàmies Juan Manuel Zaguirre Josep Ferrando Fernando Marzá Moisés Puente Aureli Mora Omar Ornaque

Collaborators:

2019-2024 Lluis Andreu Sergi Ballester Maria Jesús Quintero Lucía M. Villodres Montse Viu

External Collaborators:

2019-2024 Helena Cepeda Inès Martinel

With the support of:

Generalitat de Catalunya. Departament de Cultura

Collaborating Entities:

ArquinFAD

 

Fundació Mies van der Rohe

 

Fundación DOCOMOMO Ibérico

 

Basílica de la Sagrada Família

 

Museu del Disseny de Barcelona

 

Fomento

 

AMB

 

EINA Centre Universitari de Disseny i Art de Barcelona

 

IEFC

 

Fundació Domènench Montaner.

Design & Development:

edittio Nubilum
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We kindly invite you to help us improve the dissemination of Catalan architecture through this space. Here you can propose works and provide or amend information on authors, photographers and their work, along with adding comments. The Documentary Commission will analyze all data. Please do only fill in the fields you deem necessary to add or amend the information.

The Arxiu Històric del Col·legi d'Arquitectes de Catalunya is one of the most important documentation centers in Europe, which houses the professional collections of more than 180 architects whose work is fundamental to understanding the history of Catalan architecture. By filling this form, you can request digital copies of the documents for which the Arxiu Històric del Col·legi d'Arquitectes de Catalunya manages the exploitation of the author's rights, as well as those in the public domain. Once the application has been made, the Arxiu Històric del Col·legi d'Arquitectes de Catalunya will send you an approximate budget, which varies in terms of each use and purpose.

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Informació bàsica de protecció de dades

Responsable del tractament: Col·legi d Arquitectes de Catalunya 'COAC'
Finalitat del tractament: Tramitar la sol·licitud de còpies digitals dels documents dels quals l’Arxiu Històric del COAC gestiona els drets d'explotació dels autors, a més d'aquells que es trobin en domini públic.
Legitimació del tractament: El seu consentiment per tractar les seves dades personals.
Destinatari de cessions o transferències: El COAC no realitza cessions o transferències internacionals de dades personals.
Drets de les persones interessades: Accedir, rectificar i suprimir les seves dades, així com, l’exercici d’altres drets conforme a l’establert a la informació addicional.
Informació addicional: Pot consultar la informació addicional i detallada sobre protecció de dades en aquest enllaç

Awarded
Cataloged
Disappeared
All works
  • Red Tower

    Gaietà Buïgas i Monravà

    Red Tower

    Detached single-family house (currently divided into two houses), surrounded by a garden, with a tower at the back which has a square base and an octagonal upper body. It has a complex structure, with a Greek cross plan, made up of several bodies that have roofs on two sides. The material used in is exposed brick, which gave the house its name. The Red Tower was built in 1899 following the criteria of the eclectic architecture typical of that period, although it incorporated some medieval elements. The urbanisation of the Sant Ramon Street area (the old road from Cerdanyola to Sant Cugat), which became known as the "Dalt neighbourhood", had begun around 1828 with the construction of houses in some land owned by the Serraparera farm. Subsequently, new construction processes were carried out there, especially during the 1860s and 1880s. (Dating provided by source)

    1879

  • 1895

  • Clergy House - Rectory

    Eduard Maria Balcells Buigas

    Clergy House - Rectory

    It is a building intended for parish housing services. It presents some ornamental and constructive elements typical of the last stage of modernism where simple geometric shapes such as pointed arches formed with blown bricks are mixed with other curved geometric elements. A tower-shaped element stands out in one of the corners in one of the vertices in which the entrance door is located, covered by moulded buttresses and a gallery formed by a roof supported by stretchers. The floor plan of the building is rectangular with a hipped roof.

    1908

  • 1910

  • 1912

  • Fàbrica d'Uralita

    autoria desconeguda

    1907 - 1914

  • 1922

  • 1956 - 1959

  • 1974

  • Jaume Mimó i Llobet 14-16 Dwellings

    Studio PER, Lluís Clotet i Ballús, Oscar Tusquets Blanca

    Jaume Mimó i Llobet 14-16 Dwellings

    The project collects the experience of the apartments previously designed in Carrer Mozart in Sant Cugat. Each apartment is structured around a central space that allows it to be used virtually as a single space or as a set of independent rooms. In this case, the complex is organised in two blocks that leave a central semi-public space, so that the block facing the street follows the curve of the alignment, in order to restore a certain urban dimension. In addition, the possibility of building at a higher height allows for studios on the top floor. The apartments are accessed from the ground floor, and the studios are accessed from a metal gallery. This allows you to experience the central space from all levels. On the outside of both blocks there are private gardens linked to the apartments. The studios have their own spacious terrace, which allows it to be used as a garden.

    1976 - 1979

  • UAB Central sports Services Building

    Ferran Cardeñas i Parés, Josep Lluís Mateo i Martínez

    UAB Central sports Services Building

    The building is the result of the proposal to build it as a bridge that crosses a stream, determining the configuration of the campus, so as to link the two slopes where the sports courts are located. The programme is made up of a heterogeneous set of activities linked to sport and leisure: changing rooms, bar, gym, offices, meeting room, etc. On the other hand, the dimensions of the building are much smaller than those of the other buildings that make up the historic campus. This explains its placement and shape, which are intended to emphasise the lightness of the working scale. The building is linked to the topography and the landscape while adopting the form of an infrastructural tube that recalls certain images of industrial installations dignified superimposed on the landscape.

    1987 - 1993

  • Faculty of Translation and Interpretation of the UAB

    Jordi Bosch Genover, Joan Tarrús Galter, Santiago Vives i Sanfeliu

    Faculty of Translation and Interpretation of the UAB

    The building echoes the few references offered by a very poorly configured place on the Humanities campus: a square on the north side, a steep slope on the south side, and the railway crossing, which gives access to the whole campus. The programme is clearly separated into two bodies that are configured according to these references: the body of the offices ends in the direction of the ravine and the train track, while the body of the classrooms adopts a staggered section that also gives it an oriented character. Thus, the whole seems to be lifted from the square and suspended over the ravine. The north façade unifies both bodies by means of an unfolded mesh lattice that responds to the consolidated character of the square. Between the two bodies, a landscaped courtyard welcomes access and organises the circulations that unify the whole complex. The programme is developed independently of morphological considerations.

    1995 - 1998

  • M&M Houses

    Roldán+Berengué Arquitectes, Mercè Berengué Iglesias, José Miguel Roldán i Andrade

    M&M Houses

    The project is suggested by the peculiar nature of the assignment: two houses with different programs that share the same plot, forest-like and on a slope. Both houses follow the same general guidelines, regardless of the particularity of each program. The zero level is emphasised, which clearly determines the uses below and those above. Below there are the car parks, the workshops and the water tanks, with access from the ends of the lot. Above, each program is developed independently on two levels. The strip of central forest is the common element, shared by both houses through two facing porches. House M1 is for a couple with their young child. House M2 is for a teacher who spends long seasons outside of Barcelona and rents part of the house to other teachers. The materials and arrangement of the windows deliberately evoke the archetypal iconography of the domestic world.

    1999 - 2001

  • Plaça del Riu Sec and La Farigola Walkway

    Àrea Metropolitana de Barcelona (AMB), Montserrat Periel i Piquer, Manuel Reventós i Rovira

    Plaça del Riu Sec and La Farigola Walkway

    Between the Riu Sec and the railway tracks, on a previously confined asbestos-contaminated subsoil and an environment characterised by different topographic levels, there is the area where the new sports and school area will be developed in the Farigola district. Plaça del Riu Sec and the Farigola footbridge provide for the improvement of connectivity between areas and will be used as an access hall to future facilities. The square is made up of three paved strips that fold to access the lift, structuring the space. They are separated by interstitial areas, with slopes of green areas, living areas and children's games, which resolve the difference in levels to bring us closer to the residential district. The footbridge, a structure with two drawer beams, specifically solves the meeting with the extremes: in the square, a platform is both a viewpoint and access to the elevator and the staircase, and in the neighbourhood, it crosses over F. Puig Street and the tracks to look for the level of the Barcelona road.

    2010 - 2013

  • House 1105

    H ARQUITECTES, David Lorente Ibáñez, Josep Ricart Ulldemolins, Xavier Ros Majó, Roger Tudó Galí

    House 1105

    ...A small plot facing south - the result of the segregation of the garden at Judith's parents' house... This brief description of the site contains the main conditions that explain the project's strategy: the size explains the number of floors (3) as well as the minimum possible occupation (40 m2). The parents are the reason to concentrate the free space by turning the resulting garden into the entrance and hall of the house. The orientation explains how the south façade is the main source of lighting and views, which it does without any kind of limit, taking advantage of a set of large recycled windows. The openings are complemented by a staggered polycarbonate gallery that acts as a collector and protector. Only the north façade contains other windows to allow good cross ventilation. The staircase, with a single section, transversal and reversible, is the vertical circulation and distributor of the 6 resulting spaces. Out of these, only the bathroom and laundry room are specific to one function, while the rest take on the programme in the most ambiguous domestic way possible that ended up determining the customers. The spaces are intentionally characterised in terms of geometry, matter, and comfort but little determined in terms of function.

    2012 - 2014

  • ICTA-ICP Research Centre of the UAB

    DataAE, H ARQUITECTES, Claudi Aguiló Aran, Albert Domingo Ollé, David Lorente Ibáñez, Josep Ricart Ulldemolins, Xavier Ros Majó, Roger Tudó Galí

    ICTA-ICP Research Centre of the UAB

    The ICTA-ICP building located on the UAB (Autonomous University of Barcelona) campus is a research centre in environmental sciences and paleontology. Consistent with their fields of research, the building's users bet on an ambitious response to sustainability challenges. The building, an isolated volume of five floors of 40x40m and two basements, accommodates the following uses. On the ground floor: lobby, bar, classrooms and administration; on the following 3 floors, offices and laboratories; on the deck, greenhouses and rest areas; in the semi-basement, parking and machine rooms; and in the basement, warehouses and the rest of the laboratories. Both offices and laboratories are uses with a lot of internal load that tend to be hot. The ICTA-ICP has been designed to take advantage of it in winter and to dissipate it in summer. We plan the building as an adaptable and flexible infrastructure to possible changes of use.

    2014

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