Intro

About

In this first stage, the catalogue focuses on the modern and contemporary architecture designed and built between 1832 –year of construction of the first industrial chimney in Barcelona that we establish as the beginning of modernity– until today.

The project is born to make the architecture more accessible both to professionals and to the citizens through a website that is going to be updated and extended. Contemporary works of greater general interest will be incorporated, always with a necessary historical perspective, while gradually adding works from our past, with the ambitious objective of understanding a greater documented period.

The collection feeds from multiple sources, mainly from the generosity of architectural and photographic studios, as well as the large amount of excellent historical and reference editorial projects, such as architectural guides, magazines, monographs and other publications. It also takes into consideration all the reference sources from the various branches and associated entities with the COAC and other collaborating entities related to the architectural and design fields, in its maximum spectrum.

Special mention should be made of the incorporation of vast documentation from the COAC Historical Archive which, thanks to its documental richness, provides a large amount of valuable –and in some cases unpublished– graphic documentation.

The rigour and criteria for selection of the works has been stablished by a Documental Commission, formed by the COAC’s Culture Spokesperson, the director of the COAC Historical Archive, the directors of the COAC Digital Archive, and professionals and other external experts from all the territorial sections that look after to offer a transversal view of the current and past architectural landscape around the territory.

The determination of this project is to become the largest digital collection about Catalan architecture; a key tool of exemplar information and documentation about architecture, which turns into a local and international referent, for the way to explain and show the architectural heritage of a territory.

Aureli Mora i Omar Ornaque
Directors arquitecturacatalana.cat

credits

About us

Project by:

Created by:

Directors:

2019-2025 Aureli Mora i Omar Ornaque

Documental Commission:

2019-2025 Ramon Faura Carolina B. Garcia Eduard Callís Francesc Rafat Pau Albert Antoni López Daufí Joan Falgueras Mercè Bosch Jaume Farreny Anton Pàmies Juan Manuel Zaguirre Josep Ferrando Fernando Marzá Moisés Puente Aureli Mora Omar Ornaque

Collaborators:

2019-2025 Lluis Andreu Sergi Ballester Maria Jesús Quintero Lucía M. Villodres Montse Viu

External Collaborators:

2019-2025 Helena Cepeda Inès Martinel

With the support of:

Generalitat de Catalunya. Departament de Cultura

Collaborating Entities:

ArquinFAD

 

Fundació Mies van der Rohe

 

Fundación DOCOMOMO Ibérico

 

Basílica de la Sagrada Família

 

Museu del Disseny de Barcelona

 

Fomento

 

AMB

 

EINA Centre Universitari de Disseny i Art de Barcelona

 

IEFC

 

Fundació Domènench Montaner.

Design & Development:

edittio Nubilum
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We kindly invite you to help us improve the dissemination of Catalan architecture through this space. Here you can propose works and provide or amend information on authors, photographers and their work, along with adding comments. The Documentary Commission will analyze all data. Please do only fill in the fields you deem necessary to add or amend the information.

The Arxiu Històric del Col·legi d'Arquitectes de Catalunya is one of the most important documentation centers in Europe, which houses the professional collections of more than 180 architects whose work is fundamental to understanding the history of Catalan architecture. By filling this form, you can request digital copies of the documents for which the Arxiu Històric del Col·legi d'Arquitectes de Catalunya manages the exploitation of the author's rights, as well as those in the public domain. Once the application has been made, the Arxiu Històric del Col·legi d'Arquitectes de Catalunya will send you an approximate budget, which varies in terms of each use and purpose.

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Informació bàsica de protecció de dades

Responsable del tractament: Col·legi d Arquitectes de Catalunya 'COAC'
Finalitat del tractament: Tramitar la sol·licitud de còpies digitals dels documents dels quals l’Arxiu Històric del COAC gestiona els drets d'explotació dels autors, a més d'aquells que es trobin en domini públic.
Legitimació del tractament: El seu consentiment per tractar les seves dades personals.
Destinatari de cessions o transferències: El COAC no realitza cessions o transferències internacionals de dades personals.
Drets de les persones interessades: Accedir, rectificar i suprimir les seves dades, així com, l’exercici d’altres drets conforme a l’establert a la informació addicional.
Informació addicional: Pot consultar la informació addicional i detallada sobre protecció de dades en aquest enllaç

Awarded
Cataloged
Disappeared
All works
  • Rusiñol Colony

    Rusiñol Colony

    Halfway between the colony and the urban factory, Can Remisa featured housing, a chapel, a company store, an inn and a small school. Throughout the 1880s, the Rusiñol family expanded the colony and built an imposing manor named Cau Faluga by Santiago Rusiñol, a true gem of industrial modernism. The walled complex, situated between the river and the cultivated fields, is dominated by the chimney—a cylindrical tower over 40 meters tall—and the imposing owners' manor, a building that displays eclectic features, blending romantic and modernist architecture. In several parts of the colony, modernist elements can be found, such as lampposts with wrought-iron detailing, although the colony itself belongs to the pre-modernist style. It is enclosed by a wall made of river stones and cement. The colony was organised linearly, with factory buildings ready for expansion. Parallel to these, the workers' homes and the owner's residence—used seasonally—were located. The colony was also structured around a large open space, which included an intriguing two-storey building for the owners, a single-storey work nave with an unfinished central section intended for expansion, and two housing blocks for the workers.

    1857

  • 1971 - 1972

  • River Ter Museum

    Carlos Ferrater i Lambarri

    River Ter Museum

    The project is based on the remodelling of the old Sanglas factory and aims to recover the essential typology of the tall, elongated river factory. For this reason, all the additions that detract from its original form have been removed and a new vertical body has been added that continues and completes the river factory structure that concentrates the parts necessary for the functioning of a contemporary museum: stairs, lifts, goods lifts, management and services. The new body acts as a tower connecting the three levels of the building. The whole intervention gives maximum prominence to the volume converted into a museum. The main access is through the square created by the new extension. The museum pieces on industry and local history are distributed on the ground floor and first floor. The temporary exhibition hall, auditorium and the River Ter study centre are located on the second floor. The architecture, with this juxtaposition of the historical and the modern, will become the first ingredient that explains the contents of the museum and, at the same time, the first piece of the future Ter river park.

    1997

  • Manlleu Municipal Market

    Colomer-Rifà, Comas-Pont Arquitectes, Ramon Colomer i Ordeig, Jordi Comas i Mora, Anna Pont i Armengol

    Manlleu Municipal Market

    The building is located in a way so it respects the existing square and it faces Carrer Pintor Guàrdia so that it is visible from Avinguda de Roma. The proposed volume balances the empty-full relationship with the square in favour of the empty space, creating the appearance of a surface parking area from Carrer Mercat. The aim is to create a completely open and unified space in which light is the main character. Thus, a unidirectional east-west metal structure is proposed with specific supports at the ends in the market area. A continuous skin that unifies the façade and roof folds, generating different heights that allow light to enter from the north and south and enable cross ventilation. This skin unfolds to create the porches of the main entrances (from Carrer Pintor Guàrdia, Plaça del Mercat and the surface car park). The sun protection in different intensities of the openings in the south and on the main facades (southeast and southwest) allow for the atmosphere typical of Mediterranean markets: dim lighting and a relaxed atmosphere, cool in summer and warm in winter, similar to a greenhouse. The visual connection between outside and inside is strengthened by the transparency of the ground floor and the continuity of the market's interior flooring into the urban space of Carrer Pintor i Guàrdia, as if it were a mat inviting people to enter. The building blends into its surroundings with a fragmented roof (thanks to the slabs) that is reminiscent of the staircase of the adjoining terraced houses, thus preserving the view from the neighbouring houses and from the upper floors of the school.

    2011

  • Pasallis. Jetty and Flooded Pedestrian Bridge

    SAU - Taller d'Arquitectura, Lluís Jordà Sala, Pol Jordà Sala

    Pasallis. Jetty and Flooded Pedestrian Bridge

    The project's main objective is to serve as a catalyst for recreational, cultural, sports and educational activities around the river channel. This can be explained through three basic strategies: Territorial Logic to enhance river channels as areas of landscape interest. Urban Strategy to consolidate a green recreational and cultural axis adjacent to the river. Technical Solution — a specific, low-environmental-impact intervention. TERRITORIAL LOGIC, SUPRA-MUNICIPAL SCALE: THE RIVERBED The project aims to revive activity within river channels. These channels, by definition, have always been remarkable ecotones — transitional spaces that depend on both the river ecosystem and the adjacent landscape. These areas possess rich environmental and scenic value. However, when passing through urban centres, these channels have been neglected, with rivers often channelled into barriers separating floodable and non-floodable areas. The proposal is driven by the belief that restoring activity to these spaces and blurring the boundary between river and city will enrich these environments, encouraging their preservation and a sense of ownership. MUNICIPAL LOGIC, URBAN STRATEGY: GREEN AXIS AND THE DEVESA Manlleu’s history and prosperity are closely tied to the river, with both agricultural and industrial activity benefiting from the Ter’s course. Analysis of the urban structure reveals that during periods of major development, the town turned its back on the river. In recent years, efforts have been made to revitalise the area with green spaces, cultural facilities and sports zones. As a result, a new recreational and cultural axis has emerged along the left bank of the river. This axis begins at the RENFE train station on the westernmost edge and continues through the sports area, children’s parks and the Paseo del Ter, culminating at the Ter Museum on the eastern end. Here, where there is a kiosk and a small kayak dock, the river forms a meander, creating a vast 30-hectare dehesa (meadow) on the right bank. The project’s main goal is to extend this recreational and cultural axis from the left bank to the right bank, unlocking a large, previously underutilised area. In this way, Manlleu gains 30,000m² of open space. This space offers a wealth of possibilities, from leisurely walks through the dehesa to new sports activities that respect the environment. Educational activities can also be promoted, effectively serving as an outdoor extension of the Ter Museum — a place to understand and explain the importance of the river, its surrounding ecosystems, and the industrial heritage such as sluices and canals. CONSTRUCTION LOGIC, TECHNICAL SOLUTION: THE ECOTONE Of all the possible options, a walkway was chosen. Walkways are low-environmental-impact infrastructures. By definition, a walkway is designed to be floodable, naturally integrating with the river's dynamics. The project features a series of concrete platforms reminiscent of ancient river crossings where people could step from stone to stone. The design addresses the specific needs of river environments – it avoids formalism, providing an efficient response to hydraulic and functional requirements. Concrete walls, 25cm thick and spaced 2.25m apart, run perpendicular to the river’s flow, maintaining the daily average flow capacity. Above these walls, 1.5m x 3.95m cantilevered concrete platforms, just 10cm thick, minimise impact on the water flow. The platforms do not touch each other, ensuring the structure remains open and enhances hydraulic performance during high-water events. Between the platforms, metal grates provide accessibility for pedestrians and service vehicles, and are removable for maintenance. Crossing from one bank to the other, pedestrians leave the comfort of the urban ecosystem, becoming aware of the river's power. The sound of water against the walls, the humidity and temperature changes immerse visitors in the fluvial ecosystem. Over the years, the walkway will evolve: the colour of the concrete will change based on water levels, the walls will bear marks from stones and logs carried by the river, and the metal framework will darken under the sun’s radiation. In this way, the walkway will transform into an ecotone — a transitional zone between two ecosystems, urban and fluvial.

    2021

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